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Rating: What is a Black man doing on every television in the world in 1983? How does a Black man change popular white music forever and become a legend? How did a Black man manage to stay on the charts for 132 weeks and win 12 Grammys with just one album? How could a Black man in 1983 sell around 50 million copies with a single record? The answer to all these questions is just one, Thriller.
Young Jackson, who in 1983 was just 25 years old, had until then been a good interpreter of soul-black-dance music, an eclectic artist very much appreciated in the American Black music scene, a former child prodigy, seemed destined to join the ranks of many American singers with a strong inclination for dancing. However, it was often forgotten that this phenomenon was only 25 years old, and thus perhaps had not yet expressed himself to his fullest potential. In fact, his genius would soon explode and be confirmed until the succeeding scandals, which are better left unmentioned out of respect for the work we are discussing.
Engaging with an album like Thriller is not simple; the biggest challenge lies in finding the right approach. The individual tracks, except one, considered individually, could represent the career-defining hit of any other artist, yet they are part of just one album, the history of pop music collected in a record. So, I'll do this review in a haphazard way starting with the track I consider the least important, which is "The Girl is Mine", sung in a duet with the fabulous Paul from the Liverpool four, it's somewhat predictable and repetitive, not worthy of a collaboration between two geniuses, modest.
Having said this, the rest is a mix of Funky-Rock-Ballads-Dance-Electro pop, played divinely by the best musicians around and sung sublimely by the best singer, "P.Y.T." is a danceable track of great elegance and charm with the choruses from the little Jackson sisters (always an eye on the family), a beautiful chart-topping song, listening to it immediately transports you to the '80s, the bongos are played by MJ himself, a piece with Afro roots masked by an unobtrusive electronic base, and a soft electric guitar, we can only dream of such music today (I speak of pop music, obviously).
"Baby Be Mine" funky-dance rhythm with a pop base skillfully played and sung with heart.
"The Lady in My Life" a sweet love song, elegant and seductive, a timeless piece, it could be a hit today without any difficulty, the singer's voice is mature and warm.
Now, I don't know what else to say because I have to confront 5 sacred monsters. "Wanna Be Startin' Somethin'", written, music, and lyrics, by Michael Jackson, possesses a driving rhythm until then almost unknown, the synthesizer functions as an emotion accelerator, I challenge anyone who is not MJ to dance to it, the iconic chant of mammasei mammasaa mammamsa... today recovered and sampled by a prominent artist 25 years later, defying the commercial music that MJ should represent, an eternal and unique piece in Jackson's discography and in the general one.
I am not a great technical music expert, but I pride myself on being a connoisseur, how do I describe Thriller? So, to get out of embarrassment, I simply say that, without insult and without wanting to make blasphemous comparisons, until 1983 only Pink Floyd had managed to tie special effects so well in a song, I repeat, to avoid misunderstandings, I absolutely do not want to compare the masterpiece of the latter with the excellent music of the album in question, the video, however, is the best in music history, an ongoing source of inspiration, a stroke of genius which, together with the last two tracks, if I can manage, contributed to the worldwide success of the album.
"Beat It" I am a fan of '70s rock music, I never loved the somewhat faded rock of the '80s, but here there is a mixture between white beat, the guitar of a sacred monster, and the danc-y verve that transforms into our hero's rock aggression, a level never reached again by anyone, a piece that created a genre, "so beat it just beat it... but you wanna be bad...", sonic perfection, written by MJ, so I ask, how can someone from a background of Black Music-Soul and at most Dance write such a piece? Is he perhaps a genius? Ok, we’ll answer this question later.
"Human Nature" fabulous lyrics, I’ll just add David and Jeff Porcaro, Paulinho da Costa.
"Billie Jean" in its simplicity a track that conditioned 20 years of pop music, the symbol of Jackson flying with the Moonwalk at the 25th anniversary of Motown and conquering the world, bass-guitar-drums-beatbox, alone it is worth the price of the record, the iconic track of the '80s, I bow to such greatness.
I have always wondered if it is right for this to be the best-selling album of all time, well I have given myself an answer and it is YES, not because it is the most beautiful, but because it is the most beautiful among those understandable to the general public, without ifs and buts.
