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DeRank ™: 0,12 • DeAge™ : 4924 days
An obese album is never beautiful. It’s a little heist on the poor man’s money. An album should also be a little enjoyable, not a brick to the privates.
An obese album is never beautiful. It’s a little heist on the poor man’s money.
An album should also be a little enjoyable, not a brick to the privates.
This review critiques Il Teatro Degli Orrori's album Il mondo nuovo as overwhelmingly long and verbose, which detracts from the overall listening experience. Although some lyrical moments show depth, the album feels bloated and pretentious. The reviewer expresses frustration with the album's length and lack of humility from the artist. Ultimately, it falls short of delivering a truly enjoyable or cohesive work. Read the full review and decide if Il Teatro Degli Orrori's 'Il mondo nuovo' is worth your time and ears.
An instrumental work of unexpected level, with peaks of absolute quality, my dear. The violent tear-jerking story of a small juicy Orange flower child, with vitamins with highly lysergic properties...
An instrumental work of unexpected level, with peaks of absolute quality, my dear.
The violent tear-jerking story of a small juicy Orange flower child, with vitamins with highly lysergic properties...
Omar Rodriguez-Lopez's The Apocalypse Inside Of An Orange is a standout instrumental concept album filled with high-quality compositions. It tells a unique and vivid story of a tragic orange in a disturbing yet imaginative narrative. The album features remarkable collaboration with skilled musicians contributing to its rich soundscape. It diverges from his other solo work, showcasing experimental and progressive elements. Overall, it is an unexpectedly powerful and engaging listen. Dive into the vibrant and experimental world of Omar Rodriguez-Lopez's The Apocalypse Inside Of An Orange—listen now and experience its unique story!
Free Way seems like a jam session performed by a herd of acid-soaked wrecks, stragglers on the path to ruin deeply devoted to the most hallucinated and bemused electronic Miles Davis. Then you discover that the wreck is just one.
Free Way seems like a jam session performed by a herd of acid-soaked wrecks, stragglers on the path to ruin deeply devoted to the most hallucinated and bemused electronic Miles Davis.
Then you discover that the wreck is just one.
Brian Ellis' 2007 album Free Way presents a hypnotic blend of electronic sounds infused with jazz influences reminiscent of Miles Davis. Initially chaotic, the album reveals itself as a coherent solo project full of deep, psychedelic textures and instrumental mastery. The review appreciates the unique fusion and Ellis' singular vision in creating a mesmerizing listening experience. Discover the hypnotic fusion of electronic and jazz — listen to Brian Ellis’ Free Way now!
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