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Mark’s bass playing is a killer groove, very percussive but not intrusive, combined with warm, relaxed singing—a truly difficult combination to put together, yet achieved with amazing naturalness. "Staring At The Sun" suffers from the drummer change compared to the albums that preceded it... Phil’s style is inimitable, fluid, full of dead notes and all those little taps here and there on the kit.
Mark’s bass playing is a killer groove, very percussive but not intrusive, combined with warm, relaxed singing—a truly difficult combination to put together, yet achieved with amazing naturalness.
"Staring At The Sun" suffers from the drummer change compared to the albums that preceded it... Phil’s style is inimitable, fluid, full of dead notes and all those little taps here and there on the kit.
Discover the intricate grooves and heartfelt moments on Level 42's 'Staring At The Sun'—listen now and explore their unique 80s funk-pop fusion!
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