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DeRank ™: 12,15 • DeAge™ : 1984 days
Moro is the figure of a man caught in a dramatic whirlwind bigger than himself, to the point of confessing his fear of dying and his desire to keep living. Freeing Moro was not an insurmountable task since his prison was in an apartment in Rome, and by using some infiltrator informant in the then far-left, something concrete could have been accomplished.
Moro is the figure of a man caught in a dramatic whirlwind bigger than himself, to the point of confessing his fear of dying and his desire to keep living.
Freeing Moro was not an insurmountable task since his prison was in an apartment in Rome, and by using some infiltrator informant in the then far-left, something concrete could have been accomplished.
Marco Bellocchio’s Esterno notte is a compelling and meticulously crafted film revisiting the enigmatic Aldo Moro case. Through nearly six hours of intense drama, the film portrays the tragic months of Moro’s kidnapping with nuanced performances and a fast-paced, steady direction. Bellocchio highlights the political failures, betrayals, and contradictions of the era, offering an insightful reinterpretation of a complex historical event. The film underscores the human and political dramas behind the crisis, positioning Moro as a tragic, almost Christ-like figure. Watch Marco Bellocchio’s Esterno notte to uncover the gripping story of Aldo Moro’s kidnapping and the dark secrets of 1970s Italy.
"Kazan caustically represents the power of mass media in modern society to the point of influencing the public who convincingly follow skillfully influential characters." "The system will continue anyway because other demagogues will rise to prominence to manipulate the masses, the latter unfortunately afflicted by short memory and destined to repeat the usual mistakes."
"Kazan caustically represents the power of mass media in modern society to the point of influencing the public who convincingly follow skillfully influential characters."
"The system will continue anyway because other demagogues will rise to prominence to manipulate the masses, the latter unfortunately afflicted by short memory and destined to repeat the usual mistakes."
Elia Kazan's 1957 film 'A Face in the Crowd' explores the dark influence of mass media and populist politics through the rise and fall of Larry Lonesome Rhodes. The film remains relevant today with its visionary portrayal of media manipulation and political theatrics. Despite mixed initial reviews, it stands as a powerful social commentary on American society and democratic fragility. The intense performances, especially by Andy Griffith, add depth to this timeless classic. Watch Elia Kazan's 'A Face in the Crowd' to discover a timeless warning about media and politics still relevant today.
"The unforgettable voice of Jim Morrison, who was much more than just a singer within the group, doesn’t make an appearance." "On an impeccable sonic tapestry of rock blues blend with jazz aromas, the album plays a crucial role in the evolution of a band that transitioned from a quartet to a trio of survivors."
"The unforgettable voice of Jim Morrison, who was much more than just a singer within the group, doesn’t make an appearance."
"On an impeccable sonic tapestry of rock blues blend with jazz aromas, the album plays a crucial role in the evolution of a band that transitioned from a quartet to a trio of survivors."
The review reflects on The Doors' 1971 album 'Other Voices,' created after Jim Morrison's death. While acknowledging the absence of Morrison's iconic voice, the review praises the remaining members' musicianship. The album is seen as an important but imperfect milestone in the band's evolution, recommended especially to new listeners exploring The Doors' history. Listen to 'Other Voices' and explore The Doors' journey beyond Jim Morrison's legacy.
The theme of cannibalism is just a pretext. Many other humans remain far more dangerous than the two of them.
The theme of cannibalism is just a pretext.
Many other humans remain far more dangerous than the two of them.
Luca Guadagnino’s film Bones and All uses cannibalism as a pretext to explore themes of isolation, identity, and growing up in 1980s America. The story follows Maren and Lee, two young outcasts struggling to find their place in society while navigating personal and psychological challenges. The film balances horror with psychological suspense, avoiding clichés. Its road movie structure adds a majestic backdrop to a deeply emotional and thought-provoking narrative. Discover the haunting beauty of Bones and All—watch the film and experience this unforgettable journey of youth and survival.
"It was like being transported by a hypothetical time machine of Wells to find myself in that magical biennium of 1964-1965 when the Animals didn’t miss a beat." "I prefer then to remember him by listening to (and savoring it like a true Proustian madeleine) an anthology vinyl like ‘House of the Rising Sun,’ which takes me back to his better years."
"It was like being transported by a hypothetical time machine of Wells to find myself in that magical biennium of 1964-1965 when the Animals didn’t miss a beat."
"I prefer then to remember him by listening to (and savoring it like a true Proustian madeleine) an anthology vinyl like ‘House of the Rising Sun,’ which takes me back to his better years."
