Enkriko Banned

 We have built a land that does not exist, we have populated it with black and fierce men; their beating kills our sight but we can no longer live without it.

 His music enchants them.

The review poetically depicts Miles Davis' Bitches Brew as an immersive and transformative musical expedition. It evokes vivid and mysterious imagery linked to the album's experimental and fusion nature. The tone is emotional and reflective, celebrating the album's haunting and unparalleled artistic expression. The reviewer conveys a sense of intrigue and enchantment throughout. Dive into the legendary sounds of Miles Davis' Bitches Brew and experience a timeless jazz voyage like no other.

 Once the disc was in the player, here comes the apocalypse: a medley of pure and simple noise.

 Reed himself once joked saying: 'Anyone who reaches the second track is an idiot,' therefore I am the idiot who forced myself to reach the third.

This review expresses a deep admiration for Lou Reed's other works but finds Metal Machine Music to be an unbearable noise experiment. The reviewer struggles to find any musical value and describes the album as a punishing, repetitive noise barrage. Despite the challenge, the reviewer is open to alternative interpretations from others. Listen to Lou Reed's Metal Machine Music and decide for yourself if this noise experiment speaks to you!

 It’s impossible to imagine Bram Stoker’s Dracula without the smooth and mellifluous music that follows the unfolding of the story.

 Let yourself be tempted to read, or reread, Stoker’s masterpiece with this CD in the stereo.

This review praises Wojciech Kilar's soundtrack for Bram Stoker's Dracula as a nostalgic and essential musical experience. The album perfectly complements the film's gothic atmosphere and romantic storyline with powerful orchestration and unique vocal elements. Highlights include the eerie contributions of Diamanda Galas and Annie Lennox's haunting closing song. The reviewer recommends the album as an ideal companion to the original novel and film. Listen to Wojciech Kilar's Dracula OST and immerse yourself in a timeless gothic musical journey.

 "Ambuscado is an album that serves as a 'collection of revised and corrected tracks': a decade of True Spirits navigating the dreamy sea of stretched and desert-like notes."

 "If there were an ideal music for haunted manors, it would be 'Komota.' Listen to believe."

Hugo Race's Ambuscado is a compelling and experimental album that showcases his diverse abilities and unique blend of psychedelic blues and ambient rock. The album spans a decade of creative exploration with True Spirits, delivering haunting vocal performances and innovative sound combinations. With standout tracks like 'Essential Serbo-Croat' and 'Komota,' the record explores themes of spirituality, melancholy, and surreal atmospheres. Ambuscado stands as a testament to Race's uncompromising artistry and visionary blend of styles. Listen to Ambuscado now and immerse yourself in Hugo Race's haunting and visionary blues journey.

 A song like "Tu No" is worth hundreds of musical love dedications written in recent years and, more than anything else, it is written with nails and blood... who is still capable of that?

 Ciampi was truly a poet: he was capable of writing such sparse and direct verses that they immediately touched your heart.

This review praises Piero Ciampi as a true poet and tragic artist whose deeply honest and direct verses resonate profoundly. Despite neglect during his life, his debut album stands as a timeless collection of raw emotion and poetic truth, outshining many contemporaries. The review highlights his uncompromising artistry and themes of loneliness, recommending discovery or rediscovery for those seeking genuine, heartfelt music. Listen to Piero Ciampi’s album and experience the raw poetry of a true Italian singer-songwriter.

 "Sadness Will Prevail could have been a fitting soundtrack for those one-way journeys toward the northern ice."

 The screams of the neurotic Steve Austin mix with various kinds of noises: from explosive white noise in a Merzbow style, to almost doom metal guitar outbursts.

The review compares 'Sadness Will Prevail' to a medieval ghost ship metaphor, describing it as a chaotic and intense double album. Steve Austin's harsh vocals blend with explosive noise and doom metal elements, creating a disturbing but compelling soundscape. The album explores themes of mental health struggles and emotional extremes, oscillating between ambient calm and violent cacophony. Ultimately, it is praised as a powerful and boundary-pushing work in extreme music. Dive into the chaotic depths of 'Sadness Will Prevail' and experience extreme music like never before.

 Raiz gives a view of the barbarization of our lives that is at the very least sweet and justifying, as if it were a new Iliad where an Enea, mafiùs, has crossed the Atlantic to continue the glorious Italian lineage.

 Italy is what it is: a hotbed of various kinds of mafias and clientelism, where it is impossible to do anything if you don’t know Mr. So-and-so who introduces you to Mr. Such-and-such.

Raiz's album 'Wop' evocatively portrays Italy's turbulent migration past and social decay, especially in the South. The review highlights the harsh reality of organized crime and social oppression, wrapped in elegiac tones. Raiz gives voice to the struggles of a marginalized people, blending history and personal narrative. The album is praised for its deep, honest commentary on Italy's contemporary and historical social issues. Discover Raiz's 'Wop' for a powerful musical journey through Italy's social and historical struggles.

 The song that starts it all, "When The Man Comes Around," is a ballad that illustrates the day of judgment with resurrecting dead and the Man walking among them.

 The strength of Reznor’s song here is rendered tired and creaky, accompanied by just a few piano notes; the quality of the sound is truly that of a march for the ghosts.

Johnny Cash’s American IV: The Man Comes Around is a deeply moving and powerful final album that blends heartfelt covers with original songs. Produced by Rick Rubin and recorded shortly before Cash’s death, it showcases themes of mortality, loss, and acceptance. Highlights include Cash’s tender versions of Hurt, Personal Jesus, and Bridges Over Troubled Water. The album’s emotional depth is enhanced by his aged, broken voice and collaborations, creating a lasting legacy. Listen to Johnny Cash’s American IV and experience a heartfelt farewell filled with soul-stirring covers and timeless originals.

 Tilt is an album that might seem like the brainchild of a David Sylvian who has finally learned to defecate outside the jar.

 Scott Walker is a hidden genius, a victim of his own misanthropy and whimsical moods.

Scott Walker's album Tilt marks a stark, unsettling return after years of personal turmoil. The record is a challenging exploration of anguish and minimalism, filled with electronic and fragmented sounds. Praised for its emotional depth and unique artistry, Tilt is recommended for listeners who appreciate dark, introspective music. The album stands as a testament to Walker's genius and misanthropic vision. Listen to Scott Walker's Tilt and immerse yourself in a haunting journey of dark beauty and raw emotion.

 Jourgensen’s desire, freed from partner Paul Barker, to amaze once more with violent sounds and samples of all kinds.

 Samples taken from George W.’s TV appearances are re-manipulated to make him whisper: 'I’ve got a message to people in Iraq... Go home and Die.'

Ministry's album Houses of the Molé delivers fierce electro-industrial sounds combined with sharp political criticism of Bush's policies. Jourgensen's energy and inventive use of samples create a powerful, urgent experience. The album challenges listeners to awaken against political abuses, although it questions if such sonic aggression still reaches young audiences. Overall, it represents years of Ministry's musical and ideological evolution. Discover Ministry’s powerful Houses of the Molé—experience fierce electro-industrial protest at its core.