wearetheradio

'Who killed Jesus? It wasn’t the Pharisees, or the crowd. Who was it?' (Anton Newcombe)

  • Tipo: Pubblico
  • Assegna una menzione
 Levitation
  • avatar
  • avatar
  • avatar
  • avatar
  • avatar
  • avatar
  • avatar
  • avatar
  • avatar
  • avatar
  • +22

Aggiungetemi!
An interview with Anton from May 16 via Getting lost in the idea with The Brian Jonestown Massacre | BeatRoute Magazine

-“I’m working on two brand new albums,” explains Anton Newcombe over the phone from Berlin. “I wrote 45 songs at once. One record is exactly how you would expect The Brian Jonestown Massacre to sound, and the other is what I think it sounds like, closer to what I think it should be.”

-“I’m a conceptual artist,” says Newcombe, “in that I get lost in the idea. I don’t record things so that they’ll be perfect. I make music that lives or dies in the medium. Doing things lo-fi was a practicality. I didn’t need permission to make records or music. I kept all my publishing, I own all my records. A lot of the bands from that time sold their publishing for essentially a mortgage, maybe a cute sports car, and where are they now? No one’s gonna reissue those records.”

“See, I’m into creating a culture where people are themselves. Like, even Dylan, in the early days, was just being Woody, and that was kind of lame or whatever, but someone could dress like Johnny Rotten or Sid Vicious, and unless they take the myth to that end like a complete idiot, they’re still themselves. That was the power of punk and post-punk, it was folk, because you were yourself immediately.”

-“Tess is a force of nature. She has a very malleable style, and at the same time, she’s always herself. I asked her to sing ‘Five to One’ by The Doors, and if you closed your eyes, it was a spooky comparison, which is really hard to do, but she’s just such a powerful artist. I was reading about her in a magazine and she dropped BJM as a point of reference, and I just found her and said, ‘Why don’t you come to Berlin and work with me?’”

-Newcombe has spent the last nine years in Berlin, a move he attributes to “the damage in my consciousness of being American. I was living in Manhattan, which, you know that Sinatra line, ‘if you can make it here, you can make it anywhere’? Well, that’s just not true. Manhattan’s a shithole for the most part, to be honest. America’s been at war my entire life, and it’s like, no one cares, just which country are we going to invade to run a pipeline through?”

-“[Berlin] It’s a very culturally advanced place. Berlin puts a billion dollars a year into the arts, because that’s what they want to be known for. Here, it’s okay, as an artist, to be any age, and it’s affordable enough to have a family, where young people in America are wondering how they could ever afford college for their kids. I don’t even play here, I don’t need a scene to support me, I go out on the road, and we do well there.”

#berlin #tessparks #brianjonestownmassacre #bjm #levitation #antonnewcombe
News regarding the >[The Brian Jonestown Massacre artist: a_233113].

Out a new record titled 'Bout Des Doigts'. Here the info.

Available for PRE-ORDER, shipping on the 24th of June.

Available on black vinyl.

To coincide with the band’s European tour, the band are releasing a single.

Recorded in March 2016 in Anton’s studio in Berlin, Anton gathered Dan Alliare (drums), Colliin Hegna (bass), Joel Gion (tambourine), Ricky Maymi (guitar) & Ryan Van Kriedt (guitar) to record this track Bout des doigts & Fingertips.

Bout des doigts features Rike (Friedrike) Bienert providing the vocals, Fingertips vocals are provided by Tess Parks.

This single brings the traditional Brian Jonestown Massacre sound mixed with eastern influences & bringing it up to date with the benefit of all the additional weirdness that's been discovered in the past 40 years.

Two dozen band members later and numerous “ups and downs” (some have been famously sensationalized in the media), the one thing that has always remained consistent for this psychedelic collective is front man Mr. Anton Alfred Newcombe.

Tracklisting:
Side A:
Bout des doigts

Side B:
Fingertips

#levitation
Breaking news. The #BrianJonestownMassacre are returning to Italy with a date in Turin for the todays festival on August twenty-eighth. Of course, I’m going.

