Questo è un consesso di menti sottili aduse a spaccare il capello in multipli di quattro e ad apporre tutti i puntini mancanti su qualsivoglia i. E’ un luogo di dialogo e di approfondimento in cui l’inutile riacquista la sua centralità. Tu, sperduto viandante, ti senti pronto ad entrare?

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Aggiungetemi!
#darkpearls
#forgetaboutgodsandmen
The Cigarettes - Will Damage Your Health
The Cigarettes - Valium World

When you say England '77, everything becomes immediately clear (even if it might have been '78 or '79…). If you’re also a dedicated collector fixated on certain sounds (like that runaway from home @[Pinhead] - where are you, stinky?), you might have already heard of The Cigarettes somewhere (their two unique 45s were valued at nice prices on the black vinyl market) and some of their other pieces can be found scattered across various compilations.
Fortunately, Detour rec. thought it wise to gather all their material and slap it onto this double LP: "Will Damage Your Health."
In my opinion, they overshadow more than half of the groups from that time (just my opinion, eh!), and clearly, almost no one knows them!
 
Well tuned in to #radiocapish

With today's listening, RadioCapish momentarily concludes its programming. To listen to our offerings again, visit my personal page: you will find the link to all the broadcasts and the list in chronological order.

This morning we listen to the Ensemble Ibn Báya (Ibn Baya/Bajja was a philosopher and Andalusian Arab musician, who lived in the 12th century), brought together by the oud virtuoso Omar Metioui (b. 1962), performing pieces from the Islamic mystics of Andalusia.
Here’s the playlist: Ibn Báya* - Omar Metioui & Eduardo Paniagua - Música Andalusí: Sufíes De Al-Andalus (2005, Digipak, CD) | Discogs

Enjoy the listening!

See you in September.

Omar Metioui & Eduardo Paniagua ‎- Sufíes De Al-Andalus FULL
 
#darkpearls
#forgetaboutgodandmen
Electric Banana - Even More Electric Banana
Blow Your Mind - More Electric Banana

It's a great thing when someone does your job for you...
So today's dark pearl comes from a precious tip-off from @[JonatanCoe]. Here are his words:
"Behind this bizarre electro-exotic name lie the Pretty Things, who from 1967 to 1978 produced music under this pseudonym. The music of Electric Banana has appeared in various horror and soft-porn films from the late '60s, including "What's Good for the Goose," a 1969 film, the fifth series "The Green Death" (1973) from the tenth season of Doctor Who, where the track "It'll Never Be Me" appears, and "Cause I'm a Man" in George A. Romero's horror film "Dawn of the Dead" (1978)."
Nice, huh!?
What else can be added? That Electric Banana recorded three albums and that, according to Julian Cope's judgment, the one to take home is the third, "Even More Electric Banana." Julian himself takes care to remind us that these tracks came out while the Pretties were working on masterpieces like "S.F. Sorrows" and "Parachute" (talk about creativity)! And that Phil May passed away on May 15 of this shit year. And this is just another way to remember him.
 
José José - Gavilan O Paloma
gavilan o paloma pablo abraira djrally73

2019 was a tragic year for melodic Spanish songs. Indeed, just twenty days apart, we lost Camilo Sesto (ubiquitous in the jukeboxes of the '70s and a key figure in the Iberian version of Jesus Christ Superstar) and the Mexican José José.
Defined 'El Príncipe de la Canción' par excellence, José José was for a long time the world's leading interpreter of ballads and boleros. Naturally, they were sentimental in nature, with that tragic/pathetic vein that all connoisseurs of the genre still attribute to him.
'Gavilán o Paloma,' a composition by the Spaniard Pérez-Botija, is one of his timeless hits. A film of the same name was even made around the song in 1985. The protagonist was none other than José José himself—already a victim of alcoholism and other health troubles that, at the dawn of the new millennium, would leave him voiceless.
In Spain, however, the version that all those over fifty know by heart is not José José's but Pablo Abraira's. The song is not as well-known here, except for an Italian version by Julio Iglesias titled 'Amico,' from the album 'Sono un pirata sono un signore.'
The song tells of how, at the end of a 'noche de copas,' the predatory male is fatally ensnared by a mysterious (and lonely) woman who has enchanted him with her gaze. The adventure is inevitable.
However, at the first contact with the seductress, the male senses something unusual. Something unexpected comes between him and the object of his desire.
The warmth of the encounter suddenly turns to ice.
"Upon looking closely at you, I felt betrayed. Your appearance had deceived me."
And the predatory male, convinced that he was the hawk and she the dove, realized that the roles had reversed.

