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Rating:
THE REVIEW
Legend has it that this highly oxygenated and delightful fawn with high hopes comes from nearby Estonia: integration and cultural exchange between different ethnicities and cultures are more than welcome.
The fact that she is completely voiceless, endowed with vocal tones/capabilities that verge on the improbable, yet do not prevent her from gifting us with this versatile, estrogen-filled, indigestible pop/rock-gothic (gothic?) mishmash that manages to make Evanescence seem like an avant-garde, cultured group, sincerely leaves me all the more astounded.
The whole is arranged in a full 12 songs, tracks, packages, blisters, packages so standardized and serialized that they immediately suggest the merchandising setup aimed at the surreptitious consumption of it: the sanitary cellulose aisle could be its natural ad hoc placement.
The esteemed customers are kindly requested to approach Cash Register 2 for purchases not exceeding 10 items.
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Summary by Bot
Kerli's debut album Love Is Dead offers a distinctive and eclectic mix of pop and gothic rock. The vocalist's impressive, unique tones challenge conventional expectations. Despite the ambitious style, the album feels overly commercial and standardized. Comparisons with Evanescence highlight the album's unconventional approach. Overall, it's a curious blend of genres and cultural influences with a somewhat ironic take on its merchandising.Tracklist Lyrics Videos
Kerli
Kerli (Kerli Kõiv) is an Estonian singer-songwriter known for her theatrical electropop and her 2008 debut album Love Is Dead.01 Reviews
