For those who listened to the album "Fallen" that introduced this group to the entire world, the first impression when listening to "The Open Door" will probably be surprise. Whether positive or not depends on personal taste.

What is certain is that Ben Moody's departure from the group has inevitably impacted the sound of this Arkansas band. Hardcore fans will probably be pleased with this product. The element that stands out the most is the musical exploration. A constant search aiming for the elaboration of more complex melodies compared to "Fallen." This can certainly be a point in favor of Evanescence. But not necessarily, because during the listening, it becomes evident that Amy Lee & Co. have overexerted themselves. The themes of the lyrics are practically the same as the previous album, with more emphasis on the sentimental side.

The album begins with a song ("Sweet Sacrifice") that could easily be renamed "Going Under - pt. 2." This does not detract from its listening pleasure. "Call Me When You're Sober" is now known to everyone, and even if it doesn't repeat the success of "Bring Me To Life," it still achieves considerable success. Again, we find ballads reminiscent of "My Immortal" or the more sophisticated yet still beautiful "Hello." But this time, there is a distinct feeling that such a melody elaboration robs charm from what could potentially be beautiful songs. An example of this is "Good Enough," the closing track that fulfills this role well thanks to the vastness of the melody (much credit goes to the orchestra), but which cannot remotely compare to "Whisper," the concluding track of "Fallen."

"The Open Door" will certainly appeal to genre enthusiasts, but acquiring new fans remains to be seen. We are now curious to see the next step of this American band.

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