Julio could never have sung such a text. The lyrics of 'Amico,' in fact, have nothing to do with the original: the birds, hawks, and doves are gone, leaving behind a very simplistic love triangle, a given passing, and a cuckolded friend to whom Julio (repentant) turns in the heartfelt refrain.

..."for what I've done to you, I feel like a rag..."

But for once, we can say, the Number One was not Julio.
 
Good morning
and welcome to
#radiocapish

For today’s listening, we offer you the third studio album of a sadly little-known Italian singer-songwriter: Flavio Giurato. "Marco Polo" (1984), released by CGD, is a sort of "Bildungroman" in miniature of the great Venetian merchant. It had such little success upon its release (you’ll understand why when you listen to it) that it ultimately led to the Roman singer-songwriter stepping back from the scene for more than two decades.

Enjoy the listening.

Flavio Giurato - MARCO POLO (CD version) Full Album (CGD, 1984)
 
#darkpearls
#forgetaboutgodandmen
J im Sullivan - UFO
Jim Sullivan 'U.F.O.', ''U.F.O.'' [1969]

Jim Sullivan, the rocker who was abducted by aliens.
On March 4, 1975, Jim said goodbye to his wife Barbara and his son Chris and set off from L.A. to Nashville.
His career wasn’t taking off; he had some contacts in Nashville, hoping to work as a session musician. Yet, his gigs at the Raft club always drew the right crowd: the beautiful types from new Hollywood, musicians, gorgeous girls, artists...
He had become friends with Harry Dean Stanton, scored a small role in "Easy Rider," and got into Phil Spector's circle, who offered him his legendary Wrecking Crew to record his first LP.
And damn, it turned out to be a masterpiece!
No, I’m not exaggerating: a masterpiece: Gene Clark meets Tony Joe White, Tim Hardin with acid guitar riffs, strings and baroque arrangements that seem to be the work of David Axelrod. And songwriting blessed by inspiration. Songs that talk about desert, solitude, and journeys.
And that title: "UFO," which would take on a more absurd than sinister tone considering what would happen.
Because the record goes unnoticed and ends up in the heap of "forgotten masterpieces." Jim tries again with a second album under his name, produced by Hugh Hefner (yes, the one from "Playboy")—a record just as beautiful according to @[imasoulman] (and me), and you can trust Ima!—but it doesn't work.
So we arrive at that March 4, 1975, when Jim, loaded up the Beetle with his things (guitar, a few clothes, a box of records, and little else), sets off for Nashville. That evening a police patrol stops him near New Mexico, finds him clean on alcohol and drug tests, but orders him to find a room to sleep and rest. Jim takes a room in a dump of a motel, the "La Mesa," down in Santa Rosa, but before going to sleep, decides to go look for some vodka.
He will never return to the motel. On March 6, his car is found 26 km away, in the middle of nowhere. Inside, Jim’s belongings: the guitar, records, wallet, a notebook with his lyrics, his clothes...
No trace of Jim.
His body will never be found.
Where is Jim? Did he get lost, drunk, in the desert? Was he in the wrong place at the wrong time (there was a ranch of a certain Gennetti family in the area, with mafia ties, and misfortune, as we know, never goes on vacation)?
Or were the aliens eager to meet up-close that guy who sang so well about them?
 
Good morning
and welcome to
#radiocapish

Today we kick off the day with one of the quirkiest albums of Japanese synth-pop: "Philharmony" (1982), the sixth solo album by Haruomi Hosono (b. 1947).

Enjoy listening!

HARUOMI HOSONO - PHILHARMONY (FULL)
 
#darkpearls
#forgetaboutgodandmen
WITTHüSER & WESTRUPP - Trips und Träume
WITTHüSER & WESTRUPP:TRIPPO NOVA

