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DeRank ™: 0,32 • DeAge™ : 4204 days
"It takes a certain robust familiarity with Our Man to enter without too much fear into the den of this dark, fascinating work." "From the very first bars of ‘Not the end of the world’ we are inclined to shout, once more, at a masterpiece."
"It takes a certain robust familiarity with Our Man to enter without too much fear into the den of this dark, fascinating work."
"From the very first bars of ‘Not the end of the world’ we are inclined to shout, once more, at a masterpiece."
Dive into John Cale’s Mercy for a dark, innovative listening experience from a rock legend.
"Van Morrison achieves a balance reached only a few other times before, such as in the unsurpassable... Astral Weeks or the wonderful Moondance." "For those wishing to approach Van Morrison's music, this work almost didactically opens up every possibility."
"Van Morrison achieves a balance reached only a few other times before, such as in the unsurpassable... Astral Weeks or the wonderful Moondance."
"For those wishing to approach Van Morrison's music, this work almost didactically opens up every possibility."
Dive into Van Morrison’s 'No Guru, No Method, No Teacher' and experience one of his finest spiritual and musical journeys.
"Exterminating Angel is an important, imperfect, enigmatic, cruel, salvific, contradictory record... a bit like the Exterminating Angel of the film: no one sees it, but everyone feels it’s there." "In comparison, Joy Division, to whom Dark Day is often casually compared, resemble friendly jokers."
"Exterminating Angel is an important, imperfect, enigmatic, cruel, salvific, contradictory record... a bit like the Exterminating Angel of the film: no one sees it, but everyone feels it’s there."
"In comparison, Joy Division, to whom Dark Day is often casually compared, resemble friendly jokers."
Dive into the dark and mysterious world of Dark Day's 'Exterminating Angel'—listen now and discover a hidden gem of underground music history.
Sometimes music should simply flow and accompany our habits, letting go as if it were a gentle spring breeze; this is the case with this wonderful album, whose greatest virtue lies in its charm. "What’s the matter now?"... a slow, tipsy boogie punctuated by a powerful steel guitar: a masterpiece.
Sometimes music should simply flow and accompany our habits, letting go as if it were a gentle spring breeze; this is the case with this wonderful album, whose greatest virtue lies in its charm.
"What’s the matter now?"... a slow, tipsy boogie punctuated by a powerful steel guitar: a masterpiece.
Dive into Lost in Ozone and experience the timeless charm of Commander Cody’s classic Americana mix today!
"Dig It is a wonderfully dated album: although it’s Schulze’s first work entirely produced with digital equipment, the compositions manage to build a rich and vivid magmatic texture." Spending forty-five minutes with Dig It is a true privilege: the luxury of being subjected to very intense emotional stimuli.
"Dig It is a wonderfully dated album: although it’s Schulze’s first work entirely produced with digital equipment, the compositions manage to build a rich and vivid magmatic texture."
Spending forty-five minutes with Dig It is a true privilege: the luxury of being subjected to very intense emotional stimuli.
Dive into Klaus Schulze's Dig It and experience one of electronic music's most visionary digital albums today!
Why take an interest in this album, then? Because it fights banality. The sonic experience of Dreamachine is no less. Listen to believe.
Why take an interest in this album, then? Because it fights banality.
The sonic experience of Dreamachine is no less. Listen to believe.
Explore Brion Gysin's experimental world and immerse yourself in the unique sounds of Self-Portrait Jumping today.
It’s a shame that a record like this suffers almost total oblivion, a fate shared by a large part of the Crammed production. The enjoyment of listening is not marred by a constant search for sound, and the distinctly European resonances bring to mind our own history.
It’s a shame that a record like this suffers almost total oblivion, a fate shared by a large part of the Crammed production.
The enjoyment of listening is not marred by a constant search for sound, and the distinctly European resonances bring to mind our own history.
Explore Jean-Marc Zelwer's theatrical and evocative album The Gods Are Angry—discover a unique blend of European sounds and cinematic artistry today!
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