When he conceived "The Last Supper," Leonardo Da Vinci faced a great difficulty: he needed to paint Good, in the image of Jesus, and Evil, in the figure of Judas, the disciple who chose to betray him during the supper. He had to interrupt his work halfway, until he managed to find the ideal models. One day, while listening to a choir, he saw in one of the boys the perfect image of Christ. He invited him to his studio and reproduced his features in various studies and sketches. Three years passed. The painting was almost finished, but Leonardo had not yet found the model for Judas. The cardinal urged him, insisting that he complete his work soon. After a few days of searching, the artist encountered a young man who was prematurely aged, ragged, and drunk, lying face down in a ditch. With difficulty, he asked his assistants to take him to the church, as he had no more time to make a sketch. The beggar was transported to the chi