luludia

 "Tap along to the beat of the first track, listen to how the voice comes in, I guarantee you’ll feel better immediately."

 "Feathers was exactly like that!!! Not only a wolf. Also a turkey, a hen, a frog. In 'Uh Uh Honey,' he sounds like Donald Duck."

This evocative review celebrates Charlie Feathers' 'Rockabilly Rhythm!' as a heartfelt fusion of rockabilly, country, and blues. It reflects on Feathers' creative journey and legacy, highlighting the album's fresh, live feel despite being recorded in 1973. The review also pays homage to Feathers’ influence on music icons like Elvis and The Cramps. The album is seen as essential listening for rockabilly and roots music fans. Dive into Charlie Feathers’ 'Rockabilly Rhythm!' and experience the raw magic of classic rockabilly today.

 There are all the sounds of the city of the unconscious. Crackles, toy instruments, bells, hidden voices, terrifying single-chord trails.

 Hyde is a punk warrior, Jekyll the spirit of the woods. And this wonder is my current island of sound.

The review praises Black to Comm's Alphabet 1968 for its evocative blend of melancholy, tribal rhythms, and cosmic soundscapes. The album invites listeners into a surreal, unconscious world filled with mechanical beats and haunting melodies. Its tracks range from blissful obsessions to successful nightmares, creating a deep atmospheric experience. The reviewer describes the album as a remarkable musical island rooted in experimental sounds and psychological moods. Dive into the haunting worlds of Alphabet 1968 and discover this mesmerizing experimental soundscape today.

 Art must always limp a little.

 Misha is a sort of Dr. Monk and Mr. Dada, Han is the constant interference.

This review celebrates the dynamic interplay and absurd humor in Misha Mengelberg and Han Bennink's album Midwoud 77. The duo's improvisational style blends beautiful melodies with intentional imperfections, inspired by Thelonious Monk. Their lively performances balance chaos and order, embracing life’s seriousness with a wink. The result is an engaging avant-garde jazz experience full of charm and wit. Dive into the playful jazz world of Misha Mengelberg and Han Bennink—listen to Midwoud 77 to experience their unique improvisational magic!

 Mick Harvey on the cursed knows his stuff, spend thirty years with Nick Cave, then you tell me.

 "Intoxicated Man" is pure vertigo. And pure cinema too. Senses and intelligence sway between whim, instability, elegance.

This review praises Mick Harvey’s tribute albums Intoxicated Man and Pink Elephants, highlighting his successful reinterpretation of Serge Gainsbourg’s complex and iconic songs. Harvey’s deep understanding of the cursed and seductive atmosphere around Gainsbourg’s work shines through, supported by Anita’s vocal roles. The two albums showcase a blend of jazz, pop, and chanson with emotional depth and cinematic quality. The review appreciates Harvey’s role as a musical master of ceremonies bridging worlds of classic and alternative music. Explore Mick Harvey’s captivating Gainsbourg tribute albums and experience a unique blend of dark elegance and timeless melodies.

 "A kaleidoscope of misty colors. Three-quarters melancholy, one of lightness."

 "Phil Spector meets the Shangri-las in a rainy English alley."

Spell's 'Seasons in the Sun' is a beautifully melancholic cover album of forgotten sixties death discs. The collaboration between Boyd Rice and Rose McDowall creates a unique blend of dark folk, rockabilly, and pop. The album explores themes of death, nostalgia, and haunting elegance, delivering a cinematic and poetic listening experience. Its balance of kitsch and classic styles makes it a captivating tribute to overlooked artists and a subtle celebration of life and death. Dive into the haunting melodies of 'Seasons in the Sun' and discover a unique blend of vintage pop and dark folk magic.

 "Death and gloom becomes Death in June – a fabulous misunderstanding, a kind of gift from heaven."

 "Few, like Death in June, have recounted the tragedy of life and that, in the end, the best lifebelt lies precisely within their work and is, obviously, that incredible beauty that gives shivers."

This review delves into the intense, dark atmosphere of Death in June's 1985 live concert in Bologna, highlighting their unique fusion of dark wave, post-punk, and folk. It touches on the band's controversial use of Nazi symbolism while emphasizing the tragic beauty and epic melancholy in their music. The reviewer praises key tracks like "Nada" and suggests exploring subsequent albums for a richer understanding of their artistic evolution. The review conjures a vivid picture of the haunting live experience and the enduring power of the band's work. Discover the haunting beauty of Death in June's Bologna 8/4/85 live album – listen now and experience a dark wave legend in full force.

 You make a little record that no one pays any attention to, and after forty years you find it fetching crazy prices on eBay.

 "Earthy" is the right term. David loses his understatement and almost gets enthusiastic: "Yes, yes, the seasons are the earth!!!"

David Cain's 'The Seasons' is a little-known educational folk album from the 1980s that has recently gained cult status for its earthy, mysterious qualities. Created for BBC drama workshops, it blends pagan undertones and whimsical poetry with naïve electronics and folk cadences. The reviewer praises its evocative atmosphere and unexpected beauty. Despite its initial obscurity, the album now commands high prices and admiration for its unique blend of ancient and modern sounds. Dive into David Cain's mesmerizing 'The Seasons' and explore this rare folk masterpiece filled with earthy mystique and whimsy!

 The album is fantastic, like a hallucination of a hallucination.

 The airy lightness of the orchestra, wrapped in a muffled whirlwind, enters and exits from distorting mirrors.

The Caretaker's album Selected Memories From the Haunted Ballroom creates a haunting, melancholic atmosphere inspired by 1920s dance music and ghostly hallucinations. The album evokes a sense of eerie nostalgia through distorted, elusive orchestral sounds. The review highlights the artist's skillful manipulation of sound as a 'bedroom genius' who masterfully explores memory and decay. The record delivers a corroded elegance that transports listeners to a mysterious, spectral world. Immerse yourself in The Caretaker’s eerie soundscape—listen to Selected Memories From the Haunted Ballroom today!

 Tracey doesn’t need to do much. She has a strange impersonal quality, there’s no subject, just a kind of anonymous grace.

 If a record should ever play for you, well it would be this one... Floating calmly away from the gaze of others...

The review praises Everything but the Girl’s album Walking Wounded for its delicate, subtle, and melancholic sound. Tracey Thorn’s vocal delivery is described as impersonal yet graceful, creating a gentle and introspective mood. The music blends electronic pop with soul and jazz influences, evoking a calm and empty emotional space. The album is likened to a peaceful escape, floating away from the noise of life. Discover the subtle beauty of Walking Wounded—listen now and float away in its soulful electronic pop.

 This Burial is clever... The classic alchemist armed with scissors and glue locked in his little room.

 It almost seems like the old rave days are back. Even if perhaps it’s like when you listen to old records and momentarily rediscover lost time.

The review reflects on Burial's artistry from his debut to his recent EP collection, highlighting his ability to create evocative, melancholic, and ethereal soundscapes. The 'Tunes 2011-2019' compilation is praised for expanding his palette with extended, luminous tracks that evoke nostalgia and emotional release. The author draws poetic and philosophical comparisons to post-punk and rave eras, emphasizing Burial's unique blend of ancient and ultramodern soul. Dive into Burial’s haunting EP collection and experience an unforgettable journey through ethereal and melancholic electronic soundscapes.