Cover di Keeper of the Seven Keys, Part I

Keeper of the Seven Keys, Part I

Album - 1987 - DeB Id: 13474
By Helloween
8 Tracks 2 Reviews Definitions Listenings Video 2 Charts

Reviews

Album DeRango™ 0,76

Helloween

Keeper Of The Seven Keys part I metaldiablo

 Michael Kiske makes an incredible contribution to the songwriting with a voice that is nothing short of exhilarating.

 'Future World' comes along forcefully, undoubtedly the best track on the album showcasing Kiske's impressive maturity.

 Explore the legendary power and melody of Helloween's Keeper Of The Seven Keys Part I—listen now and experience metal history!

💬 67
5931
📈 3,91
Album DeRango™ -3,74

Helloween

Keeper Of The Seven Keys Part 1 power85

 "I can easily define 'I’m Alive' as the best song ever written by Helloween: it is powerful, immediate."

 "'A Tale that Wasn’t Right' is the worst ballad I have ever heard: it’s clichéd, boring, repetitive."

 Discover the highs and lows of Helloween’s classic album—listen now and decide if it's a must-have for your collection!

💬 30
4752
📈 2,27
Initiation (01:19)
(M - Hansen)
This song is instrumental
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I'm Alive (03:23)
You, you say, you have lost the way
Got no aim, just livin' for today
Look up to the sky above
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We've thrown away our former gods
Controlling our day
We have created better ones
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Here I stand all alone
Have my mind turned to stone
Have my heart filled up with ice
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Future World (04:03)
If you're out there all alone
And you don't know where to go to
Come and take a trip with me to Future World
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Halloween (13:20)
Masquerade, masquerade
Grab your mask and don't be late
Get out get out well disguised
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(M - Hansen, L - Weikath)

Now that you've made your choice
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You and Keeper of the Seven Keys, Part I

Helloween

Helloween are a German heavy metal band, widely credited as pioneers of power metal. Reviews highlight their early speed-metal rawness, the genre-defining Keeper Of The Seven Keys era, frequent line-up changes (notably vocalists Kai Hansen and Michael Kiske, later Andi Deris), and periodic stylistic swings from “happy metal” to darker and more experimental records.
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