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DeRank ™: 3,14 • DeAge™ : 7779 days
Every Yo La Tengo track breathes psychedelic melancholy. Genius + Love = Yo La Tengo.
Every Yo La Tengo track breathes psychedelic melancholy.
Genius + Love = Yo La Tengo.
This review praises Yo La Tengo's 'I Can Hear The Heart Beating As One' as a defining album showcasing the band's consistent artistic freedom and psychedelic melancholy. The band is highlighted as a major influence in American indie music, blending diverse genres with a folk tradition spirit. The album is described as less compact but more exemplary, with standout moments like the track 'Moby Octopus.' Overall, the album encapsulates the greatness and unique atmosphere Yo La Tengo delivers. Explore Yo La Tengo's masterpiece and experience a timeless indie journey today!
Unrest is Unrest; crazy, unique and absolutely heterogeneous. "Suki" sounds like the Feelies in a pop version... "Imperial" is a hypothetical psychedelic/progressive take on Sonic Youth’s melodic arpeggios.
Unrest is Unrest; crazy, unique and absolutely heterogeneous.
"Suki" sounds like the Feelies in a pop version... "Imperial" is a hypothetical psychedelic/progressive take on Sonic Youth’s melodic arpeggios.
Unrest is a pivotal but underrated American indie rock band whose album Imperial f.f.r.r. showcases their diverse and innovative sound. The album blends elements of post-hardcore, psychedelia, and melodic indie rock. It features unique tracks that stand out for their creativity and unpredictability. This album serves as a great introduction to the band’s influential style and lasting legacy. Listen to Unrest's Imperial f.f.r.r. and explore indie rock’s hidden treasure today!
Franz Ferdinand do not seem to acknowledge the existence of the concept of originality; hence, further proof of their mediocrity. I listen to the first track 'The Fallen' straight through and just don’t understand what’s even remotely appreciable about it; lackluster melody, repetitive, soulless wholesale pop.
Franz Ferdinand do not seem to acknowledge the existence of the concept of originality; hence, further proof of their mediocrity.
I listen to the first track 'The Fallen' straight through and just don’t understand what’s even remotely appreciable about it; lackluster melody, repetitive, soulless wholesale pop.
This review critiques Franz Ferdinand’s sophomore album as overhyped and lacking originality. The reviewer finds the melodies uninspired and the style scattered compared to their debut. The album leans heavily on retro influences without evolving their sound. Despite some familiar dance riffs, the band fails to build a strong personality or artistic evolution. Ultimately, the album is seen as mediocre and disappointing for those seeking meaningful rock music. Read the full review and decide if Franz Ferdinand’s second album lives up to the hype.
"Mudhoney is Seattle; ... one of the first wild, ultra-distorted formations of what someone later wanted to call 'Grunge'." "Their frenetic violence is more a necessity than a choice, almost as if their music were a spontaneous extension of their soul."
"Mudhoney is Seattle; ... one of the first wild, ultra-distorted formations of what someone later wanted to call 'Grunge'."
"Their frenetic violence is more a necessity than a choice, almost as if their music were a spontaneous extension of their soul."
This review celebrates Mudhoney's Superfuzz Bigmuff as a raw and visceral embodiment of Seattle's grunge scene. It highlights the fuzzy, distorted sound, seminal tracks like "Touch Me I'm Sick," and the band's influence on rock history. Praised for its intensity and authenticity, the album is seen as essential listening for garage and grunge fans alike. Dive into the raw energy of Mudhoney’s Superfuzz Bigmuff and experience the true spirit of grunge—listen now!
Robert Smith is here, more than in previous albums, without a doubt... He transforms into the Syd Barrett of the 80s, elusive and amused, with his subtle irony. Ladies and gentlemen, THE BEST CURE ALBUM, and may the walls collapse too.
Robert Smith is here, more than in previous albums, without a doubt... He transforms into the Syd Barrett of the 80s, elusive and amused, with his subtle irony.
Ladies and gentlemen, THE BEST CURE ALBUM, and may the walls collapse too.
This passionate review celebrates The Cure’s album The Top as a daring, colorful, and visionary work. Robert Smith’s playful attitude and genre-bending creativity shine throughout. The album defies conventions, blending psychedelic, pop, and rock elements into a unique masterpiece. Highlighted tracks like 'Piggy In The Mirror' receive special praise. Despite being underrated and criticized for lacking homogeneity, the review argues it is arguably the best Cure album. Dive into The Cure's The Top and experience a fearless, genre-defying classic – listen now and see why it's hailed as their best!
Sunny Day Real Estate were the godfathers of that genre/movement now widely known as Emo. They played New Wave as an American might, and Punk as an Englishman might; minimal pretentiousness, but maximum complexity in crafting the song.
