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DeRank ™: 4,89 • DeAge™ : 3930 days
He always finds something in reality. The swing, as he would say, something that words can’t express. At 72 years old, he quietly takes you by the hand and says — hi, it’s 1971, it’s difficult music. I’m here, and I’ll help you.
He always finds something in reality. The swing, as he would say, something that words can’t express.
At 72 years old, he quietly takes you by the hand and says — hi, it’s 1971, it’s difficult music. I’m here, and I’ll help you.
The review reflects on Duke Ellington's 1971 album 'Afrique' as a remarkable achievement during a chaotic period in jazz history. Despite trends toward free jazz, Ellington maintained his unique style and grace. 'Afrique' bridges classical jazz with contemporary influences, showcasing Ellington’s enduring creativity at age 72. This album is seen as his last masterpiece, offering a comforting presence amid musical upheaval. Discover Duke Ellington's 1971 masterpiece Afrique — listen now and experience jazz that transcends time.
I feel like putting on the headphones, blasting this marvel, dancing, not thinking about anything. I love the radio. When it’s an occasion, when it makes you remember, when it makes you discover.
I feel like putting on the headphones, blasting this marvel, dancing, not thinking about anything.
I love the radio. When it’s an occasion, when it makes you remember, when it makes you discover.
The reviewer fondly recalls hearing 'Statesboro Blues' on the radio after a long time. They emphasize the pure joy and happiness the song brings without overanalyzing it. Though aware of Duane Allman's deep musical study, the review focuses on the fun and dance-worthy nature of the track. It’s a heartfelt tribute to the song's enduring appeal and celebratory mood. Put on your headphones and experience the timeless, joyful energy of Statesboro Blues now!
Naima is a very sweet ballad, without too many virtuosos, without rhythmic explosions, without anything. It’s to be listened to with eyes closed. Study how Naima evolves over the years. Study, or at least try to sense, what moves inside the head, inside the heart of this guy from North Carolina.
Naima is a very sweet ballad, without too many virtuosos, without rhythmic explosions, without anything. It’s to be listened to with eyes closed.
Study how Naima evolves over the years. Study, or at least try to sense, what moves inside the head, inside the heart of this guy from North Carolina.
This review reflects on John Coltrane's iconic ballad Naima, emphasizing its sweet simplicity and lasting impact. It explores the personal story behind the piece and invites listeners to follow its evolving interpretations through Coltrane's career. The reviewer encourages a deep emotional connection with the music and its historical context. Discover the soulful depths of John Coltrane's Naima and experience a timeless jazz masterpiece today.
Johnny plays it languidly and sensually. He plays it with no expressions on his face. Ever. Billy wrote it for Johnny Hodges... Johnny plays it... Sweet and languid, while inside he’s angry, he’s furious.
Johnny plays it languidly and sensually. He plays it with no expressions on his face. Ever.
Billy wrote it for Johnny Hodges... Johnny plays it... Sweet and languid, while inside he’s angry, he’s furious.
This review portrays Johnny Hodges as a complex and emotionally guarded figure, whose soulful saxophone playing in Blood Count captures deep sorrow and restraint. The album is a heartfelt tribute to Billy Strayhorn and reflects the intimate bonds within Duke Ellington’s orchestra. Hodges' expressive yet expressionless style conveys powerful, unspoken narratives of suffering and passion. Listen to Johnny Hodges’ Blood Count to experience jazz’s deepest emotions and explore the legacy of an alto sax master.
There are certain things you haven’t heard in at least twenty years, but as soon as you hear them, they awaken something inside you that you didn’t remember. I never knew what that woman was singing. I never understood the words. But it doesn’t matter. I believe she was singing something so beautiful that it can’t be expressed in words.
There are certain things you haven’t heard in at least twenty years, but as soon as you hear them, they awaken something inside you that you didn’t remember.
I never knew what that woman was singing. I never understood the words. But it doesn’t matter. I believe she was singing something so beautiful that it can’t be expressed in words.
The review captures a spontaneous moment of reconnecting with Mahler's 'Ich bin der Welt abhanden gekommen' on the radio, evoking nostalgic and emotional reflections. It contrasts classical music appreciation with personal memories and language barriers. A showcase of mezzo-sopranos breathes new life into a rarely heard lieder. The music awakens feelings dormant for decades, proving its timeless beauty. The reviewer pauses other favorite music to savor this profound experience. Listen to Mahler’s haunting lieder and rediscover a beautiful emotional journey through timeless classical music.
