Cover of Morbid Angel Kingdoms Disdained
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For fans of morbid angel, lovers of old-school death metal, enthusiasts of extreme metal, and readers interested in metal album reviews.
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LA RECENSIONE

The album I never expected to listen to at the end of 2017.

The return of Morbid Angel literally "massacred" my already poor hearing for at least a week.

Six years after the abomination that was the previous "Illud Divinum Insanus": an attempt to step out of the canonical and stormy Death Metal, their disturbing and malevolent characteristics, to land in a headless and tailless mess. And here I stop because the anger in my body for such garbage is still immense. Let's move on to "Kingdoms Disdained" which is a total eruption of old-school Death.

Trey Azagthoth has put things right, remembering that he is a pillar, a constant in musical extremism.

He calls to the bedside of his creature, now on the brink of the precipice and ignoble end, bassist-singer Steve Tucker, author of all the lyrics of the album.

Those well-versed in the artistic trajectory of Morbid Angel are aware of the alphabetical sequence of the titles of the Floridian band's works. "Altars of Madness", "Blessed are the Sick", "Covenant", "Domination" are the first four masterpieces; the sequence continues with the other letters until reaching, with this new album, Kappa.

A simple, essential, and direct album. Without frills or unnecessary digressions. It does not reach, I feel obliged to write, the spasmodic peaks of the aforementioned initial four albums. But it is rich in tracks that split you in eight, thanks to the consistently excellent production work of Erik Rutan, who in recent years has stood out as one of the best sound "constructors" in the Metal scene.

Steve's voice is a growl with ultra-low tones: a bloodthirsty ogre that devours the phrases uttered; the drums draw squared geometries, of a beastly power, alternating frenetic speed with sudden slowdowns. But once again, it is Trey's atonal, distorted, schizoid riffs that reign supreme during the listening of all the tracks. Note upon note built without ever a pause; long, tortured, dense riffs with doomy slowdowns of a harsh cemetery flavor.

Forty-seven minutes to demonstrate that the Kings of Death Metal are back...FROM THE HAND OF KINGS... (I just wrote it!!!!!).

Diabolos Rising 666.

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Summary by Bot

Kingdoms Disdained is Morbid Angel's strong comeback to old-school Death Metal after a disappointing previous album. The album features brutal riffs, powerful vocals, and excellent production by Erik Rutan. Though it may not reach the heights of their earliest masterpieces, it offers a direct, intense listening experience. Trey Azagthoth and Steve Tucker deliver performances that reaffirm the band's legendary status in the extreme metal scene.

Tracklist

01   Piles Of Little Arms (03:44)

02   From The Hand Of Kings (04:02)

03   The Fall Of Idols (04:48)

04   D.E.A.D (03:00)

05   Garden Of Disdain (04:24)

06   The Righteous Voice (05:03)

07   Architect And Iconoclast (05:43)

08   Paradigms Warped (03:59)

09   The Pillars Crumbling (05:05)

10   For No Master (03:28)

11   Declaring New Law (Secret Hell) (04:20)

Morbid Angel

Morbid Angel is an American death metal band from Florida, widely regarded in the reviews as a pioneering and influential act in the genre, strongly associated with guitarist Trey Azagthoth and drummer Pete “Commando” Sandoval, with notable vocal eras led by David Vincent and later Steve Tucker.
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