Dio

Mysterious and eclectic, almost like Buckethead. The prog phase from "Creation" to "Garden of Eden And The Eternal Damnation" is excellent, only to decline into the commercial "Ten Commandments" and the dreadful grindcore of "The Destruction of Sodom And Gomorrah". An artist who has managed to reinvent himself, despite his fans (obsessive and violent, worse than those of Tokio Hotel) causing him to lose credibility.