This review reflects a deep passion for music and a rediscovery of The Animals through their anthology album 'House of the Rising Sun.' The author praises the band’s role in shaping rock with blues roots, highlights iconic tracks and soulful performances, and shares a nostalgic connection to vintage vinyl collecting. The review also touches on the band members' later careers and the bittersweet fate of frontman Eric Burdon. Dive into The Animals' legendary sound — listen to 'House of the Rising Sun' and experience rock history firsthand!
The film offers a merciless and original portrait of our world increasingly caught in a spiral of decay and barbarism. They are a bunch of damned souls, greedy, petty, internally withered like the parched earth devoid of water.
The film offers a merciless and original portrait of our world increasingly caught in a spiral of decay and barbarism.
They are a bunch of damned souls, greedy, petty, internally withered like the parched earth devoid of water.
Paolo Virzì's Siccità is a serious dystopian film set in a drought-stricken Rome, blending neo-realism with a thought-provoking social allegory. The story revolves around interconnected characters grappling with despair and societal collapse. Strong performances by Silvio Orlando and Valerio Mastandrea stand out in this complex narrative. Despite some unresolved aspects and a slightly consolatory ending, the film offers an original, unsettling view of contemporary decay. Discover the haunting world of Siccità and explore its powerful portrayal of a crumbling Rome—watch now to experience its gripping social narrative.
The film has been edited down from the original 131 minutes to just 97. The explicit lampooning of the RAI TV institution... suggests it provoked irritation for some high-ranking radio-television figure.
The film has been edited down from the original 131 minutes to just 97.
The explicit lampooning of the RAI TV institution... suggests it provoked irritation for some high-ranking radio-television figure.
The review highlights the posthumous censorship of Luigi Zampa’s 1970 film Contestazione Generale, which was significantly shortened from 131 to 97 minutes. The film originally provided incisive social critiques of Italian protest movements and institutional hypocrisy through distinct episodes featuring notable actors. However, censorship reduced its impact, especially the first segment targeting RAI TV. Despite flaws in tone and execution, the film remains a culturally significant work reflecting Italian societal struggles and media control. Discover the lost pieces of Italian cinematic history—watch Luigi Zampa’s Contestazione Generale and explore its censored truths.
If you happen to meet someone who argues that 'things were better when they were worse,' don’t hesitate to take them to see (lest we forget) Amelio’s latest film titled 'The Lord of the Ants.' Feeling nostalgic for those times is simply absurd.
If you happen to meet someone who argues that 'things were better when they were worse,' don’t hesitate to take them to see (lest we forget) Amelio’s latest film titled 'The Lord of the Ants.'
Feeling nostalgic for those times is simply absurd.
Gianni Amelio's film The Lord of the Ants revisits the tragic 1960s case of Aldo Braibanti, an intellectual persecuted under fascist-era laws for his homosexuality. The review highlights the film's commitment to civil rights issues, though noting some fictional liberties and missing historical context. It stresses the continued relevance of the film's themes in Italy's social landscape. Overall, the film is praised though not perfect. Watch The Lord of the Ants to explore a compelling chapter of Italy's civil rights history through powerful storytelling.
One is certainly struck by the technical amateurism of the film. What remains is only a sort of sonic and filmic graffiti that confusedly testifies historical moments in the career of Robert Zimmerman.
One is certainly struck by the technical amateurism of the film.
What remains is only a sort of sonic and filmic graffiti that confusedly testifies historical moments in the career of Robert Zimmerman.
Eat the Document documents Bob Dylan's 1966 tour but suffers from technical amateurism and a confused final edit. Dylan's direction led to tension with original filmmaker Pennebaker and the film’s rejection by ABC. Despite its flaws, it captures rare historical moments with Dylan and The Band. The film remains more a fragmentary testimony than a polished documentary. Dylan learned from this experience for future film work. Watch 'Eat the Document' on YouTube to witness a raw piece of rock history and Dylan’s ambitious but flawed directorial debut.
Cronenberg begins to show us how our human body can become subject to manipulations. A critic like Kim Newman qualified it as 'proof that you can be interesting and boring at the same time.'
Cronenberg begins to show us how our human body can become subject to manipulations.
A critic like Kim Newman qualified it as 'proof that you can be interesting and boring at the same time.'
This review delves into David Cronenberg's early film Crimes of the Future (1970), highlighting its dystopian plot set in 1997 and its thematic focus on body horror and pandemics. The film's style and motifs foreshadow Cronenberg's later works, though it retains a certain hermetic and naive quality. Despite mixed views, it remains a film of interest for fans of the director and cult cinema. Dive into Cronenberg's early visionary film and discover the roots of modern body horror—watch Crimes of the Future (1970) today!
DeRank™: 9,32
DeAge 1985
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