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DeRank ™: 1,25 • DeAge™ : 7102 days
This record speaks the language of the flame itself, and you can even smell the sulfur. Uri Caine is a true cascade of notes... sometimes it seems that he has extra hands like a mythical Indian deity.
This record speaks the language of the flame itself, and you can even smell the sulfur.
Uri Caine is a true cascade of notes... sometimes it seems that he has extra hands like a mythical Indian deity.
This review praises Uri Caine's exceptional piano work on the sixth volume of John Zorn's Book of Angels series, titled Moloch. The album combines oriental, yiddish, and jazz influences with fiery virtuosity and complex multi-layered arrangements. Drawing inspiration from Masada and infused with dark mythological symbolism, it offers a rich, intense listening experience. The reviewer highly recommends it for fans seeking innovative and passionate jazz. Discover Uri Caine's fiery jazz mastery in Moloch – listen now and explore the profound depths of the Book of Angels.
Among the best and most original guitarists in the world. It’s a bit like Frisell gave his version of the music that would come out of a hypothetical radio.
Among the best and most original guitarists in the world.
It’s a bit like Frisell gave his version of the music that would come out of a hypothetical radio.
Bill Frisell’s album 'Have A Little Faith' defies cover album prejudices through unique interpretations of diverse tracks, from jazz standards to Madonna’s pop. Supported by an exceptional band, Frisell’s varied playing style blends jazz, folk, and country with creativity and subtle humor. The album showcases his mastery over genre mixing and musical storytelling, making it a must-listen for fans of adventurous jazz. Explore Bill Frisell’s masterful blend of jazz, folk, and country on 'Have A Little Faith'—listen now for a truly unique musical journey!
I take 'magical weapons' (pen, ink and paper), I write 'incantations' (compositions) in the magical 'language' (music)… I initiate 'rituals' (recordings, performances)… I call forth 'spirits' (musicians, engineers, printers, CD sellers and so forth…). The composition and distribution of this CD is thus an act of Magic. A definitely hypnotic record, ideal for the most satanic moments of the day… there’s a blasphemer in every man and in every blasphemer an enchanted garden.
I take 'magical weapons' (pen, ink and paper), I write 'incantations' (compositions) in the magical 'language' (music)… I initiate 'rituals' (recordings, performances)… I call forth 'spirits' (musicians, engineers, printers, CD sellers and so forth…). The composition and distribution of this CD is thus an act of Magic.
A definitely hypnotic record, ideal for the most satanic moments of the day… there’s a blasphemer in every man and in every blasphemer an enchanted garden.
John Zorn's 'IAO, Music In Sacred Light' is a concept album dedicated to mysticism and magic, blending ambient and ritual percussion with death metal elements. Featuring Mike Patton's vocals and Cyro Baptista's dominant percussion, it creates a hypnotic and evocative soundscape. The album challenges traditional representations of dark themes in music, offering a sophisticated and magical listening experience. Dive into John Zorn's mystical journey—listen to IAO, a spellbinding fusion of ambient, death metal, and ritual percussion now!
"The music was written in about two hours, recorded in one day and mixed the next." "An easy-listening, light, and calm Zorn, practically a breeze."
"The music was written in about two hours, recorded in one day and mixed the next."
"An easy-listening, light, and calm Zorn, practically a breeze."
John Zorn’s Filmworks XIV: Hiding and Seeking stands out as a light, ethereal soundtrack composed rapidly yet executed beautifully. Drawing inspiration from Jewish tradition and exotica, it features notable musicians and delicate instrumentation. Despite the documentary’s heavy subject, the music remains uplifting and accessible. Vocal tracks included on the CD, though omitted from the film, add a unique touch. Listen to John Zorn’s unique and subtle Filmworks XIV soundtrack and explore a blend of tradition and innovation.
This is totally beautiful and inspiring music. Tim Sparks is incredible, a complete original. The word does not describe reality, it is reality.
This is totally beautiful and inspiring music. Tim Sparks is incredible, a complete original.
The word does not describe reality, it is reality.
Tim Sparks' album At The Rebbe's Table is a masterful blend of Jewish and Mediterranean musical traditions, showcasing his virtuosic fingerpicking style. The review highlights the album's deep cultural significance and Sparks' scholarly approach to regional ethnic music. Despite not being Jewish, Sparks' passion for the genre shines through. The album is praised as inspiring and beautiful by prominent musicians like Bill Frisell. Discover the rich sounds of Jewish and Mediterranean traditions—listen to Tim Sparks' At The Rebbe's Table now!
