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 The cover takes me back to the farthest recesses of memory, evoking the English romantic painters Constable and Turner.

 "Eple" is great with those light and lopsided odd beats that don’t resolve (pure and simple 808 State).

Melody A.M. by Röyksopp is a beautifully crafted album that pays homage to early ambient and melodic electronic music, particularly reminiscent of 808 State. The album balances analog and digital sounds with expressive vocals, making it a standout despite not being entirely original. Key tracks like "Eple," "Sparks," and "Poor Leno" highlight their skillful blending of melodies and beats. The reviewer appreciates its high quality and unique Norwegian origins. Listen to Röyksopp's Melody A.M. and experience a melodic electronic journey blending ambient sounds with nostalgic beats.

 Moby chooses to sing himself, with his weak, inadequate voice, which always reminds me of Ian Curtis’s inadequacy from Joy Division.

 A disenchanted and resigned look at life, but somehow positive.

Moby's single 'We Are All Made Of Stars' impresses with its evocative lyrics and a steady guitar riff reminiscent of Bowie’s 'Heroes'. Moby sings with a vulnerable, Joy Division-like voice, creating a positive yet resigned mood. The music video, featuring cameos from Ron Jeremy and Tommy Lee, adds a quirky edge. This track builds anticipation for his upcoming album '18' following the success of 'Play'. Listen to Moby's 'We Are All Made Of Stars' and explore the powerful blend of emotion and electronica in his upcoming album '18'.

 They demonstrate an interesting use of the German language that unexpectedly lends itself wonderfully to storytelling, with very creative rhymes that you can’t get out of your head.

 "If one wants, you are the goal of a long journey, the perfection of the best kind - in silent moments quietly... if one wants, you are my chillout area, my holidays every year..." (Kompliment)

Sportfreunde Stiller’s second album, Die Gute Seite, continues their vibrant blend of melodic pop and storytelling German talk rock. Rooted in soccer culture, the band delivers catchy, ironic, and engaging lyrics with tight production and slight guitar distortion. While not radically new compared to their debut, the album shines with memorable songs like Kompliment and a unique southern German pop energy. It’s praised as a great pop album that captures the charm and wit of the band. Listen to Sportfreunde Stiller’s Die Gute Seite and enjoy melodic, witty German indie pop full of heart and irony!

 The album is formally beautiful, impeccable, with deep bass entering on hi-hats, but there isn’t a single song that makes me want to dig into the pile of CDs and play it right away.

 Respect, but nothing more than that.

The reviewer reflects on 'Come With Us' by The Chemical Brothers, praising its technical quality and notable guest vocals but finding it lacking an emotional pull. Standout tracks include 'Star Guitar' and 'The Test,' yet the album fails to inspire repeated listening. Overall, it's seen as a respectable but forgettable effort. Discover the nuanced sound of The Chemical Brothers' 'Come With Us'—listen and decide if it resonates with you!

 The idea is not new. What’s new is how they bring movement to a static act.

 A nice concert, in the end more good moments than bad ones, even though it’s not the ultimate.

This review details Röyksopp's 2002 live performance at Muffathalle Munich, praising their inventive use of sequencers and live percussion to create dynamic rhythms. While noting dated synth sounds and the divisive use of vocoders, the reviewer appreciates the analog synth tweaks and overall honest energy. The concert delivered more good moments than bad and remains a notable early live electronic show. Explore Röyksopp's dynamic live sound and experience their early 2000s electronic performance now!

 He does it all by himself with preset sounds from the sequencer, static, serial.

 He will become the English Eminem, but this stuff doesn’t interest us even for sociological study purposes.

The review critiques The Streets' debut, highlighting Mike Skinner's reliance on preset beats and a style heavily reminiscent of Eminem. While Skinner raps about youth, street life, and personal vices, the album fails to deliver more than the sum of its parts. Despite some relatable themes for suburban youth, the overall effect is unremarkable and lacks innovation. Read the full review and listen to The Streets' debut to form your own opinion.

 At the beginning of this year, Zac Foley, the keyboardist, passed away...

 If this collection has any merit, it is the merit of memory, reminding us how fun 1991 was(!).

This review covers EMF's 'The Best Of' album, highlighting its focus on tracks from their 1991 breakthrough 'Schubert Dip' and rare remixes. It touches on the passing of keyboardist Zac Foley and reflects on EMF's place in the early 90s indie/dance crossover scene. While recommended for collectors interested in the remixes, the review suggests the original 'Schubert Dip' album remains the definitive choice for fans. The compilation serves largely as a nostalgic reminder of 1991's vibrant club sound. Discover EMF's vibrant 90s sound—listen to The Best Of and explore rare remixes today!

 This record does not satisfy us. It is more difficult, convoluted, far from the pop perfection of almost all of Donelly’s productions.

 "The Shadow," on the other hand, seems like a Portishead song, starting with the ghostly drums...

Tanya Donelly’s second solo album, Beauty Sleep, departs from the melodic and euphoric indie pop of her earlier work towards slower, darker, and more complex songs. While collaborations and atmospheric sounds provide an intriguing texture, the album lacks the immediate appeal and clarity of previous releases like Lovesongs for Underdogs. Some tracks evoke comparisons with Cocteau Twins and Portishead, but overall the album feels more challenging and less satisfying. Fans await a stronger future release. Explore Tanya Donelly's Beauty Sleep and discover a darker, complex musical journey beyond her indie pop roots.

 An ill-fated attempt at eclecticism. As eclecticism hardly ever succeeds.

 Good to listen to on the radio. On Radio One. For a couple of minutes.

The review critiques Air's 10.000 Hz. Legend as an unsuccessful attempt at eclecticism, mixing prog rock, electronic, and 60s-70s influences awkwardly. While their debut Moon Safari was pleasant and well-received within the French electronic scene, this follow-up feels forced and cluttered, with uneven collaborations like the Beck-featured "Vagabond." The album is described as suitable only for brief casual radio listening. Discover the mixed textures of Air’s 10.000 Hz. Legend and decide if this experimental album is for you!

 Xavier Boyer’s falsetto voice is irritating, their curly and long hair even more so.

 Good workmanship, but not honest.

The review covers Tahiti 80’s live show in Monaco, noting their technical proficiency and clear influences from 60s pop and English baggy music. However, the reviewer finds the lead singer's falsetto irritating, the lyrics banal, and the overall experience lacking emotional honesty. Despite good musicianship, the show fails to engage or inspire. Discover Tahiti 80’s live performance for yourself—listen or watch their shows to form your own opinion!