Cover of Lennie Tristano Quintet Live In Toronto 1952
Fedenard

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For fans of lennie tristano, lovers of cool jazz and bebop, and readers interested in jazz history and live vintage recordings.
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LA RECENSIONE

Blind from a young age due to an illness, with a reserved character, and an originality of execution on the melodic lines and chords played with both hands, Lennie Tristano (1919-1978) is to be considered as one of the greatest jazz pianists of all time, heir and innovator of the piano lesson provided by another great of the piano: Art Tatum.

Born to a family of immigrants from Caserta (Aversa), musically raised during the bebop period, with previous studies on cello - clarinet - saxophone, and piano, but with a significant openness to 20th-century European music and the contents of the blues, he enriched the language of jazz becoming perhaps the highest exponent of the cool trend; a classification he himself opposed.

A precursor of the use of multi-tracks in the recording phase, he was also a talent scout and mentor for his musicians like Lee Konitz and Warne Marsh.

He is the composer of Requiem, which is one of the jazz pieces with one of the most beautiful improvisations in this music. Legend has it that it was composed in the fatal hours of Charlie Parker's death.

On the album considered here, released on his label (also a pioneer here) JazzRecords later managed by his daughter Carol, his quintet soars high, very high. Pure insights and improvisations flow fluidly across all tracks, whether they came from his pen or are standards.

The recording suffers from the technical means of the time, but remains quite enjoyable both in the original US vinyl version and in the CD transfer.

A small note: the city of Aversa has named a street after Lennie Tristano.

  

Lennie Tristano, piano

Warne Marsh, tenor saxophone

Lee Konitz, alto saxophone

Al Levitt, drums

Peter Ind, bass

             

1  Lennie's Pennies

2  317 East 32nd

3  You Go To My Head

4  April

5  Sound-Lee

6  Back Home

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Summary by Bot

This review highlights Lennie Tristano's exceptional talents as a blind jazz pianist and innovator. The 1952 live album showcases fluid improvisation and the quintet's chemistry despite technical recording limitations. Tristano’s influence on cool jazz and mentorship to key jazz figures is emphasized. The album remains a valuable and enjoyable historical jazz document.

Lennie Tristano

American jazz pianist, composer, and teacher (1919–1978), born in Chicago to Italian parents from Aversa. Blind since childhood, he became a key innovator in jazz, noted for early free improvisation (Intuition/Digression, 1949) and pioneering studio overdubbing on Lennie Tristano (1956). He worked closely with Lee Konitz and Warne Marsh and was an influential educator.
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