DaniP

 The fourth Exbats album is a transitional one, where garage remains an ideal attitude and pop takes over.

 For those purists with garage rigor, I recommend the collection 'E Is 4 Exbats' rather than this album.

The Exbats' fourth album 'Now Where Were We' marks a shift from raw garage punk toward a more pop-oriented sound. The father-daughter duo Inez and Kenny McClain deliver energetic anthems blending various styles from folk to psychedelic elements. While Side A impresses with catchy choruses and diverse musical moments, Side B is more uneven, with some tracks less successful. The album overall is transitional, highlighting their carefree and bold attitude despite a few weaker moments. Listen to The Exbats' blend of garage punk and pop on 'Now Where Were We' and explore the evolving sound of this unique duo!

 ‘All The Covers (And More)’, in the end, is the best way to get to know The Streetwalkin’ Cheetahs.

 If anyone dares to object, ‘Freak Out Man’ buries them under tons of watts.

The review praises The Streetwalkin’ Cheetahs for their 30-year dedication to rock and punk, highlighting their covers album as an ideal introduction. It details the band’s influences, notable releases, and solid reputation despite limited mainstream recognition, emphasizing their powerful hard rock and proto-punk sound. The 38-track double CD is seen as a passionate homage to rock history, perfectly capturing the band’s raw energy and legacy. Explore The Streetwalkin’ Cheetahs’ powerful rock covers and dive into their 30 years of punk and hard rock passion!

 The debut album’s cover and even the title, “Solution Revolution,” scream out MC5 MC5 MC5 with such force that they make vocal cords and eardrums bleed.

 What a great stroke of luck, I repeat. And again, thanks to people like Nixon Now.

Nixon Now’s 'Solution Revolution' channels the raw, aggressive spirit of Detroit’s 1969 rock scene, closely aligning with the Stooges more than MC5. The album combines fast, fuzz-driven tracks with slower, bluesy undertones, delivering a gritty and powerful sound. Despite a modest rating, the reviewer praises the band's ability to revive the old rock essence and thanks them for keeping the style alive. The album cover and title effectively hint at the intense musical experience inside. Dive into Nixon Now’s Solution Revolution and experience a raw Detroit rock explosion that echoes legends—listen now!

 Jason And The Scorchers is one of the greatest rock’n’roll bands you might lend an ear to in the blessed year of 1985.

 It worked wonderfully — rock’n’roll plus country plus punk plus hard rock, a genre unheard of before.

This review explores Jason & The Scorchers’ unique ability to blend rock, country, punk, and hard rock, marking them as pioneers in their genre during the early 1980s. It highlights the band's raw debut with 'Fervor,' their critically acclaimed album 'Lost and Found,' and the evolving sound in 'Still Standing.' The reviewer embraces their energetic performances, songwriting depth, and lasting influence despite some minor flaws. The collection 'EMI Years' compiles these significant works, making it essential for rock and country fusion fans. Dive into Jason & The Scorchers’ EMI Years to experience genre-defying rock energy and timeless country-punk anthems today!

 If there’s no trace of punk, there’s none of all that plastic that would, in a few years, smother pop and drown every trace of imagination.

 It’s a pleasure to have known Bebe, even now that she’s seventy and it’s been fifty years since the Playboy centerfold.

This review reflects on Bebe Buell's Covers Girl EP, highlighting its eclectic pop covers and subtle punk associations. The reviewer appreciates the reissue efforts preserving such works and admires Buell's role as a muse in rock history. Though initially indifferent, repeated listens reveal the record's charm without commercial plasticity. The review also touches on Buell's cultural significance beyond music. Discover the charm of Bebe Buell's Covers Girl EP—listen now and explore the rich history behind this unique pop-punk crossover!

 "Power Hits! is an incredible journey into the depths of garage-punk in 24 tracks."

 "Friendship, brotherhood in spirit, flesh, and blood – that’s the heart of Leighton and Tito’s story."

