Eugenio Finardi
Singoli

For economy and elegance, we gather in a single writing the individual songs of Eugenio Finardi that are not included in the 19 studio albums.

In this way, we complete his discography here.

In 1973, he released his first 45 rpm record, Spacey stacey/Hard rock honey, both good rock tracks sung in English, the second with a notable presence of horns. Both songs receive 3 stars.

In 1990, he made a grand comeback with La forza dell'amore, featuring a nice riff introducing and characterizing a beautiful track reminiscent of school trips, although indebted to The Who's Baba O'Reily. 4 stars.

In 1992, although released in an anthology of various authors two years later, he sings Cinquecento sogni, a jingle for the ad of a famous car, in which he personally appears. The track has a style similar to Katia, and considering it was created to be a jingle for an ad, it's beautiful and evocative nonetheless, we give it 3 stars.

In 1993, for the collection "Acustica," he releases a translation of Chico Buarque, which can be regarded as an unreleased track for its extent, titled Le donne di Atene. The piece is slightly melancholic and describes the devotion of women to their husbands. 3.5 stars.
The other "pure" unreleased track is Katia, a wonderful song about the first platonic love at school, complete with a rival in love named Sansone. Just replace Katia and Sansone with other names, and it's everyone's story. Superb track, 5 stars!

In 2002, in the collection celebrating his half-century, A mio padre is nothing more than Northampton, Genn. '78, so the different title should not be misleading.

In 2003, in a collective album titled "Danni collaterali," he sings a translation of Emerson, Lake, and Palmer, called Un uomo fortunato. In another collective album dedicated to the right to be a child, he sings Les nuits d'Afrique with Fabio Concato. Both tracks receive 3 stars.

In 2007, he offers us a triptych of good-level unissued tracks, namely Il mare ha deragliato, 14 gocce di Valium and All over you. Between social criticism and existential discomfort, the third, with its motto "I've got the blues," seems to be the solution... 3.5 stars for all three.
In the bonus CD of "Un uomo" (collection), besides 9 covers, there are three archive pieces! The first is Palloncino rosso fuoco, a cute little song for children which earns 3 stars due to affection and to reward the prodigy child merit.
Oriente is very interesting, a bit too long, but making love under the stars is enjoyable for everyone; Nina is sung in Spanish and is pleasant to listen to: 3.5 stars for both.

In 2012, for his 60 years, Eugenio sings a great song, Nuovo umanesimo (il seme), a treatise on modern man. Easily 5 stars!
Maya, about the prophecy of December 21, 2012, with a nice acoustic guitar riff, Why?, sung in English and bluesy, and Passerà, summery and successful on the radio complete with a video, all deserve 3.5 stars.
E tu lo chiami Dio, a participant in Sanremo 2012, partly disappoints, so we give it 3 stars.

Finally, in 2020, after 6 years from the last unreleased tracks published, he releases digitally Milano chiama, which frankly is weak and worth no more than 2 stars.

In addition to these 20 tracks, Eugenio has performed 42 covers on albums, and has contributed to over 20 albums by other artists.

Averaging the ratings of the tracks, we are between 3 stars and 3.5 stars.

FINE-RDI!!