Sunny Day Real Estate were the godfathers of that genre/movement now widely known as Emo.
They played New Wave as an American might, and Punk as an Englishman might; minimal pretentiousness, but maximum complexity in crafting the song.
Sunny Day Real Estate’s Lp2 is widely regarded as a groundbreaking yet underrated album that helped define Emo music. The band uniquely fused punk energy with new wave melancholy while crafting complex, unpredictable song structures. Despite critical neglect, the album’s influence is profound, cited by bands like The Mars Volta. With Jeremy Enigk’s emotive vocals and Dan Hoerner’s dynamic guitar work, Lp2 remains a small masterpiece of 90s alternative rock. Dive into Sunny Day Real Estate’s Lp2 and discover the emotional roots of Emo and innovative 90s rock!
You can’t help but smile amusingly seeing him so out of place, he seems more like a Citybank employee rather than a cult solo ex-rockstar. The noisy yet concise and structurally elusive songs from ‘The Sky is Too High’ enchant with an irregular structure, large dynamic shifts, raw and acidic sound.
You can’t help but smile amusingly seeing him so out of place, he seems more like a Citybank employee rather than a cult solo ex-rockstar.
The noisy yet concise and structurally elusive songs from ‘The Sky is Too High’ enchant with an irregular structure, large dynamic shifts, raw and acidic sound.
This review captures Graham Coxon's awkward yet charming stage presence during his live performance in Florence. His sound deviates from Blur’s pop style, embracing raw American indie rock influences with a slacker, off-key vocal style that works in his favor. Songs from his first solo album shine brightest, while newer tracks are more uneven but still emotional. Overall, Coxon proves to be an honest, compelling artist delivering enjoyable shows beyond mainstream hype. Discover Graham Coxon’s unique live energy and dive into his raw indie rock sound—listen to his live set and explore his solo albums today!
Wire composed a type of deviant song that transcends the furious immediacy of punk, always hiding a dark side, not instantly decipherable. Pink Flag may not be definable as a masterpiece as its frenzy makes it excessively fragmentary, yet it represents one of those insights so strong it influences an entire era to come.
Wire composed a type of deviant song that transcends the furious immediacy of punk, always hiding a dark side, not instantly decipherable.
Pink Flag may not be definable as a masterpiece as its frenzy makes it excessively fragmentary, yet it represents one of those insights so strong it influences an entire era to come.
Wire's Pink Flag is a groundbreaking 1977 punk album that transcended its era with short, intense tracks full of nuance and unexpected structure. The album’s fragmented and innovative approach anticipated post-punk and influenced the British New Wave for decades. Despite its deliberate incompleteness, Pink Flag remains a crucial and influential work in punk history. Dive into Wire's Pink Flag and experience a pioneering punk album that shaped music history—listen now and explore its timeless innovation!
After the first chorus, I stop and move on. After 40 minutes of the album pleasantly wasted down the toilet, I haven’t answered the absolutely mysterious question of why Final Straw is the revelation of the year.
After the first chorus, I stop and move on.
After 40 minutes of the album pleasantly wasted down the toilet, I haven’t answered the absolutely mysterious question of why Final Straw is the revelation of the year.
The reviewer finds Snow Patrol's Final Straw album overly hyped and disappointing. Starting with bland acoustic and pop-rock sounds, the vocals are seen as irritating imitations of popular 90s rock voices. While some tracks attempt indie distortion, the overall tone is generic and syrupy, failing to live up to the praise from British magazines. The reviewer advises skepticism toward music industry hype. Read this candid review and decide if Snow Patrol's Final Straw is worth your listen!
"The common soul that Barlow bestows on all the tracks is, in the best Lo-fi tradition, the total lack of professionalism of his performance." "Despite dealing with very diverse musical themes, this 'Kids' OST stands out particularly for its cohesion and rarity of uniformity for a soundtrack."
"The common soul that Barlow bestows on all the tracks is, in the best Lo-fi tradition, the total lack of professionalism of his performance."
"Despite dealing with very diverse musical themes, this 'Kids' OST stands out particularly for its cohesion and rarity of uniformity for a soundtrack."
The 'Kids' soundtrack by Folk Implosion, led by Lou Barlow, stands out for its raw lo-fi indie rock sound and psychedelic undertones. While not flawless, its cohesion and unique vibe make it a notable underground gem. The success of the hit single 'Natural One' brought unexpected mainstream attention, yet the album retains a deliberately unpolished charm typical of 90s underground music. It offers diverse yet connected musical moods, marking the true beginning of Folk Implosion as a band. Discover the raw charm and psychedelic vibes of Folk Implosion's 'Kids' soundtrack—listen now and dive into 90s indie rock history!
DeRank™: 8,47
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