Tracklist Lyrics and Videos
01 Wanna Be Startin' Somethin' (06:02)
Chorus
I said you wanna be startin' somethin'
You got to be startin' somethin'
I said you wanna be startin' somethin'
You got to be startin' somethin'
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
1St Verse
I took my baby to the doctor
With a fever, but nothing he found
By the time this hit the street
They said she had a breakdown
Someone's always tryin' to start my baby cryin'
Talkin', squealin', lyin'
Sayin' you just wanna be startin' somethin'
Chorus
I said you wanna be startin' somethin'
You got to be startin' somethin'
I said you wanna be startin' somethin'
You got to be startin' somethin'
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
2Nd Verse
You love to pretend that you're good
When you're always up to no good
You really can't make him hate her
So your tongue became a razor
Someone's always tryin' to keep my baby cryin'
Treacherous, cunnin', declinin'
You got my baby cryin'
Chorus
I said you wanna be startin' somethin'
You got to be startin' somethin'
I said you wanna be startin' somethin'
You got to be startin' somethin'
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
You're a vegetable, you're a vegetable
Still they hate you, you're a vegetable
You're just a buffet, you're a vegetable
They eat off of you, you're a vegetable
3Rd Verse
Billie Jean is always talkin'
When nobody else is talkin'
Tellin' lies and rubbin' shoulders
So they called her mouth a motor
Someone's always tryin' to start my baby cryin'
Talkin', squealin', spyin'
Sayin' you just wanna be startin' somethin'
Chorus
I said you wanna be startin' somethin'
You got to be startin' somethin'
I said you wanna be startin' somethin'
You got to be startin' somethin'
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
You're a vegetable, you're a vegetable
Still they hate you, you're a vegetable
You're just a buffet, you're a vegetable
They eat off of you, you're a vegetable
Ad-lib
If you cant feed your baby (yeah, yeah)
Then don't have a baby (yeah, yeah)
And don't think maybe (yeah, yeah)
If you can't feed your baby (yeah, yeah)
You'll be always tryin'
To stop that child from cryin'
Hustlin', stealin', lyin'
Now baby's slowly dyin'
Chorus
I said you wanna be startin' somethin'
You got to be startin' somethin'
I said you wanna be startin' somethin'
You got to be startin' somethin'
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
It's too high to get over (yeah, yeah)
Too low to get under (yeah, yeah)
You're stuck in the middle (yeah, yeah)
And the pain is thunder (yeah, yeah)
Ad-lib
Lift your head up high
And scream out to the world
I know I am someone
And let the truth unfurl
No one can hurt you now
Because you know what's true
Yes, I believe in me
So you believe in you
Help me sing it, ma ma se
Ma ma sa, ma ma coo sa
Ma ma se, ma ma sa
Ma ma coo sa
(Repeat/fade-out)
04 Thriller (05:57)
It's close to midnight
And something evil's lurkin' in the dark
Under the moonlight
You see a sight that almost stops your heart
You try to scream
But terror takes the sound before you make it
You start to freeze
As horror looks you right between the eyes
You're paralyzed
'Cause this is thriller
Thriller night
And no one's gonna save you
From the beast about to strike
You know it's thriller
Thriller night
You're fighting for your life
Inside a killer
Thriller tonight, yeah
You hear the door slam
And realize there's nowhere left to run
You feel the cold hand
And wonder if you'll ever see the sun
You close your eyes
And hope that this is just imagination
Girl, but all the while
You hear a creature creepin' up behind
You're outta time
'Cause this is thriller
Thriller night
There ain't no second chance
Against the thing with the forty eyes, girl
(Thriller)
(Thriller night)
You're fighting for your life
Inside a killer
Thriller tonight
Night creatures call
And the dead start to walk in their masquerade
There's no escaping the jaws of the alien this time
(They're open wide)
This is the end of your life
They're out to get you
There's demons closing in on every side
They will possess you
Unless you change that number on your dial
Now is the time
For you and I to cuddle close together, yeah
All through the night
I'll save you from the terror on the screen
I'll make you see
That this is thriller
Thriller night
'Cause I can thrill you more
Than any ghost would ever dare try
(Thriller)
(Thriller night)
So let me hold you tight
And share a
(killer, diller, chiller)
(Thriller here tonight)
'Cause this is thriller
Thriller night
Girl, I can thrill you more
Than any ghost would ever dare try
(Thriller)
(Thriller night)
So let me hold you tight
And share a
(killer, thriller)
I'm gonna thrill you tonight
[Rap]
Darkness falls across the land
The midnight hour is close at hand
Creatures crawl in search of blood
To terrorize y'awl's neighborhood
And whosoever shall be found
Without the soul for getting down
Must stand and face the hounds of hell
And rot inside a corpse's shell
I'm gonna thrill you tonight
(Thriller, thriller)
I'm gonna thrill you tonight
(Thriller night, thriller))
I'm gonna thrill you tonight
Ooh, babe, I'm gonna thrill you tonight
Thriller night, babe
[Rap]
The foulest stench is in the air
The funk of forty thousand years
And grizzly ghouls from every tomb
Are closing in to seal your doom
And though you fight to stay alive
Your body starts to shiver
for no mortal can resist
the evil of the thriller
05 Beat It (04:18)
They told him don't you ever come around here
Don't wanna see your face, you better disappear
The fire's in their eyes and their words are really clear
So beat it, just beat it
You better run, you better do what you can
Don't wanna see no blood, don't be a macho man (Uh)
You wanna be tough, better do what you can
So beat it, but you wanna be bad
Just beat it, (beat it), beat it, (beat it)
No one wants to be defeated
Showin' how funky strong it's your fight
It doesn't matter who's wrong or right
Just beat it, beat it
Just beat it, beat it
Just beat it, beat it
Just beat it, beat it
Uh!
