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The genuinely complete and convincing track is certainly "Child of Prophecy," the only one where Myrath truly aren't afraid to show who they are, aren't afraid to be metal or to be Arabic; it's a track that could have easily belonged on "Tales of the Sands," when you listen to it you bite your nails thinking about what else they could have achieved if they had wanted to. Discover the review
The genuinely complete and convincing track is certainly "Child of Prophecy," the only one where Myrath truly aren't afraid to show who they are, aren't afraid to be metal or to be Arabic; it's a track that could have easily belonged on "Tales of the Sands," when you listen to it you bite your nails thinking about what else they could have achieved if they had wanted to.
they've reduced the metal component to the bone, eliminating precisely that mix that made them interesting; the latest Myrath seems really like a sort of neo-melodic Arab music with just some distorted guitars in the background to give some energy, not really the oriental metal they would like us to believe, they are convinced, but we listeners, even those not too attentive, have unmasked them immediately. Discover the review
they've reduced the metal component to the bone, eliminating precisely that mix that made them interesting; the latest Myrath seems really like a sort of neo-melodic Arab music with just some distorted guitars in the background to give some energy, not really the oriental metal they would like us to believe, they are convinced, but we listeners, even those not too attentive, have unmasked them immediately.
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