Untouchables…
This is how Korn define themselves, and it's not entirely untrue. Undisputed masters of a genre that calling it Nu Metal is, I would say, too limiting for a group that has managed to invent itself from nothing.
Jonathan Davis explores melodic territories that have been kept much more in the background until now, and a good dose of electronics is included in this CD that sounds damn good.
The production, which was rumored to be the most expensive one could have, is far from perfect, and this indicates, I think, that those were just rumors as the Korn themselves have reiterated time and time again.
Not that the record doesn't sound good; perhaps a slightly clearer drum and a less muddy guitar mix would have been appreciated, but certainly nothing like the chaotic sound many of you might have encountered when buying nu-metal records such as Slipknot's Iowa.
A work that certainly marks a turning point in Korn's music, as they no longer venture with funky or rap as in their early days, but sometimes become more introspective and profound and at other times simply more direct.
Untouchables represents Korn's response to all those pseudo-metal bands that have plagued the charts until now.
Jonathan Davis has slightly changed his singing style, further highlighting his incredible voice.
It’s not KoRn who messed up themselves, it’s KoRn who outsmarted everyone.
Untouchables is great: because KoRn wants to change.
"Untouchables is a fantastic album: it’s heavy, melodic, excellently produced, powerful."
"The final track 'No One's There' is dramatic and solemn, with truly incredible power and evocativeness."