They're out to get you, better leave while you can
Don't wanna be a boy, you wanna be a man
You wanna stay alive, better do what you can
So beat it, just beat it (Uh)
You have to show them that you're really not scared (Uuh)
You're playin' with your life, this ain't no truth or dare (Uh!)
They'll kick you, then they beat you,
Then they'll tell you it's fair
So beat it, but you wanna be bad
Just beat it, (beat it), beat it, (beat it)
No one wants to be defeated
Showin' how funky strong it's your fight
It doesn't matter who's wrong or right
Chorus
Just beat it, (beat it), beat it, (beat it)
No one wants to be defeated
Showin' how funky strong it's your fight
It doesn't matter who's wrong or right
Just beat it (x 12)
(Guitar solo)
Beat it, (beat it), beat it, (beat it)
No one wants to be defeated
Showin' how funky strong it's your fight
It doesn't matter who's wrong or right
(Oooh, right!)
(wooohooo)
Just beat it, beat it, beat it, beat it
No one wants to be defeated (Oh, lord)
Showin' how funky (Eeh, eeh) strong it's your fight (Eeh, eeh)
It doesn't matter who's wrong or right
Just beat it, (beat it), beat it, (beat it), beat it
No one wants to be defeated (Oh, no)
Showin' how funky (Eeh, eeh)strong it's your fight(Eeh, eeh)
It doesn't matter who's wrong or right
Just beat it, (beat it), beat it, (beat it)
No one wants to be defeated
Showin' how funky strong it's your fight
It doesn't matter who's wrong or right (Who’s wrong)
Just beat it, (beat it) (Wooohooo)
Beat it, beat it, beat it
06 Billie Jean (04:54)
She was more like a beauty queen from a movie scene
I said don't mind, but what do you mean I am the one
Who will dance on the floor in the round
She said I am the one, who will dance on the floor in the round
She told me her name was Billie Jean, as she caused a scene
Then every head turned with eyes that dreamed of being the one
Who will dance on the floor in the round
People always told me,
"Be careful of what you do,
And don't go around breaking young girls' hearts."
And mother always told me,
"Be careful of who you love
And be careful of what you do 'cause the lie becomes the truth."
Now Billie Jean is not my lover
She's just a girl who claims that I am the one
But the kid is not my son
She says I am the one
But the kid is not my son
No, no.
For forty days and for forty nights
The law was on her side
But who can stand when she's in demand
Her schemes and plans
'Cause we danced on the floor in the round
So take my strong advice, just remember to always think twice
(Do think twice)
She told my baby we'd danced till three, then she looked at me
Then showed a photo my baby cried his eyes were like mine (oh, no!)
'Cause we danced on the floor in the round, baby
People always told me,
"Be careful of what you do,
And don't go around breaking young girls' hearts."
(don't break no hearts!)
But she came and stood right by me
Then the smell of sweet perfume
This happened much too soon
She called me to her room
Billie Jean is not my lover
She's just a girl who claims that I am the one
But the kid is not my son
Billie Jean is not my lover
She's just a girl who claims that I am the one
But the kid is not my son (No, no)
She says I am the one, but the kid is not my son
She says I am the one, but the kid is not my son
Billie Jean is not my lover
She's just a girl who claims that I am the one (ad lib)
But the kid is not my son
She says I am the one, but the kid is not my son
She says I am the one
She says He is my son
She says I am the one
Billie Jean is not my lover...