In a dystopian reality, Mike Heron & Robin Williamson did not meet in misty Scotland but in the grayness of Essen; they did not found the Incredible String Band, but a duo: Witthüser & Westrupp. Instead of elves and fairies of the woods, there are cosmic journeys and Eastern philosophies, a voice less “out of tune” and more martial, but that armory of acoustic madness, improbable and absurd instruments, psychedelic folk, crazy and scattered, fantasy, and a "total" approach has remained unchanged.
Damn the Ohr (and the ESP too)! Labels from which I would buy anything blindly!
For at least 25 years I listened to this record with imagination! Then - finally - I had it in my hands and it was even better than I had imagined.
Bernd and Walter roam with their acoustic trinkets among a lot of absurd krautrock records, between electric guitars and grandiloquent moogs with their little bells, trumpets, and guitars (at least "Lord Krishna Von Goloka" by Sergius Golowin is an absolute must!). They will record 4 albums with the Ohr of Kaiser (besides "Trips und Träume", "Der Jesuspilz" should be listened to, which is a concept that mixes hallucinogenic mushrooms and gospel!), and then each will go their own way...
One day I’ll have to tell more about these paths, how they were the only ones to treat R. U. Kaiser decently when he was torn apart, for example. But this little comment is not the right place for that.
There’s just one thing I want to say to those who have been kind enough to read this far: those of us who are a bit older will remember that incredible thing called “L'altra domenica” by Arbore; well, among the many succulent discoveries of that fantastic showcase, there were two very strange "buskers": Otto & Barnelli. Do you remember them? Good: Barnelli WAS Witthüser!
How can I not love them madly?
Then, if they even title a piece "Trippo Nova".....
 
Tuned in to #radiocapish

Today's listen is a collector's rarity: "A Game For All Who Know," released in 1973 by Merlin Records in just 99 copies, is the only album by the group "Ithaca," which included John Ferdinando and Peter Howell among its members. The record, completely overlooked at the time, is a peculiar blend of folk sounds and psychedelia.

Enjoy the listening!

Ithaca - Game For All Who Know (Full Album) Only 99 Copies One of the rarest UK Prog/Psych LP`s
 
#darkpearls
#forgetthedadsandthemen
Jim Ford - Harlan County
Jim Ford - Long Road Ahead

Nick Lowe couldn't believe it: they had found Jim Ford, after all these years, and they had asked him to do a concert with him! Nick considered Ford one of his greatest inspirations, but it had been at least 20 years since anyone had heard anything about him.
And yet, straddling the '60s and '70s, Jim Ford had written songs for people like Aretha Franklin, Bobby Womack, the Temptations... Tracks like "Nikey Hokey" or "Harry Hippie" that had climbed the charts, Sly Stone would cite him among his favorite musicians.
Jim was one of those white guys who accidentally happened to be born white, one like Bobby Charles or Dan Penn (I hope for your sake that you know who I'm talking about).
And he wasn't just a great songwriter; he was also a fantastic singer. But he managed to record only one album, "Harlan County," one of those splendid hidden gems among the mountains of useless records released every year.
A splendid album.
Funky Country, Jim defined it, which is like saying "eggplant chocolate," which sounds disgusting, but try eating it near Sorrento and then we'll talk...
But Jim got lost, cocaine, stories of insane parties, women, strange friendships, exploiters... In short, Jim spent all his royalty money. He reemerged in the '90s for a few concerts and then disappeared.
In 2006, a Swedish journalist, L.P. Anderson, tracked him down in a trailer in Southern California, where he had been living with the widow of Gene Clark, cleaned up from drugs, and found Jesus.
Anderson flew to see him and retrieved a lot of new material that would be added to a luxurious new version of "Harlan County" that Light in the Attic would soon release.
They decided to launch the album with a big concert near London, Jim was astonished, wasn't too convinced but accepted. So Nick Lowe was contacted and enthusiastically agreed.
But Nick, on that stage, would wait in vain. A few weeks later, the sheriff of Mendocino, called by some locals, entered a strangely still trailer with the doors open. Inside was the body of Jim; he was only 66 years old, having died in his sleep. Calm, smiling, tranquil, perhaps he was dreaming of a concert with old friends.
 
Good morning
and welcome to
#radiocapish

Today's coordinates are: Poland, early '80s. The "Orkiestra Ósmego Dnia" (Orchestra of the Eight Day), a group whose sound is hard to categorize into a genre, led by Jan A.P. Kaczmarek (who would later become famous as a film score composer), releases their first album in the U.S. market: "Music For The End" (1982), distributed two years later in their homeland as "Muzyka Na Koniec." Unlike the subsequent album ("At the Last Gate"), already steeped in New Wave, this debut seems to be a watershed between Prog-rock and '80s music. You have to listen to believe it.

Enjoy the listening.

