Lazzaroblu

 After the dis-concert in Perugia, the myth of Jarrett collapsed (at least for me).

 Jarrett now lives his music as a profitable business, earning a lot and can afford, from the height of his arrogance, to offend (both verbally and musically) a respectable audience.

This review covers the Keith Jarrett Trio's July 2007 live concert at Umbria Jazz, highlighting a disappointing performance marked by missed timing and lackluster expression. The reviewer criticizes Jarrett's attitude toward the audience and laments the decline of a once-great artist. While peers Peacock and De Johnette still shine, Jarrett is portrayed as tired, egotistic, and disrespectful. The concert left many attendees dissatisfied, casting doubt on Jarrett's continuing relevance. Read the full review and decide if Keith Jarrett's 2007 live performance marks the end of an era or a rare misstep.

 This group literally enchanted me.

 The highlight of this album lies in the finale, overwhelming and whirling.

The review praises Liquid Laughter Lounge Quartet’s album as an enchanting, gritty, and retro take on blues with noir and psycho-billy elements. The standout finale tracks showcase musical depth and aesthetic beauty. Though not historic, the band offers quality sound and hope for innovation in the alternative music scene. The reviewer expresses optimism about the group gaining wider recognition. Listen now to Liquid Laughter Lounge Quartet’s hypnotic blues and experience a fresh twist on retro sounds!

 Fiorella’s voice almost clashes with the music she offers.

 The project is commendable, no question about it, but Onda Tropicale doesn’t take off.

Fiorella Mannoia's album Onda Tropicale attempts a Brazilian style but largely fails to capture the authentic vibe. Despite notable collaborations and moments, her voice often clashes with the music and the arrangements feel rushed. Fans of true Brazilian classics may find better interpretations elsewhere. The album is appreciated for the artist’s passion, but it ultimately does not meet expectations. Discover why Fiorella Mannoia’s Onda Tropicale struggles to capture Brazilian magic—listen and judge for yourself!

 Imagine the notes coming from the piano inlaid with those coming from Fresu’s trumpet and the other instruments that, almost silently, follow this beautiful dialogue, magical and in love.

 Avishai Cohen, besides being a legendary bassist, is also a character to keep an eye on in the jazz circuit, to be safeguarded, so that he doesn’t become a mere sideshow!

The review captures a memorable evening at the Pomigliano Jazz Festival featuring Paolo Fresu's melodic trumpet, Avishai Cohen's virtuosic bass fusion, and Enrico Pieranunzi's piano artistry. The performances blend classical jazz with innovative influences, delighting the audience despite some mixed feelings about the vocal set. Overall, the reviewer praises the passion and skill on display, urging jazz lovers not to miss future shows from these artists. Experience the magic of jazz live – listen to Paolo Fresu, Avishai Cohen, and Enrico Pieranunzi’s unforgettable performances now!

 Pacifico delivers calm, relaxed concerts that soothe and cradle you.

 He plays on his timidity like a professional comedian, making fun of himself with disarming irony.

The reviewer attended a concert featuring Pacifico and Mimmo Locasciulli at Villa Campolieto. Pacifico pleasantly surprised with a relaxed, witty, and melodic set, despite a thin voice. Mimmo Locasciulli delivered a sincere and restrained performance, showcasing songs from his latest album 'Sglobal'. The evening was enjoyable, with well-played music and thoughtful lyrics, celebrating the festival's unique atmosphere. Discover the charming live performances of Pacifico and Mimmo Locasciulli—immerse yourself in Italian singer-songwriter artistry today!

 The Guardian defined Yo Yo Mundi as 'the Clash with an accordion.'

 A grand finale with an unexpected encore 'Les amoureux des bancs publics' interspersed with 'Je te voglie bene assaje' entertained the audience to sing and dance.

The review highlights an exceptional double concert featuring Yo Yo Mundi and Daniele Sepe at Villa Campolieto. Yo Yo Mundi's set focused on partisan resistance with musical and poetic elements, while Daniele Sepe delivered an engaging jazz performance infused with Neapolitan influences. Both artists captivated the audience with their mastery and cultural messages, culminating in a dynamic, memorable evening. Discover the powerful fusion of resistance folk and jazz by Yo Yo Mundi and Daniele Sepe—listen and experience this unforgettable live concert!

 Ivano Fossati is a great writer but above all a valid interpreter and all these qualities, live, are highlighted and captivate the viewer.

 A poignant version of “C’è Tempo” with a disarming accordion that, I confess, brought a tear to my eye.

Ivano Fossati delivered a powerful and captivating live show at Napoli Arena Flegrea. The concert featured a carefully planned setlist alternating rock, acoustic, and electronic styles. Fossati’s vocal performance and musicianship stood out, complemented by skilled band members. Highlights included rare songs, a moving accordion-backed encore, and a heartfelt Luigi Tenco cover. The event united multiple generations and was marked by strong emotion and social messages. Discover the magic of Ivano Fossati’s live performance – listen to the album and experience the emotional journey now!

 Yesterday's concert was overflowing, eclectic, exciting, fun, full of love.

 I find myself transported to a rural festival, a town square party where the saint (Vinicio) is honored.

This review captures the enchanting and high-quality live performance of Vinicio Capossela at Teatro Augusteo on April 25, 2006. The concert featured theatrical elements, folk-rock influences, and moments of joyous audience participation. Highlight songs like 'Santissima dei Naufragati' and 'Il Ballo di San Vito' stood out, culminating in a communal singalong of 'Bella Ciao.' The event was an eclectic, heartfelt celebration of music and community. Discover the magic of Vinicio Capossela's live shows—experience this unforgettable concert through the review and his music today!

 It is pure experimentation, majestic and triumphant, undefinable, fun, and above all, healthy.

 Vasaarasia is a carnival of music, outside of any musical routine, outside of any sterile experimentation, darkly hysterical.

Alamaailman Vasarat’s album Vasaarasia defies genre classification with its eclectic mix of sounds from polka to metal. This Finnish avant-garde group delivers an instrumental, rhythmically powerful, and beautifully arranged album full of surprising transitions and dark humor. Fans of experimental music will find a rich, complex, and unique listening experience. The album is a triumphant carnival of sounds that challenges musical norms. Dive into the wild, genre-defying sounds of Vasaarasia and experience a unique avant-garde musical adventure!

 John Lurie’s music is intimate music, digging deep into the soul, free, without schemes, bare, sparse, anarchic.

 It is music made of art, essential, that breaks the patterns of punk and jazz without seeking classification.

John Lurie’s album blends cinematic style with experimental No Wave jazz, creating a disorienting and intimate listening experience. The music is unconventional, minimal, and evokes deep emotions, especially in the homage to Albert Ayler. It challenges traditional genre boundaries and rewards repeated listens with its mystical atmospheres. Though not conventionally polished, it stands out as an essential and artistic work. Dive into John Lurie’s avant-garde jazz journey — listen now and experience the mystique!