Tepes

 "If I break his ribs, he can take medical leave and spend the day at the bar talking about tits and asses with his friends."

 "The messages conveyed are very profound and truly Luciferian, and indeed the songs say more or less ‘I do drugs and do what I want, if I want to screw a pony, I do it...’"

This review offers a wildly chaotic and brutal satirical monologue inspired by Marilyn Manson's Mechanical Animals. It mixes violent metaphors, metal culture references, and dark humor to criticize and mock both the album and its surrounding satanic imagery. Despite the severe tone, the review conveys frustration and disbelief towards the album's provocative nature and the subculture it represents. Dive into this savage, satirical take on Marilyn Manson's Mechanical Animals and experience the darkest corners of metal culture!

 They create a truly enviable wall of sound, 'catchy' as you rarely hear, and thankfully/unfortunately without resorting to the usual Porno Gore themes.

 The CD's listenability is very good, and despite how it may sound, it slides without friction, making an effect similar to what a Thrash album stuffed with dynamite would have.

The Day Everything Became Nothing's Invention: Destruction offers a raw and heavy Death Grind experience with mid-tempo pacing and a solid wall of sound. The album favors impactful riffs over technical virtuosity, avoiding typical gore themes and maintaining a strong listenability. While it lacks variety and mood shifts, it delivers consistent intensity and natural longevity. Fans of mid-paced heavy metal and bands like Cock And Ball Torture will appreciate its straightforward but effective approach. Discover Invention: Destruction — experience heavy riffs and raw Death Grind energy now!

 God On Acid deals a heavy blow to those who claimed that only by pushing extremism further could one say something more.

 Songs like '9 mm Headfuck' or 'A Mouthfull Of God’s Flesh' can only leave anyone passionate about Brutal Death, open-mouthed.

Despondency's 2003 album God On Acid delivers a skilled and thoughtful Brutal Death metal experience rooted in classic American styles. Despite not pushing the limits of extremity, the album offers solid composition, impactful riffs, and notable bass work. Though some tracks lack the standout flair of the best ones, the overall album is highly commendable and represents a strong contribution from the German metal scene. Dive into the fierce sounds of Despondency’s God On Acid and explore a refined classic of Brutal Death metal.

 Vomit The Soul has come a long way, I believe farther than they thought they could go.

 Max’s growl is decidedly one of the filthiest and most devastating around.

Vomit The Soul pushes the boundaries of Italian death metal with their 2006 promo 'Unrecognized Elements Presence.' The two-track release delivers intense, memorable brutal death metal riffs and raw, powerful growls. While the recording quality is flawed, the music's energy and innovation shine through. The review recommends staying alert for their upcoming full-length album. This promo marks a significant step in their musical evolution. Discover the raw power of Vomit The Soul’s brutal death metal promo and get ready for their upcoming album!

 Defacing churn out a product of almost equal quality to their compatriots Coprofago; naturally, there is nothing refined or jazzy here, but for a Brutal Death record, it is really not bad.

 The Defacing manage not to be dragged by the current and generate a Brutal Death that's incredibly heavy but not as stale as slam.

Defacing's debut album 'Spitting Savagery' from Chile delivers a solid Brutal Death metal experience. While influenced by slam death, the band avoids clichés with creative drumming and varied riffing. The vocal performance is somewhat flat, but the overall work satisfies fans of heavy and technical brutal death. The album offers a personal yet traditional approach, making it a notable release in the underground scene. Listen to Defacing's 'Spitting Savagery' now and experience Chilean Brutal Death metal at its rawest!

 Mucupurulent jokes, and I let them joke: they are not musical geniuses, they don’t play well at all, but if one doesn’t quite feel like concentrating and instead wants to listen to a powerful yet unpretentious album, then ‘Sicko Babies And More Babes’ is the album that’s needed.

 Their voice makes extensive use of the Pitch Shifter (a little electronic gadget that makes the voice sound like a clogged toilet).

Mucupurulent represents a distinctive German porno grindgore style characterized by slow, cadenced tempos, heavily downtuned guitars, and pitch-shifted vocals. 'Sicko Baby And More Babes' compiles most of their work, showcasing their raw, unapologetic sound and irreverent humor. While not technically refined, the album offers powerful, headbang-worthy rhythms suited for those seeking unpretentious and entertaining extreme metal. Fans of bands like Cock And Ball Torture and Gut will appreciate the unique German touch and genre roots. Dive into Mucupurulent’s wild grindgore mix and experience brutal riffs with a cheeky twist—listen and laugh along now!

 This album is pure art; ... one of the best Black albums ever composed.

 So much suffering is received from the notes of this album, so much hatred, a curse that falls upon the listener’s head from start to finish.

Leviathan's 'Far Beyond The Light' is a standout Swedish Black Metal EP that blends traditional and depressive styles with compelling riff variety and technical drumming. Despite the usual bias against Swedish Black Metal, the reviewer praises this album as one of the best in the genre. The intense emotional depth and well-produced sound create a captivating listening experience that demands full attention. This EP is recommended for fans seeking intense, well-crafted black metal beyond common clichés. Listen to Leviathan's 'Far Beyond The Light' and experience a raw and intense journey into Swedish Black Metal mastery.

 Shawn is not an exceptional guitarist, does not play bass impeccably, and does not have a remarkable voice in the world of Brutal Death, yet the whole is more than good.

 The drum machine eliminates the problem of execution difficulty allowing Shawn to let loose with fairly unusual, dragging, and damn new tempos.

Insidious Decrepancy is a rare one-man brutal death metal project from Texas, delivering a strong sophomore album with notable improvement. Shawn Whitaker’s composition shines despite limited technical skill, blending influences from New York, Florida, and California scenes. The album showcases inventive songwriting, interesting tempos aided by competent drum programming, and themes rich in blasphemy and decay. It appeals both to old-school and avant-garde death metal fans. Dive into the fierce brutality and fresh songwriting of Insidious Decrepancy’s unique brutal death metal experience today!

 Listening to Striborg is not a trance; listening to Striborg means staying conscious in a foreign and hostile world, rediscovering the meaning of simple and primitive emotions such as fear and wonder.

 The sounds, in Striborg’s production, are not there to make music but to speak; it is not surprising, then, to hear riffs or keyboards so cacophonous they resemble the noise of a tile being cut.

Striborg's 'Mysterious Semblance' offers an immersive black metal experience that transforms traditional boundaries through distorted, atmospheric soundscapes. Sin Nanna's solo project moves beyond depressive black metal to express primitive emotions such as fear and wonder. The album’s raw production adds to its unsettling but mesmerizing qualities. It stands out as a notably innovative and sincere work within the black metal scene, challenging conventional notions of musical harmony and expression. Dive into Striborg’s 'Mysterious Semblance' for a haunting and boundary-pushing black metal experience.

 The songs are short, repetitive, and incommensurably bad.

 This album is a bucket of guano; however, I would like to reflect on this.

This review critically examines Abscess' debut album 'Seminal Vampires And Maggot Men', highlighting its poor musicianship and lack of innovation. Despite connections to Autopsy's Chris Reifert, the album is seen as a regressive, low-quality Death Grind record. While the album has some moments that evoke laughter, it ultimately fails to live up to the standards set by contemporaneous Death Metal releases. The artwork is noted as grotesquely memorable but does not redeem the music. Discover why Abscess' debut divides Death Metal fans—read the full review and listen to this controversial album.