Cover of Evanescence Evanescence (EP)
Il Grande Hallel

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For fans of evanescence, lovers of gothic rock and metal, collectors of rare music demos, and those interested in the evolution of alternative rock bands.
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THE REVIEW

Very first work by Evanescence, dating all the way back to '98 with songs written from the band's foundation. Therefore, a fundamental work to understand the band now so often criticized for being commercial, but which truly went through a commendable apprenticeship.

But let's proceed in order. The album, more of a demo than an actual work, is extremely rare to find as it was distributed and sold out the very night of a live performance. The first track is Where Will You Go, a song immediately difficult to classify but with an interlude that captivates you, moves on to Solitude, the first ballad by Evanescence, challenging and demanding to listen to, but appreciable once you fully understand it.

The third track is Imaginary, not yet the version from Fallen but obviously a demo, from which you discover how old this song is and how intimate it is in its poetry, but immediately after, it moves to Exodus, in my opinion, the true yet underrated masterpiece: a repetitive, perhaps banal yet superb piano background serves as the framework for lyrics that talk about visions of everyday life in an unexpectedly melancholic key (Amy manages to make even a "twenty bucks should get me through the week" dark), to then cap it off in the mad, in the "I know who you really are", in the untranslatable "where true meaning lies". Why was this song then completely ignored?

Fifth track, So Close, also never picked up again, a tapestry of arpeggios underlays a composed and desperate wailing, and ever so pleasant in its structure, that urges you to listen without boring you for a second. Sixth track: the hallucinatory Understanding, with almost doom and engaging soundscapes, filled with more laments from Lee and a choir voice to give the whole a shiver. Surely, something practically never heard before, listen to believe.

Last track. Track? The one listed as track seven, which goes by the name of The End, is anything but a track: a drone of metallic guitar brutally mixed with Lee's choir voice, all intertwined with completely mind-blowing filler effects. A metaphor for the prevailing chaos?

Unfortunately, this demo ends here, which laid the groundwork for the sound of Evanescence, today perhaps more overshadowed by that extra veil of tunefulness, but which gave rise to their personal interpretation of gothic rock and metal that is now used with ease by all the major representatives of the genre.

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Summary by Bot

This review covers Evanescence's rare 1998 demo EP, highlighting its fundamental role in the band's musical growth. The album is described as a demo with haunting and melancholic songs that reveal the band’s authentic gothic rock roots before becoming commercial. Notable tracks like 'Exodus' and 'Understanding' are praised for their emotional depth and uniqueness. Though overshadowed now, the EP remains key to understanding Evanescence’s early sound.

Tracklist Videos

01   What You Want (03:41)

02   Made of Stone (03:33)

03   The Change (03:42)

04   My Heart Is Broken (04:29)

05   The Other Side (04:05)

06   Erase This (03:55)

07   Lost in Paradise (04:42)

08   Sick (03:30)

09   End of the Dream (03:49)

10   Oceans (03:38)

11   Never Go Back (04:27)

12   Swimming Home (03:44)

Evanescence

Evanescence are an American rock band centered around vocalist/pianist Amy Lee, known for blending heavy guitars with piano/strings and gothic-leaning atmospheres. They broke worldwide in 2003 with Fallen and later shifted styles across The Open Door (2006) and the self-titled Evanescence (2011), with notable lineup changes discussed heavily by reviewers.
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By Il Grande Hallel

 Evanescence is indeed a rock album, and it is one hundred percent.

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