Cover of Hot Gossip Angles
Edissimo

• Rating:

For fans of hot gossip,lovers of italian indie rock,punk-rock enthusiasts,music listeners seeking quirky catchy tunes,readers interested in 2000s alternative music
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LA RECENSIONE

So....
I find them absurd and beautiful, they are a cross between Bugo and The Strokes, quirky and original.

This Italian band, which I think is better known elsewhere, starts this album with a beautiful riff (Intro) and continues with songs with a jagged punk-rock full of "Angles" as the title says. With choruses that get stuck in your head and even a hammer couldn't get them out (Real Mess), smoldering but not too complex guitars (La Mort), and a really beautiful bass work in some tracks (notably John Rowland), they excite more than some bands that are ultimately all smoke and mirrors (e.g., Doherty with his Babyshambles, Who are you??), and they rediscover a beautiful genre.

I can't wait to go to a concert... I think a 4/5 rating is well deserved.

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Summary by Bot

This review praises Hot Gossip's 'Angles' album for its unique combination of punk-rock energy and catchy, memorable songs. The band is compared to Bugo and The Strokes, highlighting its originality and strong musicianship, especially bass work. The reviewer appreciates the album's genuine rock revival feel and looks forward to live shows. A solid 4 out of 5 rating reflects the album's quality and appeal.

Tracklist Videos

01   Intro (01:05)

02   Five (02:46)

03   Do It (02:02)

04   Real Mess (03:19)

05   Mother Says (02:36)

06   John Rowland (02:37)

07   (Things Happen) On a Tuesday (02:10)

08   Same Old (01:54)

09   Before Tonight (01:40)

10   La Mort (02:20)

11   No Party (02:20)

12   Stab City (02:13)

13   Haarp (03:20)

Hot Gossip

Italian indie/post-punk trio from Varese (Milan area). Reviews of the album 'Angles' highlight jagged punk-rock guitars, catchy choruses, raw production and clear British-indie influences.
02 Reviews

Other reviews

By Ivan

 Hot Gossip pick perfectly, moving with incredible ease between Strokes-like refrains and post-punk drums.

 It’s hard to accuse the singer of plagiarism, as he possesses an original, natural voice.