The great success of Commedia dell'Arte over the centuries has left us with a wealth of themes, languages, and acting techniques. Mario Mattia Giorgetti

 

Main Actors:

Frate Bondi: Minister of Cultural Heritage [with a delegation for butt-kissing: by the end of the episode, his tongue will be completely parched]; I honestly felt sorry for his haphazard and mediocre performance: chilling how an actor/man can be reduced (if this is a man).

The elegant Carluccio Rossella: former director of the renowned weekly magazine Panorama; he too has a lot to do with the highly Cultural contents mentioned above.

San Franceschino Da Sisi: Shadowy Shadow President of the Shadow Party of himself: basically the dead of night.

 

Scattered Extras:

Concita De Gregorio: endless chatter, no substance; a spunky haircut (that yes);

Un_ from UGL: don't ask me the name because I wouldn't know who they are or what they actually do; in recent years, I've only seen them on Ballarò: they are definitely part of the set design.

One/Two scholars from some university (tonight, the renowned Prof. De Pistolottis shone brightly) who mostly entertains himself: in the studio, there were a lot of people who were picking their noses in the meantime.

One of the polls (as unavoidable as the illegal car attendant outside the Cagliari Trade Fair who will scratch your car if you don't give them two euros...) which always says that Our Beloved Premier (may he always be praised) is the most loved in the Universe: he too is an integral part of the set design.

 

Bystanders:

Especially the athletic Floris who, frenetically crossing the studio, covers authentic kilometers in just two hours of the program: could he be the bearer of the motto Mens Giornalistica In Corpore Sano?

 

Written, directed, and not performed by His, forever Faithful, Most Illustrious Majesty Silvio I of Arcore.

May God preserve him spry and full of life for at least another 1,000 years (even embalmed).

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