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Aggiungetemi!
Good!
Dear subjects, while the debate on
#discopiusopravvalutato is still raging, I'm throwing another one at you!
LET'S GET THE SKELETONS OUT OF THE CLOSET!!
The albums you're embarrassed about (but still listen to anyway).
But no cheating! I’m not asking you to post a picture of yourself with the album in question (though that would be nice!), but don't act tough by throwing out bombastic titles that have never set foot in your house....
HONESTY!
Let it out, you’ll feel better afterwards.
I’ll start (as always):
A.A.V.V. - Dirty Dancing OST
F. Campanino - Napoli si ribella OST
Gianna Nannini - Tutto Live
Rick Wakeman - The Six Wives of Henry VIII
E.L.&P. - Pictures an Exhibition
(continues...)
 
Let's welcome the capish group to the new user ZIORPLUS, who has specifically requested to be part of the GOTHA CAPISHONICO.

For now, he is active with these two semi-capish reviews

Cerca su DeBaser: ZiorPlus

...but in reality, he got the membership because he was once married to a German woman with big boobs, I think that’s enough.

@[lector] is that okay for you, boss?
 
L Ape Maia in concerto Sigla finale
It's the most underrated song of all time! My favorite song from childhood 😝
 
My beloved subjects.
Here, we are slacking off!
In short, it’s been a while since we debated about eggs and chickens, since we argued about the sex of angels or split hairs!
So!
Capishonia was born to be a place of debate and in-depth exploration, a schola philosophica where young and free minds exercise in the search for the Abstract Absolute. In short, the Kingdom of Kul-ture!
And instead... the debate is languishing...
Well, it is also my duty as a monarch to show you, my beloved (but a little soft) subjects the way!
So here’s a new challenge: let’s elect the most overrated album of all time!
But, please, you must hit hard! Don’t bring out cult records that, when criticized, nobody cares about.
We are talking about the MOST OVERRATED ALBUM(S) OF ALL TIME! Not trivial stuff.
We need to strike at the gut, showing that in Capishonia, freedom of thought comes before anything else!
Clearly, anyone who touches an album that I am attached to will be taken at night to the royal dungeons...
I’ll start (of course):
PINK FLOYD - UMMAGUMMA
A true robbery perpetrated against poor broccoli fans: a double album (double even on CD) containing a fake live (therefore recycled tracks and not even the product of a concert with all the proper fuss) and a second album made of leftovers and scraps (to be kind) that the four jolly fellows had pulled out from their living room, which only an oversized ego could make one believe had any artistic value.
DIRE STRAITS - BROTHERS IN ARMS
One of the best laxatives on the market! The best of their washed-out and pimply pop, the band led by Mark had already delivered with the first album, with which they had exhausted all their ideas (which they, in fact, recycle identical in all other albums). A 15-minute EP could suffice to account for all there is to listen to in their parish party music (weighted down by an unbearable voice like a hoarse Lou Reed and an even more annoying attitude of "great guitarist"). "Brothers in Arms" is their most celebrated and pretentious album, indeed!
FRANK ZAPPA - HOT RATS
Uncle Frank! Hands off uncle Frank!
Okay, I know I’m going big here, but what can you do? Aside from "Peaches En Regalia," which is a masterpiece with all the bells and whistles, the rest is pure egotism (and a little bit of jerk and scoundrel here and there).
In short, 40 minutes of random solos over repetitive and minimally imaginative backgrounds! Sure, Captain Beefheart’s voice saying "I’m a little pink pappy," sure, certain orchestral openings here and there, sure, that flash once in a while... But this just makes your head spin: "If you want to, you know how to do it! Come on, uncle Frank!" Improvising just for the sake of it doesn’t mean you are a jazz musician.
In short, Zappa enjoyed improvising aimlessly for hours and recording all the nonsense that came to him...
 
Blues In My Heart

ART TATUM is very capish, word of PAOLO CONTE! ;)
 
Non è kitsch, non è obsoleta, non è un vezzo: è il momento di rivalutare la chitarra synth | Rolling Stone Italia

Andy Summers - Roland GR-300 Guitar Synthesizer Demo with Jools Holland - G-808

Today's theme (somewhat serious, challenging, and "heavy," thus perfect for the context):

"I don't think the synthesizer is really an instrument," said a great Irish guitarist.
But what happens when the guitar and the synthesizer are one single instrument?

Join the discussion.
 
Ingrandisci questa immagine

Rick Astley - Never Gonna Give You Up

With a polite smile of a good boy and an impeccable "blue eyed soul" voice, Rick Astley was one of the thoroughbreds of that (yet another) British Invasion of the late '80s, with Duran and Spandau in slight but constant decline and a need for new names at the top of the charts.
A talent as a child prodigy with all the right cards to break through, with his first album, Rick - the back cover notes literally state - "he achieved what most people can only dream of."
A parade of killer singles one after another (but two above all: 'Never Gonna Give You Up' and 'Together Forever'), topping charts all over Europe, enthusiastic reviews: we found the Tom Jones, if not the Sinatra (yes indeed: they were aiming high) of the '80s.
The singer of the future.
But the future didn't exactly unfold that way.
The '80s are the '80s, and you don't come out alive. And it's hard to replicate such massive success.
Moreover, Rick, the boy from Northern England (specifically, from a town famous for a locomotive factory), doesn't want to play the part of a disposable pop star.
Like his colleague Nick Kamen, he makes an album - "Free," eloquent from its title - in which he distances himself from the frivolous disco of his early days in search of a more authentic and truly soulful style. Elton John and his idol Michael McDonald participate, but sales are lower. Slightly, at least for the moment.
However, the subsequent commercial flop of '93 heralds a very long absence from the scene. Rick Astley remains relegated to the '80s, the phenomenon of that era and nothing more. They don't call him anymore, and when they do, it's only for revival TV shows.
Yet he has many fans in the music business. Even surprising ones. One is Dave Grohl, who wants him on stage with the Foo Fighters. It's the beginning of a resurgence.
And thanks to his entry into a meme, the video for 'Never Gonna Give You Up' becomes viral even among millennials. It is still speeding towards a billion views, a milestone only within reach of today's pop stars.

