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Among the classic films of the late '70s, which were repeatedly shown on private networks in the '80s, "La macchina nera" (The Car) by Elliot Silverstein holds a special place, not for the intrinsic qualities of the feature film, a genre film that emulates works of much higher caliber like Spielberg's "Duel" and "Jaws" (but which may have perhaps provided some inspiration to King for "Christine"), but for the unease it managed to instill in the naive viewers who, as children or teenagers, saw it programmed at regular intervals on the cathode tube. Discover the review
Among the classic films of the late '70s, which were repeatedly shown on private networks in the '80s, "La macchina nera" (The Car) by Elliot Silverstein holds a special place, not for the intrinsic qualities of the feature film, a genre film that emulates works of much higher caliber like Spielberg's "Duel" and "Jaws" (but which may have perhaps provided some inspiration to King for "Christine"), but for the unease it managed to instill in the naive viewers who, as children or teenagers, saw it programmed at regular intervals on the cathode tube.
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