I have already written a review on "(What's The Story) Morning Glory ?", and I was bombarded with criticism because I defined it not as a britpop album, but as "pure rock." Maybe I exaggerated a bit, and I'm also willing to partially retract my statement.
However, this certainly is a britpop album (I'm talking about "Definitely Maybe"), full of joy for the spotlight just gained, laziness, and a bit of nostalgia, but also drugs, clearly present from beginning to end, in the notes and lyrics. The first song is "Rock'N'Roll Star", a historic piece by Oasis, which delivers a great adrenaline rush, and as the first track in the band's history, it's truly an extraordinary start. The second song, and the second single from the album, is "Shakermaker", pure psychedelia, with its distinctive rhythm created by the guitars, which almost seem lazy; this is a very underrated song, though in my opinion, it is one of the most representative tracks of the album. The third track is the dreamy and poetic "Live Forever", the third single and the first to enter the top ten of the English chart; Noel's guitar solo is indescribable; every time you listen to it, it gives you chills. After "Live Forever", there's "Up In The Sky", a bit pointless, as after a few listens it becomes tiresome. We return to psychedelia with "Columbia", slow but enjoyable. Then there's the aggressive rock of "Supersonic", another historic piece not only for its originality, but also because it was Oasis' very first single; the lyrics are a mix of nonsensical phrases, with various references to sex and drugs, which perfectly express the rhythm of the song.
Similar to "Supersonic" in aggression, but much more pronounced here, is "Bring It On Down", which expresses all the anger of the English working class, which is kindly invited to "destroy it" ("bring it on down, bring it on down for me"); this song is 100% rock (and whoever dares to say otherwise will be whipped for my supreme joy). Another aggressive song is "Cigarettes & Alcohol", also full of drug references; it's beautiful, except it was "taken" directly from a '70s single by T-Rex; as soon as I learned this, and experienced the embarrassing similarity between the two tracks, it started to lose its appeal to me; I advise those who aren't touchy to pretend nothing happened, and listen to it calmly. The ninth song is "Slide Away", Bono Vox's absolute favorite track, which, according to Noel Gallagher's testimony, he sang from start to finish with his guitar when they first met over dinner; returning to the song itself, it's good, yes, very much so, but to consider it one's favorite song takes some doing; the rhythm is dreamy and sad.
In "Married With Children", on the other hand, simmering sarcasm and anger prevail, but not entirely, accompanied by an acoustic guitar and an electric one, which elegantly interjects at certain moments, enhancing the disconsolate atmosphere. I read in a comment on a review of this album that the only weak point of "Definitely Maybe" is "Sad Song", a track not included for some reason. Maybe it's not the only weak point, but almost.
This album is just noise, and nothing more.
Maybe Iāve been a bit harsh, but every time I try to listen to this CD, I get a headache...
Oasis are not innovators, they donāt experiment, they just want to hit you with simple songs that are instant classics and stick to your ears and heart at first listen.
Definitely Maybe is a condensation of the best English music produced from the sixties to the early ā70s, with maximal guitar and vocal volumes, psychedelia, violence, and candor merging in the grooves of DM.
Itās listenable, but itās certainly not a ātimelessā or a āmasterpieceā as Iāve heard some say.
Oasis did better in the later years which is why they remain one of my favorite bands.
"Perhaps this judgment is also influenced by the fact that in the 10 years that followed, Oasis shifted gears musically and captivated us with albums of a vastly different level."
"Track number three is indeed 'Live Forever': a great song that became the true anthem of a generation."
"The Gallagher brothers couldnāt care less about your criticisms, they donāt give a damn about your damn criticisms!"
"This album is devastating, beautiful, powerful, the best album of the ā90s."