Cover of I gatti mézzi Struscioni
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For fans of italian indie music, lovers of regional and emotional storytelling, followers of brunori sas label artists, and those interested in italian singer-songwriters.
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THE REVIEW

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What luck have I ever had

Luggage, rags and then

Arfredino's cat

Drinks in the sink

Is a friend of mine

Tonight I'm all drunk on wine

I've returned to being a kid

All right this way

I quarreled with the fridge

It looks at me empty and bewildered

Rising proudly

Tonight I want to blend in with the people

Nothing

That is interesting

I see a shopkeeper

Who to make money

Sells trinkets

To little kids

I'll tell you straight away: I don't really like the whole band of Brunori’s label much or at all. Two only, among all, are saved: Lucio Corsi (who indeed left Picicca behind) and i Gatti Mézzi, which, for those who don't know, means "wet cats."

To like i Gatti Mézzi — and I do like these two filthy rags — you really need to understand Pisa, the air you breathe along the Arno at night, at the end of September, when it starts feeling good without sweating. You need to know what it means to wander in the alleys on the other side of the Arno in winter, to visit my friends at the record store, behind Piazza della Pera. You need to have absorbed the provincialism of Gipi's scribbles (who, not for nothing, did the cover of the second album of i Gatti Mézzi). You need to have stained your shirt more than once eating a sandwich in Piazza delle Vettovaglie.

You need to feel Pisan, in short, if really being one isn’t quite advised. Because Tommaso Novi and Francesco Bottai — there's little to do — not only are Pisans recognizable from afar, but they talk about Pisa, from the provincials they are. And this, I swear on the fire, they do better than anyone.

And indeed, I feel Pisan too, listening to "Struscioni."

Of all the albums from these two Pisan kids, this is the only one that for me, in the long run, stands out: yes, not all the songs can be tolerated, some are a bit too self-indulgent: in one, they even have to speak ill of the Livornese. But overall, I'll tell you, they don't tire me even after ten years and more.

With comparisons, one could also tire themselves out, but today I'm in a rush, so I'll give you only two: Paolo Conte and Fred Buscaglione. Is that enough for you?

Ah, another thing: there was no way to talk about i Gatti Mézzi in Italian, so I'll have to jump through linguistic hoops.

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Summary by Bot

The review praises I Gatti Mézzi’s album Struscioni for capturing the essence of Pisa’s provincial life with vivid storytelling and atmosphere. Despite some self-indulgent moments and minor flaws, the album remains enjoyable even after many years. The reviewer notes a strong local connection and draws musical parallels to Paolo Conte and Fred Buscaglione. Fans of the band will appreciate the authentic Pisan experience it offers.

Tracklist

01   Cd (00:00)

02   Bonus Dvd (00:00)

03   Struscioni (00:00)

04   Ma Loro Sono Avanti (00:00)

05   Sott'Arno Stasera (00:00)

06   Forza Buo Pàssa' Le Cèe (00:00)

07   Sur Purma' (00:00)

08   Cacciucco Blues (00:00)

09   Portami A Pescare (00:00)

10   Morandi (00:00)

11   Fra L'Arioporto E La Stazione (00:00)

12   Sòr Tentenna (00:00)

13   Avanzi Di Balera (00:00)

14   Se (00:00)

15   Forbici (00:00)

16   Il Volo Del Calambrone (00:00)

17   Strusciando Dietro Le Quinte (00:00)

I gatti mézzi

I gatti mézzi are presented in the reviews as a Pisan duo, named in the review as Tommaso Novi and Francesco Bottai, whose songs and imagery are rooted in Pisa and provincial life. The album Struscioni is highlighted by the reviewer.
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