Anche The Brian Jonestown Massacre al TOdays Festival | IndieForBunnies

#levitation
Awarded the #levitation mention to the review of 'I Often Dream of Trains' by Robyn Hitchcock written by @[supersoul] (very nice review by the way, like all the ones they used to write) I Often Dream of Trains - Robyn Hitchcock - Recensione di supersoul
An interview with Anton conducted just a few days ago in Austin on the occasion of the cancellation of Levitation. Interesting and original as always. You can find it here: It's Psychedelic Baby Magazine: LEVITATION 2016 CANCELED

Two fundamental passages.

1. I wanted to ask you about the last track on “Give it Back” – “Their Satanic Majesties’ Second Request”. Who is the guy ranting out a fire and brimstone type sermon on there? Is that John Hagee?

I’m going to have to think about that. The last track on this [gesturing to the album I’m holding]… I don’t know but the thing about that… That’s mistitled because that one is called “Enrique’s Dream”. It’s a piece of art. So, I’ll have to tell them that that’s wrong.

Is this a weird version that I have or something?

That’s on a label but mistakes happen. It’s like Ricky [Maymi] that plays guitar in the group was like “Listen, man. If you go and make one more recording and the band’s not on it – we are all quitting.” I said, “You have to come up to the studio then cause that’s where I write the music while I’m recording. You have to come up and wait ‘til it’s your time.” So, he did. He came out and he fell asleep so I recorded his face snoring and then built this whole soundscape. You have your lens cap on.

[Note: Yes, I was taking photos of Anton Newcombe with a lens cap on my camera! I am not a photographer. I am barely a writer. I took a few awful photos but enough to draw from. Hopefully, my illustration speaks for itself and captures the essence of Anton]

Haha. How professional of me…

So, he’s snoring and I recorded a preacher sort of ranting through a tremolo with these drones going on and… but I liked it. It’s cool. And the shit that he’s saying is out of control. He’s like “Run like an Olympian! Never been short of breath! And only Jesus knows where the last diamond mine will be found!” What are you fucking talking about? He actually says that. “And only Jesus knows where the last diamond mine will be found.” Fuckin’ who cares where the last diamond mine will be found? They have more diamonds than they could ever use. They hide them in a fuckin’ hole just to raise the price. It was cool, the mic was running directly into a Fender Vibrato horn going “bah bahbahbah!” and it was just like “merpmerpmerpmerp!” and I was playing it so loud just coming from a little black and white tv that they had in the recording studio all the way across. It was really a textural piece and I was doing all those drones just doing the knobs and in the other room of the studio Ricky was sleeping and I had all these microphones around his face and he’s just going “[snoring noise]” and I’m just mixing them. So, I just thought it was funny the juxtaposition of somebody snoring and…
Added mention #levitation to Dead Magik - Dead Skeletons - Recensione di Black Stardust

@[Battlegods] this is the album I was talking about, I tell you that the review does not give the right credit to an album that has truly been a cult object within the psych community in recent years.
I added the mention #levitation to three old reviews of the genre that I remembered having read in a past life. The first one is 'Featuring the Human Host...' by Hapshash and the Coloured Coat, written by the talented @[supersoul] Featuring The Human Host And The Heavy Metal Kids - Hapshash And The Coloured Coat - Recensione di supersoul
Welcome @[Battlegods], I greet you by gifting you this beautiful version of 'Anemone': The Brian Jonestown Massacre - Anemone - CARDINAL SESSIONS

In the meantime, a new review of a band that I particularly love and truly consider badass #levitation: Malamore - The Limiñanas - Recensione di sotomayor

Truth be told, I might also be in love with the vocalist, and I've told her so. Her husband knows too, as he is her 'compare.' I must say that neither of them seemed particularly impressed by it.
@[Buzzin' Fly], do you want to join us, buddy?
Welcome @[aleradio], may the force be with you, brother.