Zichietto

 Fear has a thousand faces and in 999 cases it is imaginary, not real; it has a single spectator-protagonist who identifies (passively) with It, in a paralyzing subjective without escape capable of strangling the breath.

 Last curiosity, the red painted cart wheel by the devil is a vision of a woman from a company of comedians, a little-remembered scene from Ingmar Bergman’s TheSeventhSeal.

This review explores the many symbolic and psychological forms of fear reflected in Zichietto’s album LA PAURA. It connects ancient myths, personal paranoia, and cultural superstitions, emphasizing how fear can be imaginary yet deeply impactful. The artist’s work blends these themes with music and video by collaborators, creating a layered expression about fear and ignorance. The review is insightful and contemplative, highlighting the storytelling behind the project. Discover the haunting depths of fear through Zichietto’s LA PAURA—listen and explore the stories that shape our deepest anxieties.