LOR15

 I made it free because prior to having a label picking it up, I had been giving songs away on my site, and I thought it would be stupid to all of a sudden not make them available.

 Some of my songs just sound better with one person playing them, others sound better with 4 people together.

Jonathan Bates shares insights about recording in unconventional spaces, his approach to songwriting, and the evolving live lineup for Mellowdrone. He also hints at finishing a new full-length album and upcoming European tour plans. The interview reveals a dedication to sharing music freely and adapting to tour challenges. Discover Jonathan Bates' creative journey and explore Mellowdrone’s music and upcoming tour plans now!

 He’s doing a Lemonheads unplugged.

 He played everything but somehow it feels like he’s left his future behind a long time ago.

This review of Evan Dando's 2003 live concert at Feierwerk in Monaco highlights a focused and professional performance from the artist, contrasting his earlier, more unpredictable stage presence. Support act Chris Brokaw delivers a low-key acoustic set. Dando’s set includes both classic Lemonheads songs and newer material, but the energy feels reserved, reflecting personal changes over the years. Moments of humor and interaction peek through but are rare. The reviewer perceives a sense of a past artist fading into a more settled personality. Discover the nuanced performance of Evan Dando’s 2003 live concert—read the full review and explore his evolving artistry.

 "Post-post feminism presented with the seduction of a new Bettie Page. Sexy."

 "A great album, although undecided between pop and the purest intransigence, meaning it’s a masked pop."

Hanin Elias' album 'No Games No Fun' marks a stylistic shift from her Digital Hardcore roots to a lighter electro pop sound. The album incorporates feminist themes and features notable collaborations, including Alexander Hacke and J Mascis. Although it balances between pop accessibility and intransigent edge, it delivers powerful political messages and captivating vocals. The review highlights the album's unique blend of genres and its appeal as a masked pop record. Listen to Hanin Elias' 'No Games No Fun' and discover a captivating blend of electro pop and punk feminism today!

 The bass digs under your shoes in time with the heartbeat’s relaxed pace.

 Neither concert nor club. What’s left is beautiful music but as background enjoyed best while doing something else.

The review describes LTJ Bukem’s live set at Muffathalle as more of a chilled club night than a traditional concert. The music features a calm, lounge-style drum and bass with a relaxed pace and spatial sound arrangement. While the crowd is enthusiastic, the reviewer finds the experience more suited to a background soundtrack than an engaging live show. McConrad’s vocal contributions add atmosphere but remain restrained. Overall, the event feels prolonged without building strong momentum. Discover the smooth rhythms of LTJ Bukem's live set—listen now and feel the chill drum & bass vibe!

 The hypnotic state that a lot of LaMonte Young's pieces put you in is really appealing to me.

 Normally a song starts from a riff or pieces that I bring into rehearsal. Then the band jams on those ideas and we structure something from there.

This interview with Chris Martin from Kinski explores his songwriting inspirations and influences such as LaMonte Young. He discusses the band's evolving approach to music, describes live performances of songs like 'Semaphore,' and shares his favorite guitar gear and bands. Plans for upcoming European shows are also mentioned. Read the full interview to explore Chris Martin’s musical inspirations and discover the creative forces behind Kinski’s unique sound.

 Johnny Marr’s new record is deadly boring between Oasis and Kula Shaker.

 Zak Starkey’s drumming is the opposite of Mellowdrone’s, worthy of the worst Phil Collins.

This review expresses strong disappointment with Johnny Marr + The Healers' live performance at Muffathalle, describing it as boring and lacking inspiration. The reviewer praises Mellowdrone's innovative solo act and criticizes Zak Starkey's drumming. Marr's solo songs are described as dull and uninspired, with a poorly executed Dylan cover. The overall mood is one of boredom, despite Marr's likable personality. Discover the full concert review and decide if Johnny Marr's live show is worth your time.

 "Between experimental and easy listening, always brilliant."

 "No More Options is our favorite, a synth pop with guitar bending inserts... Unmissable."

Mellowdrone's third EP, 'A Demonstration Of Intellectual Property,' is praised for its creative melding of electronic rhythms and fluid guitar work. The bedroom-recorded production adds intimacy, and standout tracks like 'No More Options' feature vibrant synth-pop elements. The review highlights the artist Jonathan Bates' inventiveness and predicts a groundbreaking upcoming full-length album. Listen to Mellowdrone's innovative EP now and explore the fresh synth-pop sounds blending electronics and guitar!

 "An unexpected ray of sunshine that surprises you and steals a smile."

 "All my life I thought I needed all the things I didn’t need at all."

Seven years after The Lemonheads, Evan Dando returns with Baby I’m Bored, an acoustic, country-inflected album. Collaborations with notable musicians enrich the sound while Dando’s soft voice and simple yet captivating songwriting shine. The album’s mature themes of life reflection and subtle melodies create an enduring listening experience. Not innovative, but deeply effective, it highlights Dando as a remarkable singer-songwriter. Listen to Evan Dando’s Baby I’m Bored for a heartfelt acoustic journey that grows sweeter with every play.

 Suicide is more than a band, they are a statement, an artistic statement.

 The revolutionary genius still lies today in destroying all classical pop song structures.

This review celebrates Suicide's 'American Supreme' as a legendary avant-garde electronic album. The duo’s pioneering use of sequencer loops and provocative punk energy remain cutting-edge. Their sound challenges traditional pop structures, embracing minimalism and raw intensity. The album updates their classic style with modern elements like hip-hop breaks and acid house influences. Overall, 'American Supreme' is hailed as a cult masterpiece still bold and relevant today. Discover the raw power and innovation of Suicide's 'American Supreme'—listen to this cult electronic classic today!

 "Highvision" is perfect pop, similar to Quruli, already reviewed on these pages.

 Japan is much more than mere imitation. I recommend this album to anyone who loves quality pop.

Supercar's 'Highvision' is a standout fourth album from one of Tokyo's key indie bands. Blending melancholic pop with electronic elements, the album offers delicate crescendos and memorable melodies. Songs like 'Otogi Nation' recall New Order's vibe, while 'Aoharu Youth' carries deep, if cryptic, lyrical themes. Recommended for lovers of quality, unique pop music. Explore Supercar's 'Highvision' for a unique blend of Japanese indie pop and electronic sounds—discover this hidden gem now!