Is Rick Astley back? After all, he never really left.
 
Odd Couple - Yada Yada (Official Video)

Beautiful German things

(beautiful... sort of)
 
The HU - The Great Chinggis Khaan (Official Music Video)

double-header
really beautiful
still the HU and their chants similar to Sardinian chants
 
Nick Cave & The Bad Seeds - Do You Love Me?

junkie's capish music depression
 
El General - Te Ves Buena

Just as Bush senior was commanding the deposition of Pineapple Face-Noriega, Edgardo Armando Franco, better known as El General, was taking his first (dance) steps in Panama.
The decorated Panamanian, who had nothing to do with Noriega and had studied management in the USA, began in the early '90s to experiment with his personal fusion of Spanish reggae, dancehall, and hip hop.
Something for which there was still no name, since hardly anyone was talking about reggaeton yet. And certainly not far from San Juan.
But the General arrives on his own, seemingly without predecessors and without ties to the Puerto Rican scene. Except, of course, for those Spanish reggae singers who had been crossing through the isthmus since the '70s.
The rhythm is what we all know by now, but imagine how something like this might have sounded (between '90 and '91 or so). Three minutes of pure tunz-ta-tunz to sing to a "mami" shaped like a Coca-Cola bottle.
Cola included (for the cocaine, one only had to look around).
Overwhelming success and a cascade of platinum records, until his sudden and irreversible retirement to become a Jehovah's Witness.
From which comes the saying, famous in Panama: "if a Jehovah's Witness knocks at your door, be careful, because it could be the inventor of reggaeton."

But don’t tell Puerto Rico.
 
Jimmy Sax - No Man No Cry (live)

pop-ambient-saxing-capish (approved?)
 
Erika Vikman - Cicciolina (Lyric Video) // UMK20

From Finland, the tribute to the most famous Hungarian in Italy.
 
Oasis - Don't Look Back In Anger (Official HD Remastered Video)

"Without me, today he would still be ironing underwear."
A brother said this about the other brother, but guess which one.

The fact is, it’s been 25 years since the album that you know by name, even though it seems like yesterday.
And even though the single in question was the hit of spring '96, when everyone (absolutely everyone, even those who hadn't noticed before) got acquainted with these faces.

Was it really a "generational" album? Did it really make its mark in the history of Music - and if so, in what way and to what extent exactly?
Were they perhaps the greatest of the '90s and beyond? (excluding four from Liverpool - if we must)
Did you love them, did you like them or was it instinctive and uncontrollable hatred at the mere sound of the cough between Roll With It and Wonderwall?
And more importantly: without this album (and the merits that one of the two brothers - but guess which one - attributes only to himself), would they really be ironing underwear in 2020?

Contextualize, but only if you think it’s necessary.
 
GOMMA - FANTASMI

@[TataOgg]

Italian and modern scapishata
 
Well tuned in to #radiocapish

Tonight we offer you the chance to listen to a concert by the Colours Quartet, put together by the double bassist Eberhard Weber (b. 1940), a leading figure in the so-called "chamber jazz," a characteristic sound of the releases from the German label ECM (Editions of Contemporary Music).

Enjoy the listening.

Eberhard Weber - Colours Quartet Live 1976
 
Well tuned in to #radiocapish

Today, for the column "Baroque Mondays: at the court of the Capish King," we invite you to listen to the sonatas for violin and continuo (here performed by the London Baroque Ensemble featuring: violone, viola da gamba, and organ) by William Lawes (1602 — 1645), musician at the court of Charles I, who died, like King Charles himself, amidst the turmoil of the English Civil War (1642-’51).

Enjoy the listening.

Sonatas for violin and continuo. William Lawes (1602 - 1645)

William Lawes - Wikipedia
 
Well tuned into #radiocapish

Today's listening takes us to medieval Japan, when, from the Tang Dynasty (唐, 618 - 907 AD) in China, not only writing characters but also many customs and practices were imported to the Land of the Rising Sun, along with musical instruments. One of the most notable among them is the five-holed bamboo flute, which will be named Shakuhachi (尺八) and will become, over the centuries, one of the most representative (and well-known) instruments of Japanese music.
Let us then listen to two traditional pieces performed by one of the greatest Shakuhachi players of the last century, Gorō Yamaguchi (山口 五郎, 1933 – 1999), first published in 1969 by the Nonesuch label.

Enjoy the listening.

Koku-Reibo (Bell Ringing in the Empty Sky)
Sokaku-Reibo (Depicting the Cranes in Their Nest)
 
Well tuned in to #radiocapish

This morning, for the column "The Baroque Mondays: at the court of the Capish King," we present the theorbo compositions of Robert De Visée (1655 - 1733), player at the court of King Louis XIV and King Louis XV and composer for various string instruments (guitar, lute, viola, and theorbo). The theorbo is a large string instrument that originated in the 16th century as a modification, attributed (presumably) to the Florentine Antonio Bardi, of the lute; it is used not only as a solo instrument but especially as a continuo bass.

Here the details about the recording: Robert de Visée / José Miguel Moreno - Pieces De Theorbe (1996, CD) | Discogs

Enjoy the listening.

Robert De Visée (1655-1733) Pieces de Theorbe, Jose Miguel Moreno