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 The renewed ardor of the band in presenting their work makes it undoubtedly enjoyable.

 Rest in peace Manny, you weren’t a champion, but a small paragraph in the long history of rock guitar is yours.

Nazareth's seventeenth album 'Snakes 'n' Ladders' revives 70s rock blues with dated 80s production but energetic delivery. The album features solid originals and intriguing covers, showcasing McCafferty's gritty vocals and Charlton's guitar artistry. Although not groundbreaking, it's an enjoyable farewell to founding member Manuel Charlton. The closing cover proves less successful, but the album stands as a respectable effort. Listen to Nazareth's 'Snakes 'n' Ladders' and explore the gritty 80s rock blues revival today!

 Without soul & passion, even instrumental rock ‘n’ roll never provokes the right enjoyment.

 The guitar of founding member Manny Charlton is rendered unrecognizable by the production and lack of inspiration.

Nazareth's 1986 album 'Cinema' marks a clear turn towards generic 80s commercial hard rock, resulting in a production that is loud but lacks soul and dynamic variation. The guitars, drums, and bass feel anonymous and uninspired, overshadowing the band’s capabilities. Vocalist Dan McCafferty's delivery is strong but insufficient to rescue the album from its blandness. Only the ballad 'A Veteran’s Song' offers a glimpse of genuine emotion. Overall, 'Cinema' reflects a low point before the band eventually recovers. Discover why Nazareth’s 'Cinema' struggled in the 80s hard rock scene – listen and judge for yourself!

 The familiar rough, proletarian voice of McCafferty makes its way, a true alien body compared to the plastic and dance-like trends surrounding it.

 The mature Nazareth stagger but don’t give up, in this instance aspiring to be cool but not too soft.

Nazareth's fifteenth album, The Catch (1984), struggles to balance their rock roots with 80s disco influences. While McCafferty's distinctive voice remains strong, many tracks fall into uninspired disco rock rhythms. Standout songs like 'Moondance' and 'Love of Freedom' show warmth and originality, but rushed covers like 'Ruby Tuesday' disappoint. Overall, the album chases trends without fully capturing them, representing a challenging period before the band returned to harder rock. Discover the clash of rock and disco in Nazareth’s The Catch – listen and judge this pivotal 80s album yourself!

 The album appropriately opens with the super orthodox (for the times) 'All Nite Radio': horrible drums, almost solely martial snare drum except for sporadic tom rolls spoiled by the infamous noise gate à la Phil Collins.

 'Local Still' is a true homage to the Status Quo style, who however lack Dan McCafferty’s raspy bray, and it is a fact that those with this singer stamped in their minds appreciate tracks like these.

Nazareth's 1983 album Sound Elixir struggles under dated 80s production clichés like overused snare drums and synthetic effects. While some tracks like 'Rain on the Window' and 'Local Still' redeem the album with folk and classic rock tones, much of it feels insincere and forgettable. The band’s performance shines more in live settings than on this record. Overall, it reflects its era but lacks lasting impact. Discover Nazareth's Sound Elixir and explore the highs and lows of 80s hard rock evolution!

 This doesn’t hold for the concluding “Mexico” which, in honor of the title, features a display of double flamenco guitar.

 Ultimately better is the following “Lonely in the Night,” endowed with a certain lyricism even if adorned with synthesizer strokes, a somber tribute to the current synth-pop decade.

Nazareth's 1982 album 2XS represents the band's waning international success, balancing authentic hard rock elements with less successful 80s experimentation. While some tracks showcase the band's signature sound and cohesion, others feel dated or generic. The album blends melodic rock with occasional synth and reggae-inspired attempts, resulting in a mixed but still engaging listen for fans and rock enthusiasts alike. Dive into Nazareth's 2XS to explore classic hard rock blended with 80s flair—listen now and discover if this cult album hits your favorite notes!

 The band’s hard rock has really gone to hell.

 The uncompromising rockers can only completely renounce this Nazareth release, which is nonetheless more than decent for everyone else.

Nazareth's twelfth album, The Fool Circle, marks a clear shift from their original hard rock style towards a softer, more accessible 1980s sound. The review highlights varied styles, including reggae and pop-rock influences, and notes both standout and weaker tracks. Though some rock purists may reject it, the album remains decent and reflects its era well. Key moments include the authentic rock feel of 'Pop the Silo' and a unique Beach Boys snippet in the closer 'Victoria'. Explore Nazareth's The Fool Circle and discover its blend of classic rock roots with 80s pop and reggae influences today!

 It’s just strange that all this comes from Nazareth!

 On 'Malice in Wonderland' Nazareth practically sound like Peter Frampton.

Nazareth's 'Malice in Wonderland' marks their first album of the 80s, showcasing a polished shift toward melodic rock enriched by synthesizers. With Zal Cleminson joining on guitar and keys, and producer Jeff Baxter refining their sound, the band delivers radio-friendly and sophisticated arrangements. The album departs from their raw hard rock roots but maintains high songwriting quality. Standout tracks like 'Holiday' and 'Ship of Dreams' highlight the band's versatile evolution. Listen to Nazareth’s 'Malice in Wonderland' to discover their polished 80s rock evolution with melodic hooks and refined production.

 Nazareth reach their eighth album out of breath, the second of 1976.

 Not the must-have Nazareth album, but you also can’t pontificate that it’s for completists, or die-hard fans blinded by love for the four Scots.

Nazareth's eighth album, released in 1976, shows the strain of their rapid release schedule with many covers and less original material. The band’s classic hard rock style is present but less compelling, with a few standout moments. The review touches on band members' legacy and delivers a balanced view, neither highly praising nor dismissing the record. It's a decent album for fans but not essential. Discover the evolution of Nazareth's sound and dive into 'Play 'n' the Game'—explore this classic rock album now!

 The initial mini rock opera 'Telegram' is perfect to open concerts and warm up the audiences.

 'Carry Out Feelings' is a negligible reggae... an avoidable tribute to the genre in 1976.

Nazareth's 1976 album 'Close Enough For Rock'n'Roll' showcases the band's high point with a mix of rock opera, folk rock, and blues influences. The ironic celebration of rockstar fame opens the album, followed by solid tracks exhibiting musical variety. While some songs, like the reggae-informed 'Carry Out Feelings,' are less memorable, the album delivers passionate performances and classic rock energy. Overall, it's a worthy listen reflecting Nazareth's fiery and likable style. Dive into Nazareth's classic 'Close Enough For Rock'n'Roll' and experience 70s rock energy and storytelling today!

 They still haven't quite decided what kind of music they want to make when they grow up.

 'Exercises' is their worst: exercises precisely by a group that had not yet found, if not their originality, at least their specificity.

Nazareth's second album 'Exercises' shows a band still searching for its musical identity, dabbling in multiple genres without solidifying their sound. Highlights include the blues-rock track 'Woke Up This Morning' and the moving historical piece '1692 (Glencoe Massacre).' Though uneven and not yet fully formed, the album sets the stage for their breakthrough in later works. Explore Nazareth's early experimentations in 'Exercises' and hear the roots of their classic rock legacy.