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DeRank ™: 25,46 • DeAge™ : 7550 days
Sometimes I wonder what goes on in the mind of a visionary genius like RichardDavidJames... Perhaps just to shout at him, like the kid in the last track: 'Stop making that big face!'
Sometimes I wonder what goes on in the mind of a visionary genius like RichardDavidJames...
Perhaps just to shout at him, like the kid in the last track: 'Stop making that big face!'
The review delves into the complex and contrasting nature of Aphex Twin's Come To Daddy EP, highlighting its blend of unsettling and tender tracks. It reflects on the artist's mental state, ironic streak, and influence on electronic music. With vivid track descriptions, the review praises the EP’s innovative approach and enduring impact. It encourages listeners to immerse themselves in Richard David James’ provocative sound world. Dive into Aphex Twin’s Come To Daddy EP and experience the haunting brilliance that reshaped electronic music!
La morte dei miracoli is indeed a disillusioned album, perhaps the most markedly hip-hop in the discography of Francesco Di Gesù. Quelli che benpensano is objectively difficult to describe a song that has fully entered the history of Italian music.
La morte dei miracoli is indeed a disillusioned album, perhaps the most markedly hip-hop in the discography of Francesco Di Gesù.
Quelli che benpensano is objectively difficult to describe a song that has fully entered the history of Italian music.
Frankie Hi-NRG MC's second album, La morte dei miracoli, marks a mature and darker evolution in his rap style, moving away from the vibrant debut to a more reflective and introspective tone. The album features collaboration with Roman producer Ice One, resulting in haunting beats and thoughtful lyrics tackling social and existential themes. Notably, the track "Quelli che benpensano" remains iconic in Italian music. Despite some compositional shortcomings, the album is a significant and rewarding milestone in late 90s Italian hip-hop. Discover the dark, reflective hip-hop legacy of Frankie Hi-NRG MC by listening to La morte dei miracoli today!
Raven is yet another example of a dazzling image prevailing over substance, a flaw of too many productions in recent decades. Her performance, in the long run, proves to be flat and monochromatic, with the specter of boredom lurking.
Raven is yet another example of a dazzling image prevailing over substance, a flaw of too many productions in recent decades.
Her performance, in the long run, proves to be flat and monochromatic, with the specter of boredom lurking.
Kelela’s album Raven, released by Warp Records, is praised for its high-profile collaborators and genre-blending production. While the album opens strongly, much of it suffers from a flat vocal delivery and repetitive themes. Despite some interesting moments, the review finds the album more style than substance, leaving the overall impact underwhelming. Discover Kelela's Raven and explore the blend of ambient, R&B, and modern soul that challenges expectations.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable. ‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable.
‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
This review recounts the memorable yet infamous 1993 Sanremo Festival performance by Maria Grazia Impero with her rock song 'Tu con la mia amica.' The review highlights the clash between her raw rock style and the traditional Italian festival atmosphere, resulting in an awkward and controversial moment. Despite the song’s flaws and bizarre presentation, her effort is noted as an unforgettable piece of Sanremo history. The context also outlines the festival’s atmosphere and key personalities of the era. Discover the unforgettable and quirky side of Sanremo history—read about Maria Grazia Impero’s legendary 1993 performance now!
Rush! is an LP that, while containing some successful tracks, doesn’t do justice to the Måneskin phenomenon and reveals it for what it is: a product artfully constructed by record labels and thrust into the fray too soon. Damiano, Victoria, Ethan, and Thomas know how to play, sing well, speak excellent English, and have fun when performing live, but unfortunately, they are still a band far from maturity and unable to leave a mark.
Rush! is an LP that, while containing some successful tracks, doesn’t do justice to the Måneskin phenomenon and reveals it for what it is: a product artfully constructed by record labels and thrust into the fray too soon.
Damiano, Victoria, Ethan, and Thomas know how to play, sing well, speak excellent English, and have fun when performing live, but unfortunately, they are still a band far from maturity and unable to leave a mark.
Måneskin's third album Rush! marks their full international debut with a mainstream rock sound. While some tracks like "Gossip" and "The Loneliest" stand out, the album suffers from immature lyrics, overlong tracklist, and moments lacking creativity. The band's image and stage charisma remain strong, but the musical offering feels inconsistent and overly crafted by producers. A promising effort that falls short of truly capturing the band's potential and maturity. Discover Måneskin's Rush! and explore their bold attempt to revive rock for a new generation.
Valeria Golino showcases a repertoire of tousled hair, endless cigarettes, worn-out red nail polish, and bold miniskirts, combined with a tight, foul-mouthed Neapolitan dialect. TheLyingLifeofAdults is a series that fails to make a mark and, despite containing touching or funny moments, does not fully achieve its goals.
Valeria Golino showcases a repertoire of tousled hair, endless cigarettes, worn-out red nail polish, and bold miniskirts, combined with a tight, foul-mouthed Neapolitan dialect.
