Cover of Katatonia Viva Emptiness
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For fans of katatonia,lovers of progressive and gothic metal,listeners who enjoy deep introspective music,fans of atmospheric and melancholic rock,followers of bands like tool and the cure
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THE REVIEW

Look beyond. 
Beyond the surface of worlds colored with fake wellness, beyond the veil of hypocrisy of the plastic man, made of plastic needs, to realize how gray is the lost color of certain existence, how empty is the inexhaustible sense of actions-experiences-memories without a past that comforts, that restores.
Finally closure.
Tormented expression through symbols, words of rock and fragile earth in sounds of lucid harmony, always sought, always desired.
This is catatonic hermeticism, the invisible tool of those who have preferred to contemplate sincerely and wistfully their own inner universe, a reflection of multiple external realities, behind the screens of a dark and complex Rock/Metal, in the attempt to explore the abyss of senses and certainties, the desolate awareness of the impossibility of being fully serene, fully true.
So there's nothing left but to contemplate the void, not as nothingness but as the absence of emotion and perception of life, a raw and insurmountable wall of protection against the disillusionment of everyday life.
In the world of Katatonia, a Swedish group considered pioneers of once extreme sounds related to the Gothic-Doom-Death Metal style, all that "woe of living" that certain symbolist-decadent poetry has represented with exact grandeur materializes, and which certain chanters of hermetic delirium and irreparable decay, like Tool and The Cure, have brought to complete essence, a torrent of sensations here relived and sensitized within the bounds of an indissoluble and ingenious text-music embrace. 
There are no geometric shapes that can define and contain the void of existence, so the entire album is a dark and mysterious journey, through the impervious roads of Rock and Metal, where acoustic, electric, and electronic sounds blend and mix, following an unpredictable yet sensible logic, where loss is tangible, where pain becomes flesh, but never explicitly.
Everything is symbol, everything is a mediation of color, a controlled gray explosion in the cold of darkness.
Often melodic vocal lines seem to enchant the listener like a lullaby, while the guitars, now hard now gentle, paint frescoes of rare beauty, in an almost mystical cloak of surreal atmospheres, always changing, always different, amidst the disorienting highs and lows of a perfect and evocative bass and drums.
Someone has defined this Progressive attitude, but here there is no technical exercise for its own sake, here all technique serves the senses, thoughtful interpretation serves the ideas.
Describing individual songs, cutting like a mosaic the complete and structured painting of this work, would be a crime that too many have already perpetrated.
Viva Emptiness is a journey into true and sincere darkness.
A journey that feeds on senses, not simple and direct emotions, which is why it will be challenging for those who feed on sweetened "gothicity" and pretentious and redundant "alternative".
A difficult journey.
Like life.

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Summary by Bot

Viva Emptiness by Katatonia is a profound exploration of inner darkness and existential emptiness. The album blends gothic, doom, and progressive metal with melancholic melodies and symbolic lyrics. It challenges listeners seeking straightforward emotions by offering a complex, introspective experience. The music's varied textures and thoughtful composition create an evocative, haunting atmosphere.

Tracklist Lyrics Videos

01   Ghost of the Sun (04:11)

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04   A Premonition (03:37)

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05   Will I Arrive (04:13)

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06   Burn the Remembrance (05:26)

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08   One Year From Now (04:06)

09   Walking by a Wire (03:37)

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12   Omerta (02:58)

13   Inside the City of Glass (04:07)

Katatonia

Katatonia is a Swedish band formed in 1991 by Jonas Renkse and Anders Nyström. They began in death-doom and over decades evolved toward melancholic gothic, alternative and progressive sounds, noted for atmospheric production and Jonas Renkse's distinctive vocal style.
37 Reviews

Other reviews

By wwwhatemoornet

 An album, and I say it immediately, in which 'Metal' is really little, apart from the cover and the splendid artwork.

 A big cauldron where strong 'Toolian' influences are mixed, a general and oppressive feeling of claustrophobia, and beautiful heavy guitar riffs always contrasted by very gloomy and vaguely psychedelic melodic parts.