"But time, time, who gives it back to me?
who gives me back those seasons
of glass and sand, who takes back
the anger and the gesture, women and songs
the lost friends, the devoured books
the plain joy of appetites
the healthy thirst of the thirsty
the blind faith in poor myths..."
Until the unexpected and forceful entry of these verses, "Lettera" is a somewhat unusual ballad for Guccini, a nice rock piece quite driven, over which a series of images and impressions of everyday life flow, overall reassuring. But at 56, the worm of passing time starts to take hold, and in the end, the anguish explodes in the quoted verses. It is the same anguish that will dominate the subsequent "Stagioni," the feeling that "the sad end of the game" is inevitably approaching. The mature, almost old Guccini has just lost two important friends (one of whom is Bonvi, the creator of the "Sturmtruppen"), much like Neil Young's "Tonight's The Night", but his reaction, at least as it comes across in this album, is not of tired despair.
The cover itself seems like a challenge: a serious and sulky Guccini confronts the posters of Guccini from twenty years earlier head-on, with no desire to give up. Death is also treated in "Il caduto", the posthumous lament of a highlander who laments being buried in an anonymous plain where the profile of a mountain cannot be seen, where even the snow is different from what he knew.
At this point, someone might start to touch wood or make other superstitions, so better to move on to the topic of "Love," which in this album, by the way, has much more space. Love is the theme of the album's masterpiece, "Cyrano", on one hand, a raw and merciless invective against the world of those "with the short nose", the usual amorphous and conformist flock, on the other, a dramatic confession of the moments when this modern "cadet of Gascony" is left alone with himself. But the love for Rossana will know how to overcome even the apparent hardness and malice of Cyrano. The music is particularly inspired, which is unbelievable when you think that the author is the infamous Bigazzi, touched by divine grace on this occasion, yet sadly known in my area mainly for having contributed to creating monsters like Pupo and Masini.
"Quattro stracci", an excellent and energetic folk-rock ballad with a Dylan-esque approach, talks about a love that has ended due to the great distance between the author's frankness (certainly autobiographical) and the woman's falsely intellectual superficialities once loved. "Vorrei" seems incredible to have been born during such a troubled time for Guccini: in this most tender slow piece, you can feel the total joy of falling in love. Everything transmits and symbolizes love: the stones, the roads, the doorsteps, even the modest tufts of wall-rue, an insignificant herb that grows around walls. One of the most serene episodes in the entire career of a songwriter known for his perpetual dissatisfaction. More typically Guccinian joy is found in "Stelle", where the enchantment in front of the starry sky is disturbed by the sense of man's smallness, as he gets lost in it (just like the Portuguese girl in front of the immense Atlantic).
Since the album's title says it also deals with "nonsense," here comes "I fichi", a parody of the well-known song by the "Crauti" ("I do not understand people... who do not like figs..."). Pure cabaret, as amusing as Guccini often is in concert, closes this excellent album as an extraneous appendix, yet overall serves as a counterbalance to the seriousness of Guccini's lyrics, as always charged with meanings and overflowing with ideas.
Tracklist Lyrics and Videos
02 Vorrei (05:20)
Vorrei conoscer l'odore del tuo paese,
camminare di casa nel tuo giardino,
respirare nell'aria sale e maggese,
gli aromi della tua salvia e del rosmarino.
Vorrei che tutti gli anziani mi salutassero
parlando con me del tempo e dei giorni andati,
vorrei che gli amici tuoi tutti mi parlassero,
come se amici fossimo sempre stati.
Vorrei incontrare le pietre, le strade, gli usci
e i ciuffi di parietaria attaccati ai muri,
le strisce delle lumache nei loro gusci,
capire tutti gli sguardi dietro agli scuri
e lo vorrei
perché non sono quando non ci sei
e resto solo coi pensieri miei ed io...
Vorrei con te da solo sempre viaggiare,
scoprire quello che intorno c'è da scoprire
per raccontarti e poi farmi raccontare
il senso d'un rabbuiarsi e del tuo gioire;
vorrei tornare nei posti dove son stato,
spiegarti di quanto tutto sia poi diverso
e per farmi da te spiegare cos'è cambiato
e quale sapore nuovo abbia l'universo.
Vedere di nuovo Istanbul o Barcellona
o il mare di una remota spiaggia cubana
o le greppe dell'Appennino dove risuona
fra gli alberi un'usata e semplice tramontana
e lo vorrei
perché non sono quando non ci sei
e resto solo coi pensieri miei ed io...
Vorrei restare per sempre in un posto solo
per ascoltare il suono del tuo parlare
e guardare stupito il lancio, la grazia, il volo
impliciti dentro al semplice tuo camminare
e restare in silenzio al suono della tua voce
o parlare, parlare, parlare, parlarmi addosso
dimenticando il tempo troppo veloce
o nascondere in due sciocchezze che son commosso.
Vorrei cantare il canto delle tue mani,
giocare con te un eterno gioco proibito
che l'oggi restasse oggi senza domani
o domani potesse tendere all'infinito
e lo vorrei
perchè non sono quando non ci sei
e resto solo coi pensieri miei ed io...
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