sylvian1982

 Songs like 'Palomino,' 'Do You Believe In Shame?,' 'Land,' and 'The Edge Of America' are remarkably mature and remarkably pop.

 Let's set aside all prejudices for a moment and pretend that the Duran Duran are not the ones playing and singing on this record.

The review reflects on Duran Duran's decline after mid-80s success, focusing on the underappreciated 1988 album 'Big Thing'. Despite its commercial failure and negative reception, the album features mature and quality pop songs deserving of recognition. The reviewer encourages setting aside prejudices linked to the band's boy band image to appreciate the music's true merits. Listen to Duran Duran's 'Big Thing' and rediscover an overlooked 80s pop masterpiece.

 Nine tracks for a total of thirty-six minutes deliver a fresh group that energetically veers towards a crystalline electro-acoustic pop of the best British tradition.

 In the era of digital media where everyone rushes to fill the disc to its total capacity... even thirty-six minutes like in the days of vinyl are enough to prove you’re not just another next big thing for the trash heap.

The Electric Soft Parade's second album, The American Adventure, delivers a crisp electro-acoustic pop sound rooted in the best British traditions. The reviewer finds it a significant improvement over their debut, praising songwriting and album brevity. Comparisons are drawn to Radiohead’s The Bends, Doves, South, and XTC. Despite initial hype and skepticism, the album impresses with quality and focus. Listen to The Electric Soft Parade’s The American Adventure and experience fresh, crisp British electro-acoustic pop!

 Those who, like me, started taking their first dance steps in discos during that period cannot forget: That’s The Way I Like It, Shake Your Booty, Keep It Comin’ Love...

 When people criticized KC that his lyrics were somewhat repetitive and monotonous, he loved to respond that this way, people would remember the title of the song they heard really well.

This review covers KC & The Sunshine Band's best-of compilation, highlighting their iconic disco hits from the 1970s. It celebrates the tracks that defined an era of dance music, noting their infectious melodies and lasting popularity. The reviewer appreciates the quality and value of the album as a solid introduction to the band. Some criticism is made of repetitive lyrics, but overall the collection is seen as an enjoyable trip down disco memory lane. Dive into KC & The Sunshine Band's disco hits and relive the golden era of dance floors!

 Perhaps I was a little distracted; I begin listening from the start again: 1st track - a recited poem... 11th track - a recited poem.

 I thought I had bought forty-five minutes of music... Tomorrow, I'm going to the bookstore to buy a book of poems, who knows, inside I'll find forty-five minutes of music?

The reviewer explores Massimo Volume's album 'Da Qui', emphasizing the dominance of spoken word poetry over traditional music. Despite initial skepticism rooted in personal biases and expectations, the album is a notable blend of recited poems and subtle guitar accompaniment. While the music takes a backseat to the voice, the unique style evokes the 1970s poetic recitations, leaving the reviewer amused and contemplative. Discover the unique poetic rock fusion of Massimo Volume's 'Da Qui'—listen now to experience spoken word like never before!

 If it’s not in your blood, it’s difficult to reinvent oneself as a songwriter, and the result is a bland album, without head or tail.

 During the listening, you wait for the track that will make you jump from your chair, but in the end, there remains only tedium and boredom.

Cousteau's third album Nova Scotia marks a disappointing turn after Davey Ray Moor's departure. Despite retaining the band's soft, alluring style, the songs lack impact and memorability. Liam McKahey takes over songwriting but fails to revitalize the band's sound. The album feels disjointed and uninspired compared to their acclaimed earlier work. Fans might prefer revisiting Cousteau's first two albums instead. Explore Cousteau's earlier albums for their best sound and rediscover the magic of their debut work.

 "Velvety atmospheres imbued with melancholy and above all the always magnificent voice of Tracey Thorn sketching ten very pleasant tracks."

 "For tonight, I let myself be lulled by 'Amplified Heart'."

Everything But The Girl's 'Amplified Heart' returns to the band’s earlier sound with velvety, melancholic atmospheres and Tracey Thorn's beautiful vocals. Despite mixed reception during the grunge era, tracks like 'Missing' have endured, especially with Todd Terry's remix. The album strikes a balance of gentle melodies and moderation, showcasing Ben Watt’s musicianship. It’s a comforting and intimate record that invites listeners to a cozy musical experience. Discover the soothing blend of melancholy and melody in 'Amplified Heart'—listen now and experience Everything But The Girl's timeless sound.

 This is an immense album.

 Buy this album, listen to it a thousand times then break it and go buy it again.

Archive's 1996 debut Londinium was largely overlooked amidst iconic releases of the year but stands as a monumental trip-hop record. Combining rap inserts with sophisticated beats and seductive female vocals, it pushed the boundaries of the genre. The album pays homage to the Bristol trip-hop sound while offering fresh innovations. It's recommended for repeated listens and holds a lasting place alongside groups like Portishead and Morcheeba. Listen to Londinium now and explore a trip-hop gem you shouldn't miss!

 One cannot remain impassive in front of a song like Hold Me Now with a chorus on the verge of perfection.

 Imagine the Beatles and XTC being asked to compose the music for Jesus Christ Superstar.

The Polyphonic Spree’s album Together We're Heavy stands out in a music scene often accused of derivative work. With a massive lineup and theatrical presence, the band delivers melodious symphonic pop marked by dynamic choruses and rich instrumentation. The album's ambitious structure and emotional intensity create a unique listening experience that can fascinate or divide audiences. The reviewer ultimately embraces the album's bold originality and craftsmanship. Dive into The Polyphonic Spree’s mesmerizing symphonic pop and experience the theatrical magic of Together We're Heavy today!

 Forget everything that was (and is) 'Love In The Time Of Science,' a decent synth-trip-hop album. Indeed, here the course changes radically.

 I appreciate the commitment and the desire to challenge oneself when she could have easily photocopied her previous work, but the result frankly leaves me indifferent.

Emiliana Torrini's Fisherman's Woman marks a shift from her previous synth-trip-hop style to a more intimate and acoustic approach. The album features delicate melodies and minimal instrumentation, recalling artists like Cat Power and Joni Mitchell. While the vocalist's talent and artistic risk are appreciated, the reviewer finds the album repetitive and emotionally uninspiring. It may still appeal to fans of tender, stripped-down music. Discover Emiliana Torrini’s delicate and intimate Fisherman’s Woman—listen and judge this unique acoustic journey yourself!