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DeRank ™: 2,62 • DeAge™ : 7082 days
"To appreciate this music, you must love nonsense, love being silly, love toys and stickers, love the grotesque sides of childhood or school experiences." "Although I have a great fondness for this band, I would much prefer their sound to be more Grind-oriented and less Punk, which I find comes across too prominently."
"To appreciate this music, you must love nonsense, love being silly, love toys and stickers, love the grotesque sides of childhood or school experiences."
"Although I have a great fondness for this band, I would much prefer their sound to be more Grind-oriented and less Punk, which I find comes across too prominently."
Cibo's debut EP 'Appetibile' showcases a raw blend of grind, punk, and rock with high energy and playful absurdity. The Turin-based young band delivers strong production and engaging vocals, capturing a spirited underground vibe. While the EP is short and leans more punk than grind, it offers a promising appetizer to their upcoming debut LP. Fans of experimental grind-punk hybrids will find much to enjoy here. Listen to Cibo's 'Appetibile' EP now and dive into a wild mix of grind, punk, and playful chaos!
Either Vomit Remnants didn’t want to do this split or they always ate sushi left out of the fridge for two weeks. Godless Truth earn the medal of best of the split even though they don’t deserve high scores; impact music, good to keep bimbos away.
Either Vomit Remnants didn’t want to do this split or they always ate sushi left out of the fridge for two weeks.
Godless Truth earn the medal of best of the split even though they don’t deserve high scores; impact music, good to keep bimbos away.
This review explores the 2005 three-way split album featuring Vomit Remnants, Carnivorous, and Godless Truth. It praises the effort as a valuable underground Death Metal showcase but finds Vomit Remnants disappointing, Carnivorous promising yet derivative, and Godless Truth the most impactful despite technical limitations. The production and musical execution received mixed reactions, highlighting the raw, unpolished nature of the genre. Discover the raw power and flaws of underground Death Metal—listen to this unique 3-way split now!
The band of Master Brutaller Glenn Benton had returned with their best CD of all time. I care deeply for Glenn Benton because he’s the only one who always stays brutal, and because even when others remove their corpse paint, he keeps his upside-down cross on his forehead.
The band of Master Brutaller Glenn Benton had returned with their best CD of all time.
I care deeply for Glenn Benton because he’s the only one who always stays brutal, and because even when others remove their corpse paint, he keeps his upside-down cross on his forehead.
This vivid and passionate review celebrates Deicide’s 'The Stench of Redemption' as an ultimate brutal death metal record. The reviewer contrasts it with lighter metal genres, praises Glenn Benton’s unwavering satanic persona, and highlights the album’s powerful and malevolent atmosphere. The text mixes dark humor and reverence, reflecting fan devotion and underground metal culture. Dive into the dark power of Deicide’s The Stench of Redemption—listen now and experience brutal death metal at its finest!
Intestinal Disgorge’s Grind Gore is stupid, disgusting, and musically awful, but it makes you laugh. They make fun of themselves, they intend to make shitty music.
Intestinal Disgorge’s Grind Gore is stupid, disgusting, and musically awful, but it makes you laugh.
They make fun of themselves, they intend to make shitty music.
This review critiques Intestinal Disgorge’s 'Drowned In Rectal Sludge' as an extreme grind gore album filled with grotesque themes and chaotic sound. The reviewer highlights the album’s amateurish instrumentation, artificial drum programming, and overwhelming number of repetitive tracks. Despite praising the originality of the vocal style and the band’s self-aware humor, the overall conclusion is that the album is musically poor and mostly a curiosity for fans of extreme underground metal. Dare to dive into the chaotic world of Intestinal Disgorge’s gore-grind—listen if you dare!
Xasthur’s music does not use notes, or a staff, but uses perceptions, feelings: distant echoes arriving from who knows where with a very precise purpose, to torture those who listen to them. Telepathic With The Deceased is the faded photo of bittersweet memories, the mist when you wake up in the morning and wish you had died overnight.
Xasthur’s music does not use notes, or a staff, but uses perceptions, feelings: distant echoes arriving from who knows where with a very precise purpose, to torture those who listen to them.
Telepathic With The Deceased is the faded photo of bittersweet memories, the mist when you wake up in the morning and wish you had died overnight.
Xasthur's Telepathic With The Deceased offers a uniquely haunting and emotionally raw expression of depressive black metal. Malefic's one-man project blends cold, tortured sounds with intense atmospheres, creating a deeply personal and dark musical journey. This album stands out for its emotional depth and sonic brutality, despite rough production values. Fans of atmospheric and emotionally driven black metal will find it compelling and memorable. Dive into the depths of Xasthur’s Telepathic With The Deceased—experience the darkest corners of depressive black metal now.
