Redwolf

 The film is truly mediocre and the praises and tributes I read here and there are completely unjustified.

 A banal narrative that unfolds laboriously between stereotypes and images from a tourist board.

The review criticizes È stata la mano di Dio as a mediocre film lacking originality and depth. It draws unfavorable comparisons to Sorrentino's La grande bellezza and the works of Fellini and Rosi. The narrative is described as banal and cliché-ridden, with underwhelming performances from Toni Servillo and others. Despite some aesthetic touches, the film fails to impress. Read this critical take on Paolo Sorrentino's È stata la mano di Dio and decide if its praise is overrated.