This is music that is almost as rhythmic as rock and harmonically as complex as jazz. You truly breathe the air of other times here. It’s as if you’re in a smoky venue sipping a glass of rum between Havana and the next.
This is music that is almost as rhythmic as rock and harmonically as complex as jazz.
You truly breathe the air of other times here. It’s as if you’re in a smoky venue sipping a glass of rum between Havana and the next.
This review praises Arsenio Rodriguez's album as a quintessential representation of Cuban music's golden era. Highlighting the complexity and danceable rhythms, the reviewer evokes a nostalgic atmosphere. Rodriguez is celebrated as a virtuoso tres player and a pivotal figure likened to Duke Ellington in salsa. The album blends rhythmic energy with harmonic sophistication, making it a vibrant listen from 1946-1953 recordings. Dive into Cuba's musical past and enjoy Arsenio Rodriguez's timeless rhythms today!
Ornette on saxophone is an authentic dragon. He blows out all the madness he has in his guts. This gem came out in 1985 and was re-released in an expanded version in 2005.
Ornette on saxophone is an authentic dragon. He blows out all the madness he has in his guts.
This gem came out in 1985 and was re-released in an expanded version in 2005.
The review explores the surprising collaboration between Pat Metheny and Ornette Coleman on the 1985 album 'Song X'. It highlights the unusual mix of Metheny’s refined fusion style with Coleman's raw free jazz approach. Featuring jazz legends Charlie Haden and Jack Dejohnette, the album impresses with originality and challenges traditional beauty in jazz. The reviewer recommends it to adventurous jazz fans and newcomers seeking something unique. Explore the bold fusion of free jazz and fusion in 'Song X' — listen and experience this unique masterpiece today!
Rhythms and words literally dance together, with associations, rhymes, and upbeat tempos. Erotic, ironic, cynical, desperate, a carefree quest for the absolute like the smoke of a cigarette rising to the sky.
Rhythms and words literally dance together, with associations, rhymes, and upbeat tempos.
Erotic, ironic, cynical, desperate, a carefree quest for the absolute like the smoke of a cigarette rising to the sky.
Couleur Café is a well-crafted collection highlighting Serge Gainsbourg's Latin-percussive side, featuring cha-cha and mambo beats. It includes much of the rare Gainsbourg percussions album with exceptional lyrics and playful word associations. This compilation showcases his poetic mastery in French, blending music and language stylishly. Even without focusing on lyrics, the music alone captivates. Dive into Serge Gainsbourg’s Couleur Café and experience the captivating blend of Latin rhythms and poetic French lyrics today!
Honestly, I have never liked excessive guitar solos, often they are just a display of technique. But today, I'm here to change my mind because the album I'm reviewing is truly packed with guitar solos. Take this guy seriously. He may look like a fool with a bucket on his head, and you may smile at first glance. But if you listen to this gem of an album, you'll change your mind.
Honestly, I have never liked excessive guitar solos, often they are just a display of technique. But today, I'm here to change my mind because the album I'm reviewing is truly packed with guitar solos.
Take this guy seriously. He may look like a fool with a bucket on his head, and you may smile at first glance. But if you listen to this gem of an album, you'll change your mind.
This review praises Buckethead's Population Override for its impressive guitar solos that transcend mere technique. The album merges rock, funk, and metal with emotional depth and imagination. The artist's eccentric persona is noted, but his musicianship shines through. The album's theme involves overpopulation and nature's recovery, adding narrative depth to the music. Dive into Buckethead's Population Override and experience a masterclass in guitar solos filled with emotion and imagination!
An often underestimated aspect of Dylan is reassessed, as many consider him solely a brilliant lyricist. Among all the tributes to Dylan that have been released, this is probably one of the most original and unexpected I have come across.
An often underestimated aspect of Dylan is reassessed, as many consider him solely a brilliant lyricist.
Among all the tributes to Dylan that have been released, this is probably one of the most original and unexpected I have come across.
Jamie Saft Trio’s album offers a fresh jazz tribute to Bob Dylan, focusing on obscure songs reimagined through melodic improvisation. The album features keyboards, bass, and percussion, with strong vocal highlights from Mike Patton and Antony. It reassesses Dylan’s reputation as a composer beyond his renowned lyrics. Overall, it is an original and classy jazz-blues reinterpretation. Discover this original jazz tribute to Bob Dylan and experience unique improvisations and powerful vocal performances.
DeRank™: 0,06
DeRank™: 1,17
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DeRank™: 2,88
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DeAge 7134
DeRank™: 7,64
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