Al Di Meola's speed in moving his fingers on the guitar is impressive. Truly frightening. For an hour and a half, he impresses us, proposing pieces that send the audience into raptures.
Al Di Meola's speed in moving his fingers on the guitar is impressive. Truly frightening.
For an hour and a half, he impresses us, proposing pieces that send the audience into raptures.
The review covers Al Di Meola's live performance at Blue Note Milano in 2014, highlighting his impressive guitar speed and musical variety. The reviewer describes the concert setting, the band's dynamics, and the engaging atmosphere, noting especially the Spanish-style guitar pieces and enthusiastic audience. The performance lasted over an hour and a half, including two encores. Overall, the experience is portrayed as exciting and enjoyable. Discover the magic of Al Di Meola's live guitar mastery—listen to his iconic performances and feel the energy of Blue Note Milano!
Lester is not young. Lester is short on time. He’s worn himself out with his unruly life. It’s 1956. And Prez, the President, meets the Marxist Mozart, Teddy Wilson.
Lester is not young. Lester is short on time. He’s worn himself out with his unruly life.
It’s 1956. And Prez, the President, meets the Marxist Mozart, Teddy Wilson.
The review reflects on the 1956 Lester Young and Teddy Wilson Quartet album, highlighting the artists' backgrounds and the era's jazz scene. It contrasts personal stories and cultural context with the timeless music recorded by the duo. The reviewer also references a related cultural work, 'Kiss of the Spider Woman,' to frame the emotional atmosphere around that period. Discover the soulful sounds of Lester Young and Teddy Wilson—listen to this iconic jazz quartet album today!
If one day - it ever happens to you - they call you a trombone, think of this stuff here. Mingus thunders: do not call me a jazz musician. Jazz musician means black, means sit at the back of the bus, means second-rate musician.
If one day - it ever happens to you - they call you a trombone, think of this stuff here.
Mingus thunders: do not call me a jazz musician. Jazz musician means black, means sit at the back of the bus, means second-rate musician.
This review offers a nostalgic and emotional tribute to trombonist Jimmy Knepper, highlighting his career and struggles, including his complex relationship with Charles Mingus. It situates Knepper's work within the jazz scene, particularly in relation to Gil Evans' album Out of the Cool. The review blends personal storytelling and jazz history to honor Knepper's legacy. Discover the heartfelt story behind Gil Evans' Out of the Cool and dive deeper into jazz history with Jimmy Knepper's remarkable journey.
When he’s seated at the drums, he has a grace that you can’t resist. I don’t think I’ll stop pressing replay anytime soon.
When he’s seated at the drums, he has a grace that you can’t resist.
I don’t think I’ll stop pressing replay anytime soon.
This review recounts an intimate and memorable live jazz concert at Blue Note Milano featuring Jack DeJohnette, Ravi Coltrane, and Matthew Garrison. The close proximity to the stage enhanced the experience of hearing jazz classics like 'Blue in Green.' DeJohnette’s grace and the trio's synergy left a lasting impression, culminating in an encore and a personal autograph moment. Discover the magic of live jazz with DeJohnette, Coltrane, and Garrison—listen and relive this intimate Blue Note concert now!
As soon as you put it on, it reminds you of an old sweater. One of those you perhaps should have thrown away. But it keeps you warm, makes you feel good. You feel the respect. Of one towards the other. They are playing, making fun of each other, but they are listening to each other.
As soon as you put it on, it reminds you of an old sweater. One of those you perhaps should have thrown away. But it keeps you warm, makes you feel good.
You feel the respect. Of one towards the other. They are playing, making fun of each other, but they are listening to each other.
The review celebrates the unique vocal interplay between Ella Fitzgerald and Louis Armstrong on their album Ella and Louis. Despite not owning any records, the reviewer is moved by the warmth, respect, and playful chemistry they share. The album is likened to a comforting old sweater that evokes feelings of joy and connection. It highlights a timeless musical bond that feels heavenly and fortunate to experience. Listen to Ella and Louis and feel the timeless warmth and magic of this legendary jazz duet.
DeRank™: 15,25
DeRank™: 8,90
DeRank™: 1,59
DeRank™: 7,51
DeRank™: 17,18
DeRank™: 7,12
DeRank™: 1,83
DeRank™: 6,66
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