07 Human Nature (04:06)
Written & Composed by Steve Porcaro & John Bettis
Looking out
Across the night-time
The city winks a sleepless eye
Hear her voice
Shake my window
Sweet seducing sighs
Get me out
Into the night-time
Four walls won't hold me tonight
If this town
Is just an apple
Then let me take a bite
Chorus
If they say -
Why, why, tell 'em that is human nature
Why, why, does he do me that way
If they say -
Why, why, tell 'em that is human nature
Why, why, does he do me that way
Reaching out
To touch a stranger
Electric eyes are ev'rywhere
See that girl
She knows I'm watching
She likes the way I stare
Chorus
If they say -
Why, why, tell 'em that is human nature
Why, why, does he do me that way
If they say -
Why, why, tell 'em that is human nature
Why, why, does he do me that way
I like livin' this way
I like lovin' this way
(Instrumental section)
Looking out
Across the morning
The city's heart begins to beat
Reaching out
I touch her shoulder
I'm dreaming of the street
Chorus
If they say -
Why, why, tell 'em that is human nature
Why, why, does he do me that way
If they say -
Why, why, tell 'em that is human nature
Why, why, does he do me that way
I like livin' this way
(Repeat Chorus - Ad-lib/fade-out)
08 P.Y.T. (Pretty Young Thing) (03:59)
Where did you come from lady
And ooh won't you take me there
Right away won't you baby
Tendoroni you've got to be
Spark my nature
Sugar fly with me
Don't you know now
Is the perfect time
We can make it right
Hit the city lights
Then tonight ease the lovin' pain
Let me take you to the max
I want to love you (P. Y. T.)
Pretty Young Thing
You need some lovin' (T. L. C.)
Tender lovin' care
And I'll take you there
I want to love you (P. Y. T.)
Pretty Young Thing
You need some lovin' (T. L. C.)
Tender lovin' care
And I'll shake you there
Anywhere you wanna go
Nothin' can stop this burnin'
Desire to be with you
Gotta get to you baby
Won't you come, it's emergency
Cool my fire yearnin'
Honey, come set me free
Don't you know now is the perfect time
We can dim the lights
Just to make it right
In the night
Hit the lovin' spot
I'll give you all that I've got
I want to love you (P. Y. T.)
Pretty Young Thing
You need some lovin' (T. L. C.)
Tender lovin' care
And I'll take you there
I want to love you (P. Y. T.)
Pretty Young Thing
You need some lovin' (T. L. C.)
Tender lovin' care
I'll take you there
Breakdown
Pretty young things, repeat after me
(Michael) Sing na na na
(P. Y. T.'s) na na na
(Michael) na na na na
(P. Y. T.'s) na na na na
(Michael) Sing na na na
(P. Y. T.'s) na na na
(Michael) na na na na na
(P. Y. T.'s) na na na na na
(Michael) I'll take you there
I want to love you (P. Y. T.)
Pretty Young Thing
You need some lovin' (T. L. C.)
Tender lovin' care
And I'll take you there
I want to love you (P. Y. T.)
Pretty Young Thing
You need some lovin' (T. L. C.)
Tender lovin' care
I'll take you there
I want to love you (P. Y. T.)
Pretty Young Thing
You need some lovin' (T. L. C.)
Tender lovin' care
And I'll take you there
I want to love you (P. Y. T.)
Pretty Young Thing
You need some lovin' (T. L. C.)
Tender lovin' care
I'll take you there
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Other reviews
By RingoStarfish
‘Thriller’ is a masterpiece of musical construction, a Nietzschean will to power in wanting to become the number one.
The Thriller project encapsulates in itself any strategy feasible to make one’s music a universal language, comprehensible to all.
By tommithebest
"Thriller, Michael Jackson's masterpiece album... is undoubtedly something unimaginable, an incredible album in its completeness and variety."
"Billie Jean... the true dragging pearl of 'Thriller', perhaps the greatest success of all time for Michael Jackson, a real gem."
By ronnie92
Thriller is such a rare musical phenomenon with no precedent.
If along with the superstar status, you add 9 beautiful tracks that deserve to be injected into the heritage of anyone who has turned on a radio in the last 25 years, then you can surely think that this is not a rare phenomenon, but a unique one.
By andrew1992
"Thriller is indeed universal. It bridges the two cultures, offering if not a 'new' genre, a refined and complete pop."
"'Billie Jean' is one of those songs that will be remembered as long as music exists. Immortal."
By jif09
Thriller is still the best-selling album of all time, with approximately 110 million copies sold.
A truly unique album that will always remain a true benchmark for any contemporary pop work.
