Harlan

 The Testament have fallen, slowly but they have fallen, into the trap of riffs that are self-serving and offer little by the end of a track.

 Hearing an album in 2020 with such a dreadful production, and with such disarming lack of ideas from a band with their name is sincerely embarrassing.

The review critically examines Testament's 2020 album 'Titans Of Creation,' praising some song ideas but condemning the weak production and lack of creativity. While acknowledging the band's legacy and past achievements, it argues the album falls short, especially in sound mix and stylistic choices. A few tracks stand out, but overall it disappoints fans expecting the classic Testament thrash metal intensity. Discover the full review and decide if Testament's Titans Of Creation lives up to its thrash metal legacy.

 Change Direction identifies itself with an excellent display of musicianship and vocal performance.

 The album pays tribute to early Queensryche, with influences well assimilated and reproduced in a modern key.

DGM's 1997 album Change Direction is a noteworthy debut blending progressive and power metal with clear 80s influences. The album showcases strong musicianship and vocals but is occasionally hindered by excessive tempo changes and some weaker tracks. Its production quality stands out for the era, making it a recommended listen for fans of experimental progressive sounds. Despite minor flaws, it remains an important work for lovers of modern takes on classic progressive metal. Discover DGM's Change Direction and experience a fresh 90s take on classic progressive metal—listen now!

 It’s a consistency that always respects the band’s stylistic norms yet always manages to make you listen through without skipping tracks.

 Angelripper’s harsh voice is always there, almost as if it came from a guy who’s smoked a few too many cigars and whose vocal cords are pleading for mercy.

Sodom’s EP 'Out Of The Frontline Trench' offers raw and passionate thrash music showcasing the band’s hallmark consistency. The review praises Tom Angelripper’s distinctive vocals and the energetic riffs that recall thrash metal's golden era. While the re-recorded 'Agent Orange' is seen as unnecessary, the live track and new songs maintain freshness. Overall, the EP reestablishes the band’s vitality after lineup changes. Dive into Sodom’s latest thrash feast—listen to 'Out Of The Frontline Trench' now and experience true metal consistency!

 I have almost always tried to separate the music from the very provocative beliefs and thoughts of an artist, focusing solely on the albums.

 It’s impossible then to ask Benton for a 'Legion' part two, but I am still convinced that Overtures Of Blasphemy is an album that could pleasantly pass a little less than forty minutes.

The review examines Deicide's 2018 album Overtures Of Blasphemy, highlighting its mix of melody and signature death metal energy. It acknowledges Glen Benton's controversial persona but focuses on the music. Though not a masterpiece, the album presents solid performances with some repetitiveness and production flaws. It honors the band's legacy while showing signs of fully peaking in past decades. Discover Deicide's enduring death metal style—listen to Overtures Of Blasphemy and explore the legacy of a genre pioneer!

 The album flowed beautifully, and every time it ended, I was ready to start over from the beginning.

 Future World is a Heavy Metal / AOR gem to rediscover.

The review revisits Pretty Maids' 1987 album Future World, praising its blend of heavy metal and AOR characterized by catchy choruses, strong keyboard work, and Ronnie Atkins’ distinctive vocals. It highlights standout tracks and the album’s ability to remain fresh despite familiar influences. The album is described as an underrated classic and a heavy metal gem worth rediscovery. Listen to Pretty Maids’ Future World now and rediscover one of the 80s finest heavy metal AOR albums!

 "Code Red is probably the most direct, genuine, and violent record of the German band."

 Just the impact of the Titletrack is enough to dispel any doubts, with a Tom Angelripper who gracelessly screams 'CODE RED!' with spine-chilling emphasis.

Code Red marks a powerful return to raw and violent thrash for Sodom, shedding their previous punk influences. The album's gritty production and relentless energy highlight Tom Angelripper's intense vocals and Bernemann's refreshed guitar work. Praised for its compact and direct style, it cemented Sodom's relevance in the late 90s metal scene. This album remains a refuge for thrash purists seeking uncompromising metal. Dive into Sodom's Code Red and experience raw thrash metal at its fiercest—listen now and rediscover metal intensity!

 Riot City perfectly manage to recreate the nostalgia effect, without dwelling too long in the past.

 Burn The Night stands as one of the best classic records of this year, without surprising too much or making a sensation like other albums, but achieving its objective.

Riot City's 2019 album Burn The Night successfully channels '80s metal nostalgia without becoming stale, combining powerful vocals, sharp production, and authentic influences. The band skillfully blends homage and originality, especially through Cale Savy's standout vocal performance. While future releases will determine their lasting impact, Burn The Night is already a noteworthy addition to classic metal this year. Discover how Riot City reignites '80s metal fire—listen to Burn The Night now!

 Destruction represents the epitome of musical stagnation in the Thrash field.

 Schmier’s stubbornness in continuing to propose his uncompromising idea of Thrash Metal seems to have no end.

Destruction's 2016 album 'Under Attack' continues the band's long-standing pattern of repeating similar thrash metal riffs without innovation. Despite solid production and a few standout tracks, the album suffers from monotony and bland vocals. The band’s refusal to experiment alienates listeners seeking fresh sounds within thrash. While still professional, 'Under Attack' fails to capture the energy of earlier works or break new ground. Explore Destruction's 'Under Attack' and decide if their thrash metal consistency is strength or weakness.

 "Living The Dream proves their excellent state of health without sounding ‘old’."

 "Even in 2018, the typical Heep sound has never faded."

Living The Dream is a vibrant continuation of Uriah Heep's nearly 50-year career, showcasing a fresh yet classic hard rock sound. With strong performances from Bernie Shaw, Mick Box, and Phil Lanzon, the album balances nostalgia and vitality. Produced by Mike Paxman, it confirms the band's impressive consistency since the mid-90s. Fans of classic and progressive rock will appreciate its timeless quality. The album is a pleasant surprise and a testament to Uriah Heep's enduring creativity. Discover how Uriah Heep keeps their classic rock spirit alive – listen to Living The Dream now!

 The desire to reconnect with the past, trying (in vain) to emulate it, is one of the biggest problems of this record.

 Celebrating the past while hiding the meagerness of the present.. Unfortunately, that’s not the solution.

The review critically assesses Geoff Tate’s 2013 album 'Frequency Unknown' as a disappointing and uninspired effort to revive the classic Queensryche sound. Despite Tate's distinctive voice, the album suffers from weak songwriting, inconsistent track quality, and unbalanced production. The effort to reconnect with the 1990s progressive metal glory days falls flat, failing to match the original band’s creativity. The reviewer contrasts this with the more inspired return of original Queensryche featuring Todd La Torre, highlighting the lack of fresh ideas in Tate’s release. Explore the story behind Queensryche’s split and listen to 'Frequency Unknown' to judge this controversial chapter yourself.