I like her in alternating moments: I appreciated her evolution from the debut to "Honeymoon," with "Lust for Life" she annoyed me, with "Norman Fucking Rockwell" she captivated me, and now I honestly don't know what to think about the last two. The fact is that over time she has carved out her own niche and a style that has become a real trademark, and from being a plasticky and hyper-constructed character, she has found a quite interesting identity, which elevates her far above many colleagues who start off strong at debut only to vanish into thin air.
Carico i commenti... con calma