For those who play guitar, 'Depopulate' is a must, one of those CDs that will stir your envy and keep you busy trying to figure out what the hell those two are doing with their instrument. Vile managed to do something new; they’ll certainly refresh a genre that continues to reuse the stylistic devices of ten (and more) years ago.
For those who play guitar, 'Depopulate' is a must, one of those CDs that will stir your envy and keep you busy trying to figure out what the hell those two are doing with their instrument.
Vile managed to do something new; they’ll certainly refresh a genre that continues to reuse the stylistic devices of ten (and more) years ago.
Vile's Depopulate album refreshes Brutal Death Metal with impressive technicality and inventive guitar work. Although not flawless, it stands out within the Unique Leader roster. The album is a must-listen for fans and guitarists alike, with highlights like 'Eat The Rude' showcasing a powerful mix of skill and aggression. Some tracks fall short, and the dominance of the guitarists overshadows other band members, but the overall experience is very good. Listen to Vile's Depopulate and experience a brutal death metal album packed with technical brilliance and raw power!
The Spawn Of Possession make the mistake of putting music at the service of talent and not vice versa. Do not let yourself be amazed by the feats... by the end, you will understand how they made you feel the weight of all ten songs.
The Spawn Of Possession make the mistake of putting music at the service of talent and not vice versa.
Do not let yourself be amazed by the feats... by the end, you will understand how they made you feel the weight of all ten songs.
The review acknowledges Spawn Of Possession's high technical skill on Noctambulant but criticizes their lack of true innovation and emotional depth. While the band delivers complex riffs and skilled musicianship, the album ultimately feels uninspired and derivative of Floridian Death Metal traditions. The vocals are considered average and the compositions, though well-crafted, lack passion and uniqueness. Overall, the album is seen as competent but overrated in the Death Metal scene. Explore the complexities of Spawn Of Possession's Noctambulant and decide if technical prowess outweighs originality in Death Metal.
"Here, straight from the United States, is a load of manure to dump into your ears!" "This is not enjoyable garbage; this is just like getting a boot kick in the ass with a ski boot and then another with the boot and ski attached."
"Here, straight from the United States, is a load of manure to dump into your ears!"
"This is not enjoyable garbage; this is just like getting a boot kick in the ass with a ski boot and then another with the boot and ski attached."
The review harshly criticizes Impetigo's 'Giallo Antefatto' EP for its poor musical and technical quality despite its important role in grindcore history. While recognizing its influence on the genre, the reviewer dismisses the music as chaotic noise with absurd themes. The reissue trend of old extreme metal is seen as commercially motivated. Ultimately, the EP is described as a relic chiefly of interest to collectors of bizarre failures rather than fans of serious or technical metal. Dive into the chaotic world of Impetigo's 'Giallo Antefatto' and explore one of grindcore's most notorious relics!
This is not music and this is not a CD: that’s precisely why reviewing this work will be a huge mess. Der Kleine Hirnfick wants us to taste the lack of freedom to make us desire it even more.
This is not music and this is not a CD: that’s precisely why reviewing this work will be a huge mess.
Der Kleine Hirnfick wants us to taste the lack of freedom to make us desire it even more.
This review explores Der Kleine Hirnfick's rare grindcore album 'Offentl. Ärgernis,' highlighting its intense political message and unconventional sound. The band rejects traditional music structures, leaning towards anarchistic and raw expressions. The album combines harsh vocals, slow repetitive riffs, and a chaotic atmosphere reflecting urban unrest. The reviewer neither fully condemns nor praises the work but respects its extremism and courage. It's a challenging listen meant for connoisseurs of extreme, politically charged underground music. Dive into the chaotic world of Der Kleine Hirnfick and experience one of grindcore's most extreme expressions—listen or explore now!
Death Metal also started here. Repulsion does everything wrong, especially in writing the songs: the tracks have no head or tail, they are very short, fast, and disordered, and that is exactly what makes them irresistible.
Death Metal also started here.
Repulsion does everything wrong, especially in writing the songs: the tracks have no head or tail, they are very short, fast, and disordered, and that is exactly what makes them irresistible.
Repulsion's 'Horrified' is a raw, pioneering death grind album from 1986 that predated the birth of death metal as a genre. Despite its lo-fi production and chaotic song structures, it laid essential groundwork with aggressive riffs and blast beats. The review highlights its historical importance and enduring influence on later bands like Autopsy and Entombed. Recommended for metal enthusiasts interested in the genre's origins. Listen to 'Horrified' and explore the raw origins of death metal!
DeRank™: 1,73
DeRank™: 0,09
DeRank™: 3,63
DeRank™: 0,13
DeRank™: 1,96
DeRank™: 2,31
DeRank™: 25,46
DeRank™: 7,00
DeRank™: 5,88
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