The review celebrates 'Power Hits!' by Leighton Koizumi & Tito And The Brainsuckers as a rich exploration of garage-punk spirit. It highlights the deep, brotherly bond between Leighton and Tito and the album’s roots in a raw, underground music scene. Combining the original 13 tracks from 'When the Night Falls' with 11 additional songs, this expanded release offers passionate, gritty anthems that resonate with true punk lovers. The reviewer recounts personal appreciation and the album’s enduring impact. Dive into the raw power of 'Power Hits!' and discover the enduring spirit of garage punk with Leighton & Tito today!

 ‘I’m Not Sorry, I Was Just Being Me’ is an album of disarming beauty, spartan and sometimes even moving.

 The way Hannah sings reminds me so much of Hope Sandoval, the same monotony, more disenchanted and grounded.

The review praises King Hannah's album 'I'm Not Sorry, I Was Just Being Me' for its minimalistic yet evocative storytelling and authentic emotional delivery. It highlights the duo's ability to channel nostalgic indie folk and alt-rock sounds reminiscent of Hope Sandoval, Mazzy Star, and Jesus & Mary Chain. The album features intimate, straightforward lyrics and a striking cover of Bruce Springsteen's "State Trooper." The reviewer finds the album both moving and highly relatable, recommending it to fans of 90s alternative music. Listen to King Hannah's heartfelt album and experience a fresh take on indie folk and nostalgic alt-rock today!

 In July 2019, David reappears on the scene with a new group—Purple Mountains—and a self-titled album of dazzling beauty.

 Reading the lyrics of the songs within Purple Mountains, I felt nostalgic for those times, the pleasure of having a red and blue two-tone pencil in the drawer and a book with lyrics in the library to underline according to my inspiration.

The review chronicles David Berman's artistic and personal journey, from his early days with Silver Jews through struggles with mental illness to his return with the Purple Mountains album. It highlights the album's classic pop sound, inspired by American songwriting legends, and praises its lyrical depth. Despite a rating of 3 out of 5, the review regards Purple Mountains as a beautiful, heartfelt work and a significant final statement from Berman before his death. Discover the heartfelt melodies and poetic lyrics of Purple Mountains—listen now and experience David Berman’s lasting legacy.

 Shave'em Dry is in all respects one of the most devastating things that happened to me last year.

 Elisa did DAMS, had she done economics and business, with a clever marketing move she would have combined the two media and multiplied the profit.

Elli De Mon combines her academic background and passion for blues into a compelling one-woman band album, Countin' The Blues. The project honors little-known women of blues, highlighting their stories through both an insightful book and a powerful album. Musically, the album blends punk attitudes with traditional and acoustic blues, showcasing Elli's unique multi-instrumental talents. Despite some lingering questions about the essence of blues, the work is praised for its deep passion and cultural significance. It stands out as a DIY success in the Italian blues scene. Listen to Elli De Mon’s Countin' The Blues and explore untold stories of blues women through her powerful songs and inspiring book.

 If they asked me, I would answer that there’s less than nothing new and yet, as long as ballads like “Tomorrow People”, “Movies”, and “Someone Else’s Problem” are written and the American tradition is handled with personality and skill as Ivey does, it seems marvelous to me.

 The shift from the debut is quite distinct, due to a decidedly rockish approach that harks back as much to Bob Dylan grappling with electricity in “Bringin It All Back Home” as to Tom Petty’s first three albums.

Jeremy Ivey, once known as Margo Price's guitarist and husband, steps out with his own work in 'Waiting Out The Storm.' Guided by traditional Americana and classic rock influences, the album channels legends like Dylan, Petty, and Cash. While not breaking new ground, Ivey delivers skilled and personal songs that honor American musical roots. His emergence as a solo artist is notable and promising. Listen to Jeremy Ivey’s 'Waiting Out The Storm' and experience authentic Americana rock crafted with heart and skill.