TheLyingLifeofAdults is a series that fails to make a mark and, despite containing touching or funny moments, does not fully achieve its goals.
The Lying Life of Adults is a Netflix series set in 1990s Naples, directed by Edoardo De Angelis and based on Elena Ferrante’s novel. While praised for historical accuracy, music, and Valeria Golino’s performance, some acting and audio issues detract from the experience. The story’s strongest bond, between Giovanna and Aunt Vittoria, feels underdeveloped. Despite meaningful moments, the series struggles to leave a lasting impact and may disappoint some viewers. Explore the complex world of Naples in the 90s with The Lying Life of Adults—watch now and dive into this bittersweet family drama.
The album lasts about an hour and is certainly suitable for absorbed and demanding listening. I assure you that the bravest will remain firmly in their seats and let themselves be led by Noise & Paradox to the frontiers of the galaxy.
The album lasts about an hour and is certainly suitable for absorbed and demanding listening.
I assure you that the bravest will remain firmly in their seats and let themselves be led by Noise & Paradox to the frontiers of the galaxy.
Transmograpfication by Noise & Paradox offers an evocative journey into cosmic soundscapes blended with jazz-inspired drum and bass rhythms. Released in 1998 during the genre’s early wave, the album uniquely melds German cosmic influences with UK breakbeat. Its complex layers and abstract moments invite absorbed listening, balancing experimental psychedelia with accessible structure. The review celebrates the album as an underrated gem for adventurous listeners. Embark on a cosmic sonic journey with Noise & Paradox's Transmograpfication—listen and explore a groundbreaking fusion of drum and bass!
Those expecting a replication of the dreamy trance of ‘Fable’ and ‘Children’ were indeed disappointed. 23am is an uneven album that disappointed not only early fans but also the 'electrophiles' audience Robert aimed at.
Those expecting a replication of the dreamy trance of ‘Fable’ and ‘Children’ were indeed disappointed.
23am is an uneven album that disappointed not only early fans but also the 'electrophiles' audience Robert aimed at.
23am, Robert Miles' sophomore album, diverges greatly from his debut Dreamland's dreamy trance hits. It explores ambient, chill-out, drum and bass, and live instrumentation with spiritual and conceptual themes. While some tracks like "Freedom" and "Textures" stand out, much of the album struggles with pacing and uninspired arrangements. This bold, yet uneven effort disappointed fans expecting more dance hits and marked a turning point in Miles' career. Listen to Robert Miles' adventurous 23am and discover an experimental side beyond the trance hits!
Quarantunesimo parallelo... establishes a Naples-New York connection and demonstrates that doing hip-hop in Italy without mimicking Americans is possible and above all necessary. When he listens to “Odissea” he gets emotional almost like the first time. And that is undoubtedly a good sign.
Quarantunesimo parallelo... establishes a Naples-New York connection and demonstrates that doing hip-hop in Italy without mimicking Americans is possible and above all necessary.
When he listens to “Odissea” he gets emotional almost like the first time. And that is undoubtedly a good sign.
La Famiglia’s 1998 debut album Quarantunesimo parallelo holds a special place in Italian hip-hop history. Its use of Neapolitan dialect helped establish a unique identity while showcasing remarkable lyrical talent from Polo and Sha One. DJ Simi’s straightforward beats support the duo’s complex rhymes, although production sometimes feels bare. The album is a pioneering effort, linking Naples to New York and demonstrating the power of authentic Italian hip-hop beyond imitation. Listen to La Famiglia’s Quarantunesimo parallelo and experience the roots of authentic Italian hip-hop culture today!
His debut It Takes a Thief, released in 1994 by Tommy Boy Records, indeed stands out from the dark and threatening tones of gangsta rap, adding a good dose of lightheartedness to the mix. Dusting it off can be a way to honor the memory of Coolio, an artist with a not-deluxe career and not particularly brilliant results, but who deserves a special place in the ‘hall of fame’ of hip-hop of those years.
His debut It Takes a Thief, released in 1994 by Tommy Boy Records, indeed stands out from the dark and threatening tones of gangsta rap, adding a good dose of lightheartedness to the mix.
Dusting it off can be a way to honor the memory of Coolio, an artist with a not-deluxe career and not particularly brilliant results, but who deserves a special place in the ‘hall of fame’ of hip-hop of those years.
The review reflects on Coolio's recent passing and honors his 1994 debut album 'It Takes a Thief' as a distinct contribution to West Coast hip-hop. It highlights the album's blend of lightheartedness, storytelling, and solid production. While not as renowned as some contemporaries' works, the album remains enjoyable and significant for fans of the golden age of hip-hop. The review also touches on the cultural shifts in the genre and Coolio's unique artistic voice. Discover the unique sound and stories of Coolio's classic debut album—listen to 'It Takes a Thief' today and celebrate hip-hop's golden era.
DeRank™: 8,47
DeAge 6789
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DeRank™: 2,10
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DeRank™: 13,33
DeRank™: 0,52
DeAge 7758
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