Orkiestra Ósmego Dnia, Jan A.P. Kaczmarek ‎- Muzyka Na Koniec (1982) FULL ALBUM
 
#darkpearls
#forgetmenotdadiodesguys
Billy Nicholls - Would You Believe
Billy Nicholls - Would You Believe (1967)
If you could imagine the album of your dreams, the one you've been searching for all these years. Something you really want to exaggerate (since you're dreaming); like: Donovan getting produced and arranged by Brian Wilson (who leaves "Pet Sounds" to dedicate himself to it) and calls Macca and Lennon to help out, while one of the technicians alerts that his friend Syd Barrett - if he can remember - will eventually stop by to lend an ear too...
Meanwhile, in the studio, during the downtime, they listen to "Notorious Byrd Brothers" and "Forever Changes" at full blast.
Well, that album exists! It was made by a young guy who, at 16, was already composing for Del Shannon, and who later worked with Marriot, Daltrey, the Nice... Billy is a top-notch guy and he’s got the looks too, but the album was never released!
Billy didn’t just sit there twiddling his thumbs: he wrote and produced a ton of stuff for others (at least one chart hit, "I Can't Stop Loving You") and nine albums under his own name. And quite a few other things.
But "Would You Believe" had to wait over 30 years to see the light of day.
Well, now I may sound like a fool, but I'll tell you one thing: if in your life you should only listen to around twenty albums, make sure this one is among them!
 
Well tuned in to #radiocapish

This Sunday we present a classic.
E. Satie's "Vexations," posthumously discovered and first performed no less than by John Cage, is a theme (presumably written for piano) to be repeated 840 times.
Satie writes: "To play this motif 840 times in a row, one should prepare in advance, and in the deepest silence, with serious composure."
This recording, released by Philips in 1983, is Reinbert De Leeuw's performance of only 35 repetitions of the theme. Therefore, to listen to the complete vexations, the LP should be replayed 24 times.

Enjoy listening.

Erik Satie - Vexations
 
#darkpearls
Drum Circus - Magic Theatre
Drum Circus - All Things Pass [Magic Theatre] 1971
To travel from Canterbury to Krautrock, you must go through Switzerland (and, if you like, also Belgium. If Belgium existed!).
For the journey, it's good to pack some exotic trinkets in your backpack (especially the usual "Tibetan Book of the Dead" and at least one sitar, plus a quintal of good "stuff"...).
Peter Giger, an excellent Swiss drummer ("a giant of the drums," someone wrote somewhere), takes two of his drummer friends (yes, there are 3 drums! And you can hear it!) and a few members of Brainticket (a psych pre-prog group, multinational based in Belgium, which - if you don’t know - I recommend you listen to) and locks himself in the studios of Horst Jankowski.
It's a great journey, but the tapes were left there for almost thirty years (forgotten? Was it the effect of all the stuff used as a propellant to get from Canterbury to Krautrock?).
Anyway, the album emerges from the mists of the past in 2003 and, despite some jazz-rock lengthiness, it's really a nice trip!
And, then, if someone titles a track "Papera," they will always be my friend!
 
Well tuned in to #radiocapish

We hope today's listening will excellently delight your summer afternoons. Thanks to Mr. @[snes], who wanted to suggest an inexhaustible source of music miraculously rescued from oblivion, today we are listening to "Fog-Hat Ramble" (1968), the second LP by free-jazz multi-instrumentalist Phil Yost (birth date not available).

Enjoy your listening!

Phil Yost - Orange Kite Waltz
Phil Yost - Fog-Hat Ramble
Phil Yost - Through The Abacus Backwards
Phil Yost - Across The Somersault Region
Phil Yost - Look For Me In Eastrod, Mary O
Phil Yost - The Day Those Free-Balloon Races Passed Over Candy-Warp Crossings
 
#darkpearls
Nic Jones - Penguin Eggs
The Little Pot Stove
On August 5, 2010, Sidmouth hosts "folk week"; an man takes to the stage: unsteady on his feet, he moves slowly and with difficulty, his gestures unnaturally mechanical and his voice dim, weak yet deep. The audience greets him with respectful and engaged silence. He manages to sing only three songs, but they are enough for those fortunate enough to be there.
At least for those who know who that man is.
Nic Jones was one of the greatest English folksingers, a leading figure of the so-called "folk revival" that, between the '60s and '70s, produced extraordinary albums by groups and solo artists. Pentangle, Richard Thompson, Bert Jansch, June Tabor, Davy Graham, Sandy Bull (and I could go on for a long time, but you get the idea). Among those names, Nic Jones's name should stand out: 5 albums to his credit (and many contributions to important records) including at least one absolute masterpiece (Penguin Eggs). A personal and original style, an excellent instrumental technique, and a wonderfully happy songwriting; Nic was born to be at the top of his class.
Yet on February 28, 1982, while returning from a concert, he crashes his car into a truck.
Coma, multiple fractures, and brain damage. Never to play again, goodbye to that magical and personal fingerpicking, goodbye to the violin, and even singing becomes difficult (holding a fork or urinating was difficult too...).
It takes 28 years for him to return to a stage, there in Sidmouth. Those who know him, those who cherish a copy of "Penguin Eggs" are there witnessing - in silence - that small miracle.
He will try again a few more times in the following three years, Nic will attempt to at least start singing again. Then, in 2013, after a concert at the Shrewsbury folk festival, Nic will throw in the towel and say it's enough.
 
I BTS raggiungono i Beatles: hanno venduto più di un milione di copie nella prima metà del 2020 - Radio 105

The theme of the day (that I would like to propose) is some recent news. It has been widely discussed in recent months, and this possibility was anticipated, but now it’s official: the BTS equal the Beatles. The last remaining records fall as the numbers that formed the History of Music are being shattered. The point is not whether the BTS are currently the biggest band in the world. Restating that would be redundant. The question is: will the BTS be satisfied with having matched the Beatles, or will they aim for the surpass, establishing further records and becoming, at that point, the greatest of all time without any doubt? That is the topic.

Contribute if and how you wish.
 
Well tuned to #radiocapish

Today we present two Suites for viola da gamba and continuo by the famous Parisian composer François Couperin (1668 – 1733).

This recording comes from this album: François Couperin - Mikko Perkola, Aapo Häkkinen - Suites For Viola Da Gamba (27e Ordre De Clavecin) (2013, CD) | Discogs

Enjoy listening.

Fr. Couperin - Pieces de violes avec la basse chifree (1728)
 
#perleoscure
John Phillips - Drum (Music Video)
“Polemos is the father of all things” (Heraclitus)
Isn't evil the true driving force of the Universe? A pacified World would be a dead World.
But instead of boring you with banal philosophical musings, here’s a little story I’ve kept aside for a rainy day…. (when I found the time and the push to tell it properly).
He is Papa John Philips, and if his name doesn’t mean much to you, think of “California Dreamin’”.
Exactly, the Mamas & Papas….
The California dream, the flower children, universal love…. and a crystalline, sunny pop. Too bad the group breaks up over a story of infidelity!
Okay, John is the main mind and goes on alone, putting out an album that is a masterpiece: “John, The Wolf King Of L.A.”. Then he releases a couple more that are also good, but this! This is a Perfect Pop Album! Beautiful.
Our Papa John is generous too, gifting his friend Scott Mackenzie that “San Francisco (Be Sure to Wear Flowers in Your Hair)” which will be his biggest hit (and one of the best-selling records of all time).
So what? What is the dark side hidden behind all this?
It’s a love story (yes, love), a sick, deformed, unacceptable love, because it’s directed toward his underage daughter, Mackenzie (a name that recurs). He introduces her to drugs and enslaves her (but her sister, on the other hand, says she was consenting) for a full ten years.
Then Mackenzie gets pregnant….
Now I will have to tell this story better than this because it deserves it, because it’s more complicated than it seems (it’s incredible, it’s absurd, but it’s a love story), because it raises some questions.
For now, let’s just listen to that crystalline, sunny, clear pop album. Perfect!
And remain astonished knowing what dark abyss surrounded it.
 
Messer @[odradek] proposes and I quickly join in.
How to bring shine to obscure, unknown, and buried pearls?
For now, I propose a #darkpearls; @imasolulman and I will suggest some, and then we'll see if it makes sense to feature something like the "dark pearl of the week" in HP. In short, let's see if we come up with some ideas and if this piques interest...
In the meantime, I propose the first two.
The first: Lou Bond - Come on Snob
What if I told you that Terri Callier and Roy Harper met at the start of their respective careers and recorded an album while Bill Withers passed by and nodded? Although you might suspect an immature product, wouldn't you be willing to pay any amount on the black market to get your hands on it?
Well, save your money because that record (unfortunately) doesn't exist... However, get this: the only album by Lou Bond, and you'll be close.