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...] the rock elements this time almost completely disappear, the folk takes on the fades, never insistently, but they are like sudden still images that interrupt the breathless sound of the banjo, even just for a couple of minutes; the slowdowns do good for The Dead South, who are so inspired that they gift us a pleasant pastoral interlude.
Nate Hilts (vocalist and guitarist) composes small bluegrass mirrors that form a larger one, the violin and guitars slightly distort and displace what is reflected far away from the banjo in the tempo changes of Chew, the other vocalist Scott Pringle carves out spaces that are more or less broad, and The Dead South proceed at a steady length... The soft steel guitar enriches their melodies...
The Dead South work in an extremely meticulous way, advocates of a sound of sparse rigor, brilliantly spinning ‘in the eye of bluegrass.’ [...] (quoted freely from cheapo.it)
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