Cover of MeVsMyself Mitclàn
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For fans of experimental and vocal music,lovers of world and ethnic music,listeners interested in overtone singing,followers of giorgio pinardi or mevsmyself,music enthusiasts seeking challenging albums
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There are albums that are not easy to listen to, challenging, yet they have their own reason for being and manage to thrill despite their apparent inaccessibility. I still remember the wonder and strange sensations that an album like "Cantare la voce" by the great and late Demetrio Stratos from Area managed to give me. I experienced something similar while listening to "Mitclàn" by Giorgio Pinardi aka MeVsMyself, a Milanese singer and experimenter who had previously come to light with the album "Yggdrasil" (2015). As in the aforementioned "Cantare la voce," the entire work is based on Giorgio Pinardi's voice, which surely pays its debt to Stratos but not only. It also references Bobby Mc Ferrin and Jacob Collier, but above all, you can feel the influence of ethnic music, in particular that of Arabic, African, Indian, Bulgarian, and Chinese music. It also reminded me of an artist like Jon Hassell at least at the level of sensation, but this is because the American musician also explored World Music despite not using his voice. Actually, another more fitting reference that comes to mind is Roberto Laneri, one of the masters of overtone singing in Italy and author of a little masterpiece like "Memories Of The Rainforest". In fact, Giorgio Pinardi also uses the technique of overtone singing. But, actually, the album is very varied and sees the use of studio improvisations of his voice, sampled in real-time, overdubbed, and fragmented, used as a true instrument. As mentioned, it is not an easy album, but it has its undeniable charm. Available for streaming on Spotify: https://open.spotify.com/album/7JkfV7GNy8zjfXZU9kqWqa.

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Summary by Bot

MeVsMyself's album Mitclàn is a demanding but rewarding listen, rooted in vocal experimentation and overtone singing. The album draws from diverse ethnic musical traditions and recalls iconic artists like Demetrio Stratos and Bobby McFerrin. Using studio improvisations and real-time voice sampling, Giorgio Pinardi crafts a unique soundscape. Though not easily accessible, the album's charm lies in its innovative approach to the voice as a musical instrument.

MeVsMyself

MeVsMyself is the stage name of Giorgio Pinardi, a Milanese singer and vocal experimenter who uses overtone singing, real-time sampling and studio improvisation to treat the voice as an instrument.
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