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Chan bends them, almost like twigs, uprooting them, decontextualizing them. This is a subtractive album, the first where the singer is really alone, without supporting musicians, exposed, despite her fragility.
Chan bends them, almost like twigs, uprooting them, decontextualizing them.
This is a subtractive album, the first where the singer is really alone, without supporting musicians, exposed, despite her fragility.
Listen to The Covers Record and experience Cat Power’s soulful reinvention of classic songs.
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