Italian filmmaker associated with experimental and avant-garde cinema; director of Necropolis.

Work noted (in available review) for formal austerity, existential and mystical concerns and a baroque, fragmentary visual approach.

The available review frames Brocani's Necropolis as a formally austere, mystical and existential work. Language highlights synthetic asepticity, baroque inconclusiveness, and images that fragment memory. The review is appreciative but measured (rating 3/5).

For:Fans of experimental, avant-garde and art-house cinema; film students; readers interested in philosophical and existential film work.

 Once again, the "astonishment" in front of the passage of centuries... Brocani also tries to break his head in observing something with that idling member that is cinema... The beauty is that, in synthetic asepticity, he even succeeds.

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