primiballi

 Ron won Sanremo with the song that gives the title to the album. And, I’ll say it right away, it is a very modest song.

 Pleasant record, but symbol of the uselessness and inspirational collapse of songwriters in the nineties (with the necessary, and very rare, exceptions).

Ron’s 1996 album reflects his cyclical career presence with a modest Sanremo-winning title track. The album combines re-recordings and new arrangements but struggles with 90s pop clichés and some banal songwriting. While not exceptional, the record is listenable and holds a nostalgic value amid the decade’s songwriting decline. Discover Ron’s nostalgic 1996 album and explore the highs and lows of 90s Italian songwriting!

 The two schools, although so different, here integrate and dialogue perfectly.

 The album is beautiful, nocturnal, suitable for listening to as well as background music for a lovely dinner.

The album 'Radio Days' by Enrico Rava and Renato Sellani presents a refined jazz duo's homage to classic Italian songs. It showcases a perfect blend of distinct musical schools and thoughtful interpretation. The album evokes nostalgia for an era when radio was central to music listening, featuring a repertoire that resonates deeply with Italian cultural memory. Although the inclusion of two live tracks at the end feels slightly inconsistent, the work remains an elegant and enjoyable jazz experience. Discover the timeless blend of Italian classics and jazz mastery in Rava and Sellani's Radio Days—listen now and immerse yourself in a musical journey.

 For many, this is the last noteworthy Vasco. The spiritual testament of the early period, the rock-singer-songwriter period, the true one.

 Even the most zealous critics of Vasco have never been able to answer with elegant clarity a simple question, 'where did Vasco get tracks like "fegato spappolato," "giocala," or "siamo solo noi"?'

Bollicine is considered by many the last truly significant album of Vasco Rossi’s early career, representing the genuine rock singer-songwriter phase. The album captures the spirit of the 1980s with authentic arrangements and a bold lyrical style. It features standout tracks like 'Vita Spericolata' and 'Gli Angeli,' which remain iconic in his repertoire. The review praises Vasco’s originality, musical craftsmanship, and provocative energy that set the stage for his later work. Listen to Vasco Rossi's Bollicine album and discover the raw energy and timeless spirit of 1980s Italian rock!

 Lucio still proves to have all the charisma and talent we knew intact.

 Probably the best product of Lucio Dalla in the last twenty years and certainly his best “live”.

Lucio Dalla’s Classica & Jazz is an innovative double DVD project blending cantautorato style with classical and jazz influences. While the music and performances are remarkable, the marketing choices—including the identical cover to a previous hits collection and the misleading title—undermine the album’s potential impact. The jazz disc with Stefano Di Battista’s quartet shines as the best live work of Dalla’s recent years. Despite flaws in presentation, the musical content is heartfelt and compelling. Explore Lucio Dalla’s unique blend of jazz and classical—listen now and experience a true fusion masterpiece!

 The Conte/Nannini pairing is precisely the symbol of the courage and fundamental success of the work.

 The black sheep of the record, a fatal and grave error typical of the superiority complex that resides inside every overachiever.

Avion Travel’s cover album 'Danson Metropoli' honors Paolo Conte’s work with a mix of respect, creativity, and experimentation. While some tracks shine, such as 'Cosa Sai Di Me' and 'Elisir' featuring Gianna Nannini, a few missteps, especially the first single, detract from the overall experience. The group’s passion and craftsmanship stand out, making this a brave and rewarding homage for fans of both artists. Listen to Avion Travel’s daring tribute to Paolo Conte and explore their unique takes on classic Italian songs.

 "The album shines for its perfect sounds, manic care of arrangements, and especially for a good and substantial use of electronics."

 "'Passo Napoletano,' the closing track, is a true masterpiece and could be the promise of something great or just a splendid stroke of luck."

This review offers a cautiously optimistic take on Pino Daniele’s album 'Il mio nome è Pino Daniele e vivo qui.' Noting improved production, successful integration of electronics with classic guitar sounds, and less irritating vocal duets, the reviewer finds the album better than recent works. Though Pino’s golden days seem far, signs of a possible creative revival emerge, especially in the closing track 'Passo Napoletano.' The album balances tradition with a gentle modernization. Discover Pino Daniele’s evolving sound—listen to ‘Il mio nome è Pino Daniele e vivo qui’ now and explore the artist’s hopeful musical journey.

 The masterpiece of this album lies in the "non-being," the beauty of its songs lies in being "non-songs."

 This album is cold disenchantment. Perfect and pure solitude.

Franco Battiato's Il Vuoto is a profound and austere album, marked by melancholic themes and musical experimentation. The review highlights Battiato's long, complex career and the evolution of his songwriting, praising Il Vuoto as a grand, emotive work. It is described as a cold, disenchanted masterpiece with songs that grow on the listener, embodying perfect solitude and introspection. The album is recognized as a significant and surprising addition to Battiato's legacy. Listen to Franco Battiato's Il Vuoto and experience a haunting journey through melancholy and artistic mastery.

 They were pioneers; there’s no denying it.

 Emulating oneself, failing miserably, is a mortal sin.

The review reflects on Righeira's attempted comeback with 'La Musica Electronica,' highlighting their 80s summer hits and pioneering style. It contrasts high hopes for nostalgia-infused revival with a critical view of the album as a possible self-parody or 'auto-trash.' Ultimately, it leaves the listener to decide whether this is a clever camp act or a dated, awkward return. Discover Righeira's bold blend of 80s nostalgia and camp—listen to 'La Musica Electronica' and decide for yourself!

 Vasco sells us all this, and he sells us his new little song (truth be told, modest) with the moralizing little finger of the artist.

 It’s just marketing, baby. And we’ll see how much it really is marketing.

This review analyzes Vasco Rossi’s unexpected digital-only single 'Basta Poco,' highlighting his strategic shift away from albums toward singles to maximize profits. While the song is described as modest, the review appreciates Vasco’s savvy self-management and marketing. It critically frames the release as a reflection of changing music industry economics, with singles overshadowing full albums. The review is thoughtful and somewhat critical but acknowledges Vasco’s clever adaptation to modern consumption trends. Discover the story behind Vasco Rossi’s surprising single release and explore the changing face of music marketing today.

 They’re madmen doing covers, probably just for fun... creating in fact a really amusing result.

 It’s nice to see there’s still people who use music... in the full and etymological sense of the term. Have fun.

Le Piciarle's album 'Fankulo la tartaruga' is a raw collection of covers from classic rock legends, played with playful abandon and modest recording quality. The band's sense of humor and DIY spirit shines through odd production choices, fake audience effects, and unexpected noises. While the musical quality is inconsistent, the album offers genuine fun and a grassroots vibe. It appeals to those who appreciate music made for enjoyment rather than perfection. Discover the chaotic charm of Le Piciarle's cover album—listen now and join the basement fun!