psychopompe

 "True rock 'n' roll cannot be tamed for long, even when buried under a mountain of synth; sooner or later it takes revenge."

 "Easily the rock 'n' roll album of 2009."

Reigning Sound's Love And Curses blends raw garage rock with soulful R&B elements, driven by Greg Cartwright's emotive vocals. The album is praised for its passionate exploration of romantic turmoil and its authentic rock 'n' roll spirit. Highlighting tracks like "Break It" and "If I Can't Come Back," the album is deemed one of the standout rock releases of 2009. Listen to Love And Curses to experience authentic rock 'n' roll infused with soul and heartbreak.

 If someone is capable of combining the two things, playing like one of the quintessential mesmerizing bands (Spacemen 3) and conveying the same sensations in a third of the time, well, one can’t help but rejoice!

 The rendition of 'War Sucks' by Kember alone is exactly what we would have expected from Spacemen 3: sick, with a very Velvet guitar, an Addams family style organ, and an underlying drone-wail that feels very psychiatric hospital.

Spectrum's War Sucks EP, led by Pete Kember aka Sonic Boom, combines the hypnotic psychedelia of Spacemen 3 with brief, intense sonic journeys. Featuring two originals and creative covers, the EP distills mesmerizing vibes in a compact runtime. Highlights include the title track, a wild homage to Texan psychedelic pioneers Red Crayola, and a haunting Laurie Anderson cover. A must-listen for psychedelic enthusiasts seeking powerful and condensed experiences. Dive into Spectrum's War Sucks EP and experience a condensed psychedelic trip by Sonic Boom himself!

 I came across the Crocodiles, a duo from San Diego, who instead of doing surf or folk noise as is usual in the area, sound like Suicide playing like Jesus & Mary Chain.

 A qualitative average, in my opinion, high with songs of immediate appeal, with the pros and cons of the case.

This review takes a cautious but intrigued look at the Crocodiles' album 'Summer Of Hate,' praising its fresh take on '80s revival music. The reviewer admits an appreciation for the band's blend of lo-fi, shoegaze, and alternative pop sounds, despite initial skepticism towards '80s nostalgia. Highlights include tracks like 'Neon Jesus' and the Spacemen 3-inspired lullabies. The album receives a moderate rating for its unique appeal, especially for listeners less familiar with the original '80s scene. Explore Crocodiles' 'Summer Of Hate' to experience a fresh and moody take on '80s-inspired alternative sound.

 The guys put a lot of effort into making their blend of Oneida-like tribalisms, kraut keyboards, and freak reminiscences believable.

 The artwork remains crap.

The review praises Cave’s Psychic Psummer for its compelling blend of psych, krautrock, and post-punk influences, creating an intriguing and addictive listening experience. However, it heavily criticizes the album’s artwork for being amateurish, poorly designed, and visually confusing. Despite the graphic flaws, the music’s energy and style hold strong, making the album worth a listen. Discover the intriguing sounds of Cave’s Psychic Psummer despite its flawed artwork—listen now and experience its unique vibe!

 Nearly 80 minutes of ecstatic worship of the negroid phallus, the sacred ritual through which we pale asses should cleanse ourselves of our sins against black people.

 Maggot Brain is one of the best 'on acid' tracks of all time.

This review highlights Funkadelic's 1971 live concert as a pivotal and ecstatic display of psychedelic funk. It praises Eddie Hazel's guitar mastery and George Clinton's visionary leadership. The performance embodies raw energy, deep cultural expression, and musical innovation that surpass studio efforts. The recording is depicted as a treasured, almost mythical find capturing the band's creative peak. Dive into Funkadelic's 1971 legendary live show and experience the raw psychedelic funk energy that redefined the genre.

 This time they really nailed the songs.

 Choruses and refrains that imprint themselves on the cerebral cortex without any chance of getting rid of them.

The reviewer reflects on the 2009 music landscape, finding Black Lips' '200 Million Thousand' a standout with well-crafted songs and few fillers. The album maintains the band's raw garage sound while introducing memorable choruses and playful experimentation. Tracks like "Again And Again" and "Body Combat" are praised for their infectious hooks. Despite some familiarity, the album's energy and songwriting make it enjoyable and enduring. Dive into Black Lips' '200 Million Thousand' now and experience a fresh take on garage rock with unforgettable songs!

 "Luminous Night stands as a culmination of both this melodic search and his previous experimental impulses, excelling in both."

 "After listening, preferably at night, ... the night will seem less dark to you and a small light will peek through the trees."

Luminous Night is a mature work by Ben Chasny under Six Organs Of Admittance, blending folk, drone, and experimental elements. The album balances melodic accessibility with avant-garde touches. It showcases his growth and versatility while honoring various musical traditions. The reviewer praises its variety and evocative power, considering it a strong contender for album of the year. Discover the mesmerizing soundscapes of Luminous Night—listen now and experience folk music redefined.

 Strumming and stumbling upon a melody is not enough to become Pavement.

 The cover of Graham Nash, 'Military Madness', and especially the long 'September With Pete' significantly raise the overall quality level.

This review of Woods' album 'Songs Of Shame' balances appreciation for its lo-fi folk beauty and vocal melodies with criticism of its technical shortcomings. While some tracks shine, the reviewer questions whether some flaws are mere affectations. The cover of Graham Nash’s 'Military Madness' and the epic 'September With Pete' notably elevate the album. Despite mixed feelings, the review remains fair and reflective. Discover Woods' 'Songs Of Shame'—explore its charm and flaws in this honest review!

 The fine balancing act between pompousness and richness of the arrangements on one side, and kitsch and gaudiness on the other, incredibly holds up for (almost) all 10 tracks.

 Small joys that become great with the 3 minutes and more of ‘Holiday’: harmonica, banjo, slowly Velvet-like pace, Young and Dylan looking (and approving) from above.

Pink Mountaintops' third album, Outside Love, defies low expectations with its expertly crafted pop melodies and nostalgic feel. Stephen McBean blends influences from Phil Spector and the Jesus And Mary Chain to create a rich and balanced album. The review highlights detailed production touches that strengthen the album's unique character. Overall, Outside Love stands out as one of the best pop releases of its year. Listen to Pink Mountaintops' Outside Love and experience a nostalgic yet bold pop journey crafted with meticulous detail.

 "A record is not just the music it contains... the visual and musical impact match, the combination... enhances the presence of both."

 "'Maker' tries to move away from the psych post-blues territories... to take a more disjointed, almost post-punk direction... maintaining a hypnotic obsessive pace worth noting."

The review emphasizes the value of patience in music appreciation, lamenting the digital era's impact on the album experience. Pontiak's 'Maker' is praised for its hypnotic rhythms and a bold move towards a post-punk sound, enhanced by thoughtful packaging that honors physical media. Key tracks like 'Wax Worship' and 'Maker' showcase the band's evolving style. Overall, the record rewards a careful and unhurried listening. Dive into Pontiak's 'Maker' and experience a captivating fusion of blues and post-punk